Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
6
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
7
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
8
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
9
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
10
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
11
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
12
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
13
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
14
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
15
unknown artist
Shaftesbury House, Aldersgate Street
undated
16
Print made by Johnstone Baird, active 1900–1935
The Monument
undated
17
Print made by Frederick Vango Burridge, 1869–1945
A Marsh Farm
undated
18
unknown artist
Hinton St. George, Somerset: Attic Floor Plan
undated
19
unknown artist
Hinton St. George, Somerset: Plan of Stables
1777
20
unknown artist
Hinton St. George, Somerset: Plan of Staircase
undated
21
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
22
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
23
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
24
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
25
unknown artist
Hinton St. George, Somerset: Design for a Door Frame
undated
26
unknown artist
Hinton St. George, Somerset: Design for a Vaulted Ceiling
undated
27
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of South Front of South Wing
undated
28
Print made by Sir David Young Cameron, 1865–1945
Craigmillar Castle
1931
29
Print made by Susan Fletcher Crawford, active 1892–died 1919
Railway and Commercial Hotel, Stirling
undated
30
Print made by Susan Fletcher Crawford, active 1892–died 1919
Old Castle of Gloom (Castle Campbell)
undated
31
Print made by Susan Fletcher Crawford, active 1892–died 1919
Argyle's Lodgings, Stirling
undated
32
Print made by Ernest L. Hampshire, born 1882
Westminster Abbey from Dean's Yard
undated
33
William Lee Hankey, 1869–1952
British General Headquarters at Montreuil
1917
34
unknown artist
Views in the Levant: Landscape with Arched Bridge in Left Foreground and Town on Horizon
ca. 1785
35
Hedley Fitton, 1859–1929
Barge Building, Limehouse
undated
36
Hedley Fitton, 1859–1929
Juliet House
undated
37
Sir William Russell Flint, 1880–1969
A Dwelling in Aragon
1929
38
Hanslip Fletcher, 1874–1955
Shrewsbury Monument
undated
39
Stephen Frederick Gooden, 1892–1955
Gargoyle
1933
40
unknown artist
Views in the Levant: An Obelisk and Two Columns
ca. 1785
41
unknown artist
Views in the Levant: Street Scene With Domed Roofs, One Dome Surmounted by a Column (Possibly Cairo?)
ca. 1785
42
Print made by Paul Drury, 1903–1987
Evening
1925
43
Hedley Fitton, 1859–1929
St. Martin's Church
undated
44
unknown artist
Views in the Levant: Interior of a Ruined Byzantine Church
undated
45
unknown artist
Views in the Levant: View Inside Courtyard and Buildings Surrounding Topkapi Palace, Istanbul
ca. 1785
46
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
47
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
48
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
49
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
50
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
51
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
52
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
53
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
54
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
55
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
56
Print made by Sir David Young Cameron, 1865–1945
R. 42. Greenock, No. 1. No. 13 in the Clyde Set
1889
57
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
58
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
59
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
60
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
61
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
62
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
63
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
64
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
65
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
66
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
67
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
68
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
69
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
70
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
71
John Robert Cozens, 1752–1797
Temple Ruins
undated
72
unknown artist
Design for a Classical House
undated
73
Thomas Anburey, 1759–1840
Ruins of Baugnee-Ghur near Hydrabad (1 of 6)
ca. 1792
74
Print made by unknown artist
Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church
undated
75
unknown artist
Transept of St. Saviour's, Southwark, London
undated
76
unknown artist
The Choir St. Marys (with ms. notes)
undated
77
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
78
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
79
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
80
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
81
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
82
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
83
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
84
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
85
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
86
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
87
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
88
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
89
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
90
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
91
William Taverner, 1703–1772
Landscape with Buildings: Possibly at Richmond, Surrey
undated
92
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
93
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
94
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
95
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
96
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
97
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
98
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
99
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
100
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette