Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
306
Giovanni Battista Borra, 1713–1770
Monte delle Beatitudini
ca. 1750
307
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
308
Giovanni Battista Borra, 1713–1770
View of Micale Promontorio
ca. 1750
309
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
310
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
311
Giovanni Battista Borra, 1713–1770
View of Sigacik (Ancient Teos)
ca. 1750
312
Giovanni Battista Borra, 1713–1770
Plan of the Port of Sigacik (ancient Teos)
ca. 1750
313
Giovanni Battista Borra, 1713–1770
View of Artaki (now Erduk)
ca. 1750
314
Giovanni Battista Borra, 1713–1770
Is'Tmo di Cizico unito al Continente
ca. 1750
315
Giovanni Battista Borra, 1713–1770
View of a Long Aqueduct
ca. 1750
316
Giovanni Battista Borra, 1713–1770
View of Tivoli in the Direction of the North Wind
ca. 1750
317
Giovanni Battista Borra, 1713–1770
Is'Tmo e Penisola di Cizico
ca. 1750
318
Giovanni Battista Borra, 1713–1770
View of Maglova Aqueduct
ca. 1750
319
Giovanni Battista Borra, 1713–1770
Aquedotto Angolare
ca. 1750
320
Giovanni Battista Borra, 1713–1770
View of Tivoli
ca. 1750
321
Giovanni Battista Borra, 1713–1770
View of the Ruined Baths at Hadrian's Villa at Tivoli
ca. 1750
322
Giovanni Battista Borra, 1713–1770
Unfinished View of the Palatine in Rome
ca. 1750
323
Giovanni Battista Borra, 1713–1770
Scoglio di Silla nel Faro di Mesina
ca. 1750
324
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
325
Print made by Callender, active mid–18th century
Voluntier
1745
326
Print made by Callender, active mid–18th century
John's Coffee House
1745
327
Print made by Callender, active mid–18th century
Study of a Man with a Cutlass
between 1745 and 1748
328
Isaac Taylor, 1730–1807
Frontispiece for Town and Country Magazine, for Vol. II, No. 1
undated
329
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
330
James Stow, ca. 1770–after 1820
The Globe Theatre, Bankside, Southwark
undated
331
William Henry Toms, ca. 1700–ca. 1750
The Tower of London
ca. 1750
332
Print made by Pierre Charles Canot, ca. 1710–1777
Evening
1745
333
Print made by Pierre Charles Canot, ca. 1710–1777
Noon
1745
334
Print made by Pierre Charles Canot, ca. 1710–1777
A Strong Gale or Squall
1745
335
Print made by Pierre Charles Canot, ca. 1710–1777
Sun Under a Cloud
1745
336
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
337
Print made by Pierre Charles Canot, ca. 1710–1777
A Ship in Distress
1745
338
Alexander Bannerman, ca. 1730–1780
Verrio
undated
339
John Spilsbury, 1730–1795
Benjamin West, Engraver
undated
340
Alexander Bannerman, ca. 1730–1780
Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
undated
341
Alexander Bannerman, ca. 1730–1780
Hamlet Winstanley
undated
342
Alexander Bannerman, ca. 1730–1780
Hamlet Winstanley
undated
343
Simon François Ravenet, 1706–1774
Marriage A-La-Mode, Plate IV: The Toilet Scene
1745
344
Simon François Ravenet, 1706–1774
Marriage A-La-Mode, Plate V: The Death of the Earl
1745
345
Gerard Jean Baptiste Scotin, 1671–1716
Marriage A-La-Mode, Plate VI: The Death of the Countess
1745
346
Gerard Jean Baptiste Scotin, 1671–1716
Marriage A-La-Mode, Plate I: The Contract
1745
347
Bernard Baron, 1696–1762
Marriage A-La-Mode, Plate II: The Breakfast Scene
1745
348
Bernard Baron, 1696–1762
Marriage A-La-Mode, Plate III: The Scene with the Quack
1745
349
Luke Sullivan, 1705–1771
A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)
1745
350
Alexander Bannerman, ca. 1730–1780
Robert White, P. Vansomer, Isaac Becket, John Start and William Elder
undated
351
Alexander Bannerman, ca. 1730–1780
John Wyck and Thomas Wyck
undated
352
Alexander Bannerman, ca. 1730–1780
John Wyck and Thomas Wyck
undated
353
Print made by Alexander Bannerman, ca. 1730–1780
Frederick Zucchero
undated
354
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
355
Alexander Bannerman, ca. 1730–1780
Sir Christopher Wren and Hugh Howard
undated
356
Alexander Bannerman, ca. 1730–1780
Francis Wouters
undated
357
Alexander Bannerman, ca. 1730–1780
Gerard Zoust, Edema and Grifiere
undated
358
Alexander Bannerman, ca. 1730–1780
Murray
undated
359
Alexander Bannerman, ca. 1730–1780
Warner Vailliant, Vandrebanc, Francis Place, & William Lodge
undated
360
Alexander Bannerman, ca. 1730–1780
Edward Pierce, Senior and Junior
undated
361
Alexander Bannerman, ca. 1730–1780
Warner Valliant, Vandrebanc, Francis Place, & William Lodge
undated
362
Alexander Bannerman, ca. 1730–1780
Talman, Sir Ralph Cole, and Marco Ricci
undated
363
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
364
Print made by James Bretherton, ca. 1730–1806
P. Monamy
undated
365
Print made by James Bretherton, ca. 1730–1806
P. Monamy
undated
366
Alexander Bannerman, ca. 1730–1780
Edward Pierce, Senior & Junior
undated
367
Alexander Bannerman, ca. 1730–1780
Sir Toby Matthews
undated
368
Alexander Bannerman, ca. 1730–1780
Talman, Sir Ralph Cole and Marco Ricci
undated
369
Alexander Bannerman, ca. 1730–1780
John Riley and Egbert Hemskirt
undated
370
Alexander Bannerman, ca. 1730–1780
Henry Steenwyck
undated
371
Alexander Bannerman, ca. 1730–1780
Van Diest and Le Piper
undated
372
Alexander Bannerman, ca. 1730–1780
Peter Vander Meulen
undated
373
Alexander Bannerman, ca. 1730–1780
Anthony Vandyck
undated
374
Alexander Bannerman, ca. 1730–1780
Anthony van Dyck
undated
375
Alexander Bannerman, ca. 1730–1780
Peter Roestraten
undated
376
Alexander Bannerman, ca. 1730–1780
John van Belcamp and Geldorp
undated
377
Alexander Bannerman, ca. 1730–1780
La Soeur
undated
378
Alexander Bannerman, ca. 1730–1780
George Lambert
undated
379
Alexander Bannerman, ca. 1730–1780
John Mabuse
undated
380
Alexander Bannerman, ca. 1730–1780
Murray
undated
381
Jacobus Houbraken, 1698–1780
John, Lord Somers, Lord Chancellor
1745
382
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
383
Alexander Bannerman, ca. 1730–1780
George Jamesone
undated
384
L. Truchy, 1721–1764
Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the..
1745
385
L. Truchy, 1721–1764
Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over..
1745
386
Francis Swaine, 1730–1782
A Naval Squadron Lying at Spithead
between 1745 and 1783
387
James Roberts the Elder, 1725–1799
The South East View of Brook House
ca. 1750
388
William Henry Toms, ca. 1700–ca. 1750
Veue de St. James's Park pris de Rosamond's Pond
1745
389
William Henry Toms, ca. 1700–ca. 1750
Veue de St. James's Park pris de Rosamond's Pond
1745
390
Alexander Bannerman, ca. 1730–1780
Boit. Baker
undated
391
Print made by Alexander Bannerman, ca. 1730–1780
Cibber
undated
392
Alexander Bannerman, ca. 1730–1780
Dobson
undated
393
Alexander Bannerman, ca. 1730–1780
William Faithorne
undated
394
Alexander Bannerman, ca. 1730–1780
Marc Garrard
undated
395
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
396
James Basire, 1730–1802
Dr. Johnson's Monument
undated
397
Alexander Bannerman, ca. 1730–1780
Simon Du Bois
undated
398
Alexander Bannerman, ca. 1730–1780
John Greenhill
undated
399
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
400
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire