Collection: Prints and Drawings / Genre: historical subject - YCBA Collections Search Search Results

301. The Field of Waterloo from Hougoumont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/16 × 11 13/16 inches (43.3 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Marengo

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Hougoment

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 1/4 × 7 7/8 inches (31.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Hannibal passing the Alps (vignettes)

Creator:: W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 5 3/8 inches (13.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Hannibal passing the Alps (vignette)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving with graphite and scraping; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 6 inches (27.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Marengo (vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo

Creator:: John Augustus Atkinson, 1775–1831
Date:: 1815
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Design for Commemorative Medallion for Simon Bolivar

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 3 1/2 inches (9.2 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

313. The First Balloon Ascent in England, September 1784, from the Artillery Ground, Moorfields

Creator:: Francis Jukes, 1747–1812
Date:: ca. 1784
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 14 7/8 x 20 1/4in. (37.8 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. The Spoiled Child, Scene VI

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. The Battle at La Hogue

Creator:: William Woollett, 1735–1785
Date:: 1781
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/4 × 25 1/16 inches (50.2 × 63.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

316. Westminster, during Queen Caroline's Trial

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 13 15/16in. (21.9 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Duke of Gloucester Taken into the Water Gate of Calais, 1380

Creator:: David Scott, 1806–1849
Date:: 1841
Materials & Techniques:: Etching and roulette on moderately thick, smooth, beige wove paper mounted on canvas
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of David Bindman

318. Pierre Premier en Hollande: Scene Inside Ship With Peter the Great, Taking Notes, on Shipbuilding

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 23 13/16 inches (48.9 × 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

319. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Embassy of Hyderbeck to Calcutta

Creator:: Richard Earlom, 1743–1822
Date:: 1800
Materials & Techniques:: Stipple engraving and mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 7/8 x 26 1/4 inches (50.5 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. The Royal Rush Light

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1798
Materials & Techniques:: Watercolor, pen and ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 13 3/8 inches (40 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Workmen at Refreshment (Banditti?)

Creator:: Mather Brown, 1761–1831
Date:: 1819
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 11 1/4 inches (19.4 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Bonaparte's Column in Scafolding at Boulogne, France, with Harvesters in a Field

Creator:: Thomas Hosmer Shepherd, 1792–1864
Date:: 1818
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 1/8 inches (21.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Pirates

Creator:: John Massey Wright, 1777–1866
Date:: undated
Materials & Techniques:: Watercolor with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 11 5/8 inches (24.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 1/4 inches (28.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Pendennis Castle and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. The Medici Vase

Creator:: Print made by Daniel Allen, active 1830s
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 1/8 inches (44.1 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Cortes and Pizarro

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Fontainebleau

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 1/4 × 8 5/8 inches (33.7 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. The Simplon

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Fontainbleau

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and engraving, (First Published State) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Field of Waterloo with Lightning

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. The Bellerophon, Plymouth Sound

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Killiecrankie

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. "It's Auld Ailie Hersell"

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. William Tell's Chapel (vignette)

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 12 7/8 inches (43.8 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Destruction of Both Houses of Parliament

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Destruction of Both Houses of Parliament

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Reading out the List of the Aberdeen Ministry

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: 1853
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 4 1/4 inches (17.1 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Tomb of Gregory Lovell and his Wife Anne, Harlington Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Homage to Nelson

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Hypatia Teaching at Alexandria

Creator:: Robert Trewick Bone, 1790–1840
Date:: undated
Materials & Techniques:: Watercolor and brown ink on medium, moderately textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:: Mount: 13 3/4 × 19 13/16 inches (34.9 × 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Hannibal passing the Alps (vignette)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 7 3/8 inches (30.5 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Hannibal passing the Alps (vignette)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 × 5 1/4 inches (11.1 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Monuments to Mrs. Rebecca Cassamajor and Thoma Spateman, Chiswick Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Gertrude of Wyoming - the Valley

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's Proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Camp Hill, Hastings

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Gertrude of Wyoming - the Waterfall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Monument to Jennett Hamilton, Chelsea Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Watercolor, white gouache, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 1/2 inches (37.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. St. Jerome in his Study

Creator:: Alexander Marshal, active 1651–died 1682
Date:: 1650
Materials & Techniques:: Gouache, watercolor, and graphite on vellum
Dimensions:: Sheet: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

357. Hannibal passing the Alps (vignette)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 5 3/8 inches (11.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Marengo (vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Masonic Symbol

Creator:: Print made by Prince Rupert, 1619–1682
Date:: 1661
Materials & Techniques:: Mezzotint on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 5/8 × 6 5/8 inches (19.4 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

362. Coastal Scene with Troops Embarking

Creator:: George Bryant Campion, 1796–1870
Date:: undated
Materials & Techniques:: Watercolor, black chalk, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 18 × 29 inches (45.7 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Diogenes

Creator:: Print made by Juliet Thornton, active 1771
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 1/4 × 14 1/2 inches (51.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

364. Shepherd and Shepherdess

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: 1676
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 6 3/4 inches (19 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

365. L'Age du Fer

Creator:: Print made by Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

366. Socrates and Xantippe

Creator:: Print made by John Smith, 1652–1743
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 7 9/16 inches (24.4 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

367. Lucretia

Creator:: Print made by unknown artist
Date:: ca. 1684
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 6 7/8 inches (23.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

368. The Exposition of Cyrus

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1781
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

369. St. Paul

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1741
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 9 11/16 inches (34 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

370. Piccadilly Circus

Creator:: Sir Muirhead Bone, 1876–1953
Date:: 1915
Materials & Techniques:: Drypoint etching
Dimensions:: Sheet: 16 x 21 15/16 inches (40.6 x 55.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

371. Cleopatra

Creator:: Print made by John Smith, 1652–1743
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 9/16 inches (14.4 × 11.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

372. S. Andreas

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 3/16 x 14 7/16 inches (53.8 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

373. S. Simon

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 14 11/16 inches (53.9 x 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

374. S. Matthaeus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 5/8 x 15 1/4 inches (52.4 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

375. Lord Viscount Duncan

Creator:: Charles Turner, 1774–1857
Date:: 1798
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 x 25 3/4in. (45.7 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

376. Admiral Duncan

Creator:: Print made by unknown artist
Date:: between 1770 and 1800
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 7/8 x 19 7/8in. (35.2 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

377. The Right Honorable Viscount Duncan

Creator:: Richard Earlom, 1743–1822
Date:: 1798
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 1/8 x 20 1/8in. (35.9 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

378. St. Paul

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1741
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 10 9/16 inches (37.8 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

379. Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

Creator:: Print made by Johann Lorenz Haid, 1702–1750
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 1/8 x 13 3/4 inches (48.5 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

380. Constantia

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1780
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

381. Geography

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

382. S. Jacobus Major

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 9/16 x 14 5/8 inches (54.7 x 37.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

383. S. Philippus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 3/8 x 14 13/16 inches (54.3 x 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

384. S. Judas Thaddaeus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 11/16 x 14 3/4 inches (52.5 x 37.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

385. S. Paulus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 13/16 x 15 1/4 inches (52.8 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

386. The Right Honorable Edward Lord Hawke (1705-1781)

Creator:: John Hall, 1739–1797
Date:: 1793
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 11 1/2 x 15in. (29.2 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

387. S. Bartholomaeus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 14 11/16 inches (54 x 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

388. Richard Kempenfelt, Esq.

Creator:: Richard Earlom, 1743–1822
Date:: 1782
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 1/4 x 11in. (36.2 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

389. Captain Rigby

Creator:: John Thomas Smith, 1766–1833
Date:: c.1695
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 13 5/8in. (25.1 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

390. Theodosius

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1780
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 9 13/16 inches (30.7 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

391. The Flight from Belgium

Creator:: William Lee Hankey, 1869–1952
Date:: 1914
Materials & Techniques:: Etching, aquatint, soft-ground etching, drypoint, and roulette on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 1/16 x 23 1/16 inches (51 x 58.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

392. Mary, Queen of Scots

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 18 3/8 inches (25.7 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving, line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 × 13 1/8 inches (25.2 × 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855

Creator:: William Simpson, 1823–1899
Date:: 1855
Materials & Techniques:: Watercolor and gouache over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 x 20 5/8 inches (33 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Corfe Castle, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 5/8 inches (21.6 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Pendennis Castle and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Columbus Setting Sail

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 9 1/16 inches (36.2 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Orford Castle and St. George's Tower

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/16 × 11 13/16 inches (43.3 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Elephant Battery

Creator:: William Simpson, 1823–1899
Date:: 1864
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 14 1/4 inches (27 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

Genre historical subject

Search Results

301. The Field of Waterloo from Hougoumont

302. Marengo

303. Hougoment

304. Hannibal passing the Alps (vignettes)

305. Hannibal passing the Alps (vignette)

306. Marengo (vignette)

307. Kenilworth Castle, Warwickshire

308. Kenilworth Castle, Warwickshire

309. The Tower of London

310. Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church

311. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo

312. Design for Commemorative Medallion for Simon Bolivar

313. The First Balloon Ascent in England, September 1784, from the Artillery Ground, Moorfields

314. The Spoiled Child, Scene VI

315. The Battle at La Hogue

316. Westminster, during Queen Caroline's Trial

317. Duke of Gloucester Taken into the Water Gate of Calais, 1380

318. Pierre Premier en Hollande: Scene Inside Ship With Peter the Great, Taking Notes, on Shipbuilding

319. Colonel Mordaunt's Cock Match at Lucknow

320. Colonel Mordaunt's Cock Match at Lucknow

321. Embassy of Hyderbeck to Calcutta

322. The Royal Rush Light

323. Workmen at Refreshment (Banditti?)

324. Bonaparte's Column in Scafolding at Boulogne, France, with Harvesters in a Field

325. Pirates

326. Pendennis Castle, and Entrance of Falmouth Harbour

327. Pendennis Castle and Entrance of Falmouth Harbour

328. The Medici Vase

329. Cortes and Pizarro

330. Fontainebleau

331. Brienne

332. The Simplon

333. Fontainbleau

334. Field of Waterloo with Lightning

335. The Bellerophon, Plymouth Sound

336. Killiecrankie

337. "It's Auld Ailie Hersell"

338. Scott's Birthplace, no. 39, Castle Street, Edinburgh

339. William Tell's Chapel (vignette)

340. Destruction of Both Houses of Parliament

341. Destruction of Both Houses of Parliament

342. Reading out the List of the Aberdeen Ministry

343. Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church

344. Tomb of Gregory Lovell and his Wife Anne, Harlington Church

345. Homage to Nelson

346. Hypatia Teaching at Alexandria

347. Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church

348. Hannibal passing the Alps (vignette)

349. Hannibal passing the Alps (vignette)

350. Monuments to Mrs. Rebecca Cassamajor and Thoma Spateman, Chiswick Church

351. Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church

352. Gertrude of Wyoming - the Valley

353. Camp Hill, Hastings

354. Gertrude of Wyoming - the Waterfall

355. Monument to Jennett Hamilton, Chelsea Church

356. St. Jerome in his Study

357. Hannibal passing the Alps (vignette)

358. Marengo (vignette)

359. Kenilworth Castle, Warwickshire

360. The Tower of London

361. Masonic Symbol

362. Coastal Scene with Troops Embarking

363. Diogenes

364. Shepherd and Shepherdess

365. L'Age du Fer

366. Socrates and Xantippe

367. Lucretia

368. The Exposition of Cyrus

369. St. Paul

370. Piccadilly Circus

371. Cleopatra

372. S. Andreas

373. S. Simon

374. S. Matthaeus