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Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
William Blake Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
1789
William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake America. A Prophecy, Plate 4, "Silent as despairing love...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
William Blake America. A Prophecy, Plate 14, "So Cried He...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
Edward Lear Val di Roppa, Corfu, 22 May 1868
Edward Lear, 1812–1888
Val di Roppa, Corfu, 22 May 1868
1868
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
Sir Robert Smirke the younger The Convent of St. Nicholas
Sir Robert Smirke the younger, 1781–1867
The Convent of St. Nicholas
1802-1804
William Alexander The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
William Turner of Oxford Scene near Shipton on Cherwell, Oxfordshire
William Turner of Oxford, 1789–1862
Scene near Shipton on Cherwell, Oxfordshire
1835
Charles Vincent Barber Harvesting - The Noontide Rest
Charles Vincent Barber, 1784–1854
Harvesting - The Noontide Rest
1811
Richard Dadd Landscape with Cottages, Broadmoor
Richard Dadd, 1817–1886
Landscape with Cottages, Broadmoor
1873
Richard Bridgens Planting the sugar cane (Trinidad)
Richard Bridgens, active 1838
Planting the sugar cane (Trinidad)
1838
Paul Sandby An Encampment in St. James Park
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
Thomas Rowlandson Harvesters Resting in a Corn Field
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
Thomas Gisborne Men Loading a Cart Beside a River
Thomas Gisborne, active 1798
Men Loading a Cart Beside a River
undated
Samuel Hieronymus Grimm The Horse Guard's Parade, Whitehall
Samuel Hieronymus Grimm, 1733–1794
The Horse Guard's Parade, Whitehall
undated
Samuel Hieronymus Grimm The Bishop's Palace, Bromley (A Country House)
Samuel Hieronymus Grimm, 1733–1794
The Bishop's Palace, Bromley (A Country House)
undated
Paul Sandby Bridgenorth, Shropshire
Paul Sandby, 1731–1809
Bridgenorth, Shropshire
ca. 1801
John Martin The Rescue of Lot
John Martin, 1789–1854
The Rescue of Lot
1833
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
John Hamilton Mortimer Two Men Fighting Before a Woman
John Hamilton Mortimer, 1740–1779
Two Men Fighting Before a Woman
1771
Master of the Giants Apollo and Daphne
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
Richard Bentley A Prospect of Vapourland
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
James Wilcox Buckingham Palace from St. James's Park
James Wilcox, active 1830
Buckingham Palace from St. James's Park
1830
James Malton Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
unknown artist Design for a Greenhouse at Kew Gardens
unknown artist
Design for a Greenhouse at Kew Gardens
undated
Robert Adam Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Robert Adam, 1728–1792
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
John James Barralet View of Lucan House
John James Barralet, 1747–1815
View of Lucan House
1782
Godfrey Thomas Vigne Greytown
Godfrey Thomas Vigne, 1801–1863
Greytown
undated
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
Thomas Hearne A Rustic Scene
Thomas Hearne, 1744–1817
A Rustic Scene
undated
Thomas Hearne Windsor Castle from the Eton Playing Fields
Thomas Hearne, 1744–1817
Windsor Castle from the Eton Playing Fields
undated
Samuel Howitt Landscape with Hay Cart before a Cottage
Samuel Howitt, 1756–1822
Landscape with Hay Cart before a Cottage
undated
Samuel Jackson The Avon near Bristol
Samuel Jackson, 1794–1869
The Avon near Bristol
undated
John Hassell Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq.
John Hassell, 1767–1825
Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq
ca. 1812
Thomas Hearne Leeds Castle, Kent
Thomas Hearne, 1744–1817
Leeds Castle, Kent
undated
Thomas Hearne View of Bath from Spring Gardens
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
Thomas Hearne Unloading Pit Props at Coalbrookdale
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
Thomas Hearne The Ruins of Leiston Abbey
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
Thomas Hearne The Bayswater Turnpike
Thomas Hearne, 1744–1817
The Bayswater Turnpike
undated
William Henry Hunt A Farmhouse
William Henry Hunt, 1790–1864
A Farmhouse
ca. 1817
William Simpson The Dilkoosha, Lucknow in the Distance
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
Benjamin West An Artist Sketching in Windsor Park
Benjamin West, 1738–1820
An Artist Sketching in Windsor Park
1789
Rev. William Gilpin Two Men in a Landscape and a Castle on a Hill
Rev. William Gilpin, 1724–1804
Two Men in a Landscape and a Castle on a Hill
1769
Rev. William Gilpin Two Men Looking Into Landscape with Castle, River and Mountain Scene
Rev. William Gilpin, 1724–1804
Two Men Looking Into Landscape with Castle, River and Mountain Scene
between 1762 and 1783
Rev. William Gilpin View of Windermere
Rev. William Gilpin, 1724–1804
View of Windermere
between 1762 and 1783
Rev. William Gilpin Landscape with Two Men
Rev. William Gilpin, 1724–1804
Landscape with Two Men
between 1762 and 1783
Rev. William Gilpin River Landscape with Castles
Rev. William Gilpin, 1724–1804
River Landscape with Castles
between 1762 and 1783
Rev. William Gilpin Landscape with Two Men on a Hill and a Castle in the Distance
Rev. William Gilpin, 1724–1804
Landscape with Two Men on a Hill and a Castle in the Distance
between 1762 and 1783
Rev. William Gilpin Landscape with Two Men and a Castle Ruin on the Riverbank
Rev. William Gilpin, 1724–1804
Landscape with Two Men and a Castle Ruin on the Riverbank
1783
Thomas Girtin The Village of Kirkstall, Yorkshire
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
Samuel Hieronymus Grimm Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall
Samuel Hieronymus Grimm, 1733–1794
Barlborough Hall, near Chesterfield, Derbyshire: the Main Front of the Hall
undated
Thomas Bradshaw Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
William Beilby Brick Bridge
William Beilby, 1740–1819
Brick Bridge
undated
Master of the Wire Line Country Scene: Cottage and Figures on a Winding Road
Master of the Wire Line, 18th century
Country Scene: Cottage and Figures on a Winding Road
undated
Thomas Shotter Boys Notre Dame, Paris
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
Peter Tillemans Figures in a Landscape by a River
Peter Tillemans, 1684–1734
Figures in a Landscape by a River
undated
John Henry Müntz Landscape with Sportsman and Guns
John Henry Müntz, 1727–1798
Landscape with Sportsman and Guns
1779
William Pars Temple of Venus and Rome from the Colosseum
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
George Fennell Robson The Murder of Banquo
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830