"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
2
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
3
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
4
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
5
John Raphael Smith, 1752–1812
"William and Margaret"
1802
6
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
7
Print made by Richard Earlom, 1743–1822
A Landscape, with the Story of Europa
1802
8
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
9
Thomas Girtin, 1775–1802
A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
1802
10
Print made by William Daniell, 1769–1837
An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs
1802
11
Francesco Bartolozzi, 1728–1815
Angelica Catalani
1802
12
Print made by William Finden, 1787–1852
Attacking Stag
undated
13
Print made by Francis Jukes, 1747–1812
Benledi
1802
14
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
15
unknown artist
Changing Horses Near Clermont
1802
16
Print made by James Caldwall, 1739–1819
Charles Bonnet, F.R.S, The Chain of Nature
1802
17
Print made by Samuel Alken, 1756–1815
Cori-nan-Urischin
1802
18
Pierre-Joseph Redouté, 1759–1840
Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816
between 1802 and 1816
19
James Gillray, 1756–1815
Despair
1802
20
Print made by Thomas Medland, 1755–1823
Down Castle, Craigforth and Stirling in the Distance
1802
21
Print made by S. Porter, active 1802
Durham Cathedral
1802
22
Print made by William Daniell, 1769–1837
Edmund Garvey, R.A
between 1802 and 1814
23
Print made by Thomas Medland, 1755–1823
Fall of the Brahan
1802
24
James Gillray, 1756–1815
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle
1802
25
Print made by William Daniell, 1769–1837
Francis Wheatley, R.A
between 1802 and 1814
26
Samuel William Reynolds, 1773–1835
Francis, Late Duke of Bedford
1802
27
George Clint, 1770–1854
General James Stuart
1802
28
Francesco Bartolozzi, 1728–1815
He Was Wounded For Our Transgressions
1802
29
Francesco Bartolozzi, 1728–1815
Head of Christ
1802
30
Print made by William Daniell, 1769–1837
Henry Howard
between 1802 and 1814
31
Print made by George Chinnery, 1774–1852
Henry Tresham, Esq, R.A
1802
32
Print made by W. Pickett, active 1792–1820
Hill of Binion from the Lake
1802
33
James Gillray, 1756–1815
Hope
1802
34
unknown artist
Inn Yard at Calais
1802
35
Print made by James Basire the younger, 1769–1822
Inside View of the East End of Merton College
1802
36
Print made by James Basire the younger, 1769–1822
Inside View of the East End of Merton College Chapel
1802
37
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
38
Print made by Samuel Alken, 1756–1815
Inverkeithing Bay
1802
39
Print made by Samuel William Reynolds, 1773–1835
James Northcote
1802
40
Edward Scriven, 1775–1841
Julius Caesar: Act IV Scene III: Brutus' Tent ..
1802
41
Print made by Thomas Medland, 1755–1823
Kinloch Rannoch
1802
42
Francesco Bartolozzi, 1728–1815
Lady Jane Drundas
1802
43
Print made by William Say, 1768–1834
Lady Pitt
1802
44
Print made by Thomas Medland, 1755–1823
Loch Tay Looking toward Killin
1802
45
Print made by W. Pickett, active 1792–1820
Loch-erin-head
1802
46
Print made by Thomas Medland, 1755–1823
Loch-Kaitrin, East End
1802
47
Print made by W. Pickett, active 1792–1820
Loch-leven
1802
48
Print made by Thomas Medland, 1755–1823
Loch-Lubnaig, East End
1802
49
Published by Longman, active 1804–1914
Loch-Lubnaig, West End
1802
50
Print made by Francis Jukes, 1747–1812
Loch-tay, from Killin
1802
51
Print made by Francis Jukes, 1747–1812
Loch-vana-choir
1802
52
Samuel William Reynolds, 1773–1835
Lord Hugh Seymour
1802
53
Print made by William Daniell, 1769–1837
Nathaniel Marchant, R.A
between 1802 and 1814
54
Samuel Rawle, 1771–1860
Part of Audley House, Dukes Place
1802
55
Print made by Thomas Medland, 1755–1823
Pass of Killicrankie
1802
56
Francesco Bartolozzi, 1728–1815
Peasants Going to Market
1802
57
Print made by Benjamin Baker, 1766–1841
Plan of the West India Docks
1802
58
Print made by Francis Jukes, 1747–1812
Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
1802
59
unknown artist
Returning from a Review...Paris
1802
60
Print made by Thomas Medland, 1755–1823
Ruins of Castle-Gloom
1802
61
Print made by Giles Grinagain, active 1801–1807
Running Away with an Heiress
1802
62
William Ward, 1766–1826
Sailors Conversation
1802
63
William Ward, 1766–1826
Sailors Conversation
1802
64
Robert Thew, 1758–1802
Shakespeare, Macbeth Act IV, Scene I
1802
65
Print made by William Daniell, 1769–1837
Sir Charles Bingham, first Earl of Lucan
between 1802 and 1814
66
James Gillray, 1756–1815
Sketch of the Interior of St. Stephen's, as It Now Stands. -
1802
67
Christian Friedrich Duttenhoffer, 1778–1846
Solitude
1802
68
Print made by W. Pickett, active 1792–1820
St. Andrews from the East
1802
69
Print made by John Walker, active 1792–1803
Sunderland Bridge, Durham
1802
70
Print made by Samuel Alken, 1756–1815
Taymouth
1802
71
Print made by Charles Williams, active 1796–1830
The Brazen Image erected on a Pedestal wrought by Himself
1802
72
Print made by William Say, 1768–1834
The Cottar's Door
1802
73
Francesco Bartolozzi, 1728–1815
The Distinguishing Characteristic of Masonry
1802
74
Print made by Niccoló Schiavonetti, 1771–1813
The Last Effort and Fall of Tippoo Sultaun
1802
75
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
76
Print made by William Blake, 1757–1827
The Peasants' Nest: Cowper's tame Hares
1802
77
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Catherine Howard
1802
78
Print made by Charles Wilkin, 1750–1814
The Right Honourable The Countess of Euston
1802
79
Print made by William Ward, 1766–1826
The Snake in the Grass
1802
80
Print made by unknown artist
The Sovereign of the Seas, Built 1637
1802
81
Print made by Anthony Cardon, 1772–1813
The Surrender of the Sons of Tippoo Sultaun
1802
82
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
83
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
84
Print made by Samuel Alken, 1756–1815
The Windings of the Forth
1802
85
Print made by William Daniell, 1769–1837
Thomas Hardwick
between 1802 and 1814
86
Print made by Edward Harding, 1755–1840
Thomas Holles, Duke of Newcastle
1802
87
Print made by Edward Harding, 1755–1840
Thomas Holles, Duke of Newcastle
1802
88
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
89
Print made by Joseph Samuel Alpenny, 1787–1858
Two Travellers Watering Three Horses
undated
90
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
91
Samuel William Reynolds, 1773–1835
Vice Admiral Lord Hugh Seymour
1802
92
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
93
Print made by Thomas Medland, 1755–1823
View from the Heights of Dunkeld
1802
94
Print made by W. Pickett, active 1792–1820
View in the Carse of Gowrie
1802
95
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
96
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
97
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
98
Print made by Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
1802
99
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
100
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal