The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
8
John Martin, 1789–1854
The Last Judgement (study)
between 1851 and 1853
Not on view
9
Joseph Highmore, 1692–1780
The Angel of Mercy
ca. 1746
Not on view
10
unknown artist
The Choir, Canterbury Cathedral
between 1712 and 1715
Not on view
11
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
12
unknown artist
The Assumption and Coronation of the Virgin
1450 to 1500
Not on view
13
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
14
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
15
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
16
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
17
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
18
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
19
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
20
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
21
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
22
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
23
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
24
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
25
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
26
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
27
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
28
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
29
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
30
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
31
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
32
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
33
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
34
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
35
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
36
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
37
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
38
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
39
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
40
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
41
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
42
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
43
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
44
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
45
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
46
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
47
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
48
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
49
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
50
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
51
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
52
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
53
Print made by William Blake, 1757–1827
Pity
ca. 1795
54
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
55
George Romney, 1734–1802
Fall of the Rebel Angels
undated
56
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
57
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
58
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
59
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
60
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
61
Augustus Welby Northmore Pugin, 1812–1852
Elevation of a Baptismal Font
undated
62
Edward Francis Burney, 1760–1848
Designs for Illustrations to Beethoven's Works
undated
63
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
64
Edward Francis Burney, 1760–1848
Charity
undated
65
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
66
Edward Francis Burney, 1760–1848
Allegory of Painting and Literature
undated
67
Edward Francis Burney, 1760–1848
Pamphilia
undated
68
Edward Francis Burney, 1760–1848
Pamphilia
undated
69
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
70
Augustus Welby Northmore Pugin, 1812–1852
Sketches of the Butler-Bowden cope
undated
71
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
72
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
73
Edward Francis Burney, 1760–1848
The Arts
undated
74
Edward Francis Burney, 1760–1848
Female Figures and Putti Playing Musical Instruments
undated
75
Edward Francis Burney, 1760–1848
Pastoral
undated
76
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
77
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
78
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
79
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
80
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
81
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
82
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
83
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
84
George Frederic Watts, 1817–1904
Study for a Circular Ceiling Decoration
undated
85
George Frederic Watts, 1817–1904
Studies for the Angels in The Court of Death
undated
86
Print made by Gregory, Collins and Reynolds, active 1843
The Religion of Europe: Professed and Practiced
ca. 1845
87
Print made by William Say, 1768–1834
Hagar and Ishmael
1812
88
Print made by John Baptist Jackson, 1701–1780
The Virgin in the Clouds and Six Saints
1742
89
Benjamin Smith, 1775–1833
The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
1799
90
Figures engraved by William Sharp, 1749–1824
Niobe
1792
91
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
92
circle of John Linnell, 1792–1882
Job and His Family
undated
93
circle of John Linnell, 1792–1882
Satan before the Throne of God
undated
94
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
95
Print made by Jan de Bisschop, 1628–1671
The Entombment of Christ
1671
96
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
97
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
98
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
99
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene