Height [cm]: 26 / Subject Terms: cityscape - YCBA Collections Search Search Results

1. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof (unfinished) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 15 3/8 inches (29.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof (3) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Ehrenbreitstein

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on moderatelythick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 3/4 inches (41.9 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Konigstein

Creator:: Charles Gore, 1729–1807
Date:: 1789
Materials & Techniques:: Watercolor and gouache with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 18 1/4 inches (26.4 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A Village Street

Creator:: pupil of John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 10 3/8 x 13 7/8 inches (26.4 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. A View of the Common Place Embellish'd with New Buildings and a View of the City of Rome as it is at this Present Time.

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/16 x 15 3/8in. (25.5 x 39cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. The Gate of the Holy Spirit: 1. the Church of the Holy Spirit 2. the summer House in the Barbarini Gardens

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/16 x 15 3/8in. (25.6 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1819
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving, and etching, engraver's proof on thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 19 9/16 inches (33.7 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Margate

Creator:: William Callow, 1812–1908
Date:: 1849
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 14 3/16 inches (26 x 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

18. The Breaking Up of the Agamemnon, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

19. Calais

Creator:: A. J. Finberg, 1866–1939
Date:: 1924
Materials & Techniques:: Etching and drypoint on moderately thick, textured, blue laid paper
Dimensions:: Sheet: 10 3/16 x 12 1/4 inches (25.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. An Old Hanse Town

Creator:: Print made by Axel Herman Haig, 1835–1921
Date:: undated
Materials & Techniques:: Drypoint and etching on thick, smooth, beige wove paper
Dimensions:: Sheet: 12 7/16 × 9 1/16 inches (31.6 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Ile de la Cité, the Pont au Change, and the Conciergerie, Paris, 1837

Creator:: Richard Redgrave, 1804–1888
Date:: 1837
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 12 1/8 inches (25.7 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. Sidmouth

Creator:: David Roberts, 1796–1864
Date:: 1845
Materials & Techniques:: Watercolor over graphite with gouache on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 x 13 7/8in. (25.7 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Taormina

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphie on medium, slightly textured, brown wove paper mounted on board
Dimensions:: Sheet: 10 3/8 x 13 7/8 inches (26.4 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

25. Alassio

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, smooth, brown wove paper mounted on card
Dimensions:: Sheet: 10 1/8 x 13 1/8 inches (25.7 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

26. A View of Bristol with Ratcilffe Church and Lime Kiln Dock

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, gray wash and graphite on medium, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 10 1/4 x 24 3/4 inches (26 x 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund in honor of John Baskett

27. A Roman Madonna

Creator:: Print made by Robert Sargent Austin, 1895–1973
Date:: 1922
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 8 1/8 inches (26.1 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

28. Grand Canal, Venice (#19)

Creator:: Robert MacPherson, 1814–1872
Date:: 1860s
Materials & Techniques:: Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:: Sheet: 10 3/16 × 13 9/16 inches (25.9 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery

29. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 7/16 × 15 11/16 inches (31.6 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Loading Vraic, St. Malo

Creator:: Print made by Edmund Blampied, 1886–1966
Date:: 1926
Materials & Techniques:: Drypoint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 x 15 1/2 inches (25.5 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

31. Naples, from the Mole

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/8 inches (27.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Florence, from Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The City of Ratisbon

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 × 15 1/4 inches (26 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

Creator:: J. Couse, active 1750
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A View of Paris

Creator:: Print made by Paul Angier, active 1749
Materials & Techniques:: Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

Creator:: Print made by John Fairburn, active 19th century
Date:: 1796
Materials & Techniques:: Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Bologna

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1828
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 7 3/8 inches (26.2 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund

38. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1819-1826
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 14 1/16 inches (27.3 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Bedford, Bedfordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 14 inches (26.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Bridge of Boats, Baghdad

Creator:: Print made by Charles William Cain, 1893–1962
Date:: 1921
Materials & Techniques:: Drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 15 7/16 inches (25.5 x 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

42. Gloucester Cathedral

Creator:: unknown artist
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 10 inches (20.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. La rue des Prouvaires et l'église saint Eustache, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 11 11/16 inches (43 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Verona, Hay Barge on the Medway, and a Calvary (three prints)

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: after 1833
Materials & Techniques:: Transfer lithograph on medium, moderately textured, cream laid paper, with beige chine collé
Dimensions:: Sheet: 10 3/8 x 8 1/8 inches (26.4 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Roma/ Palace of Caesars

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 17in. (26.2 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Monstrosities of 1822 - Pt. 5

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Middleham, Yorkshire

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Como

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and gouache, with stumping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 5/8 inches (26.3 × 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Place St. Barthélemy, Rouen

Creator:: David Cox, 1783–1859
Date:: 1829
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 8 1/2 inches (26.4 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Chester

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately texture, cream wove paper
Dimensions:: Sheet: 10 3/8 x 16 7/8 inches (26.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 15 1/2in. (25.7 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. Balaklava Looking Seawards

Creator:: Roger Fenton, 1819–1869
Date:: 1855
Materials & Techniques:: Salted paper print from wet collodion glass negative on thin, smooth, cream wove paper
Dimensions:: Frame: 18 3/4 × 24 1/2 × 1 inches (47.6 × 62.2 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

YCBA Collections Search

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Search Constraints

Height [cm] 26

Subject Terms cityscape

Search Results

1. Colchester, Essex

2. Colchester, Essex

3. Ehrenbreitstein

4. Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz.

5. Saltash, Cornwall

6. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

7. Konigstein

8. A Village Street

9. A View of the Common Place Embellish'd with New Buildings and a View of the City of Rome as it is at this Present Time.

10. The Gate of the Holy Spirit: 1. the Church of the Holy Spirit 2. the summer House in the Barbarini Gardens

11. Florence, from the Chiesa al Monte

12. Florence, from the Chiesa al Monte

13. Naples, from the Mole

14. Naples, from the Mole

15. Florence, from the Chiesa al Monte

16. Margate

17. The Breaking Up of the Agamemnon, no. 2

18. The Breaking Up of the Agamemnon, no. 2

19. Calais

20. An Old Hanse Town

21. Lyme Regis, Norfolk

22. Ile de la Cité, the Pont au Change, and the Conciergerie, Paris, 1837

23. Sidmouth

24. Taormina

25. Alassio

26. A View of Bristol with Ratcilffe Church and Lime Kiln Dock

27. A Roman Madonna

28. Grand Canal, Venice (#19)

29. Plymouth, Devonshire

30. Loading Vraic, St. Malo

31. Naples, from the Mole

32. Florence, from Chiesa al Monte

33. The City of Ratisbon

34. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

35. A View of Paris

36. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

37. Bologna

38. Exeter

39. Bedford, Bedfordshire

40. Lyme Regis, Norfolk

41. Bridge of Boats, Baghdad

42. Gloucester Cathedral

43. La rue des Prouvaires et l'église saint Eustache, Paris

44. Verona, Hay Barge on the Medway, and a Calvary (three prints)

45. A View of Erith, Looking Up the Thames

46. Roma/ Palace of Caesars

47. Monstrosities of 1822 - Pt. 5

48. Middleham, Yorkshire

49. Como

50. Place St. Barthélemy, Rouen

51. Chester

52. A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House

53. Balaklava Looking Seawards