Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
between 1773 and 1774
Not on view
2
Edward Alcock, active 1750–ca. 1778
Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
ca. 1778
Not on view
3
Charles Hunt, 1803–1877
Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
1863
Not on view
4
Benjamin Wilson, 1721–1788
David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
5
Landscape by William Hodges, 1744–1797
Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
1790
Not on view
6
Robert Smirke, 1752–1845
The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
7
Robert Smirke, 1752–1845
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
8
Gilbert Stuart Newton, 1794–1835
Shylock and Jessica from the 'Merchant of Venice,' II, ii
1830
Not on view
9
James Northcote, 1746–1831
Master Betty as Hamlet, before a Bust of Shakespeare
between 1804 and 1806
Not on view
10
unknown artist
Prospero, Miranda and Ariel, from "The Tempest"
ca. 1780
Not on view
11
Robert Smirke, 1752–1845
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
12
Thomas Stothard, 1755–1834
Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
ca. 1799
Not on view
13
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
14
Joseph Wright of Derby, 1734–1797
Virgil's Tomb by Moonlight, with Silius Italicus
1779
Not on view
15
Adrien Carpentiers, active 1739–1778
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Not on view
16
Walter Richard Sickert, 1860–1942
The Taming of the Shrew
ca. 1937
Not on view
17
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
18
unknown artist
Dr. Syntax: Walking with a Stick
ca. 1810
Not on view
19
Derby porcelain factory, founded 1756
Dr. Syntax: Losing His Temper
ca. 1810
Not on view
20
Francis Danby, 1793–1861
Oberon and Titania
1837
21
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
22
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
23
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
24
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
25
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
26
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
27
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
29
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
30
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
31
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
32
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
33
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
34
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
35
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
36
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
37
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
38
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
39
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
40
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
41
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
42
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
43
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
44
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
45
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
46
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
47
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
48
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
49
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
50
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
51
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
52
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
53
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
54
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
55
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
56
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
57
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
58
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
59
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
60
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
61
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
62
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
63
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
64
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
65
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
66
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
67
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
68
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
69
George Romney, 1734–1802
John Henderson as Falstaff
1780
70
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
71
Theodor von Holst, 1810–1844
Faust and Margaret
undated
72
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
73
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
74
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
75
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
76
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
77
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
78
Valentine Green, 1739–1813
Rinaldo and Armida
1775
79
Print made by Robert Blyth, 1750–1784
The Captive
1781
80
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
81
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
82
Simon François Ravenet, 1706–1774
Isaac Watts
undated
83
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
84
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
85
Francesco Bartolozzi, 1728–1815
Reverend Hugh Blair, D.D
1801
86
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
87
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
88
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
89
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
90
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
91
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
92
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
93
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
94
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
95
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
96
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
97
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
98
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
99
Robert Smirke, 1752–1845
Illustration for Don Quixote, Two Figures at a Table
undated
100
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument