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Materials & Techniques gray wash

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Materials & Techniques pen

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Collection Prints and Drawings

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Period 18th century

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1. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Study for the Foundlings

Study for the Foundlings
Creator:
William Hogarth, 1697–1764
Date:
ca. 1739
Materials & Techniques:
Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. River God

River God
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 20 1/4 inches (40 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

5. Howard Visiting a Prison

Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

6. Prison Scene

Prison Scene
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

7. Howard Visiting a Prison

Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray and brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 21 1/4 inches (36.8 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

8. John Henderson as Falstaff

John Henderson as Falstaff
Creator:
George Romney, 1734–1802
Date:
1780
Materials & Techniques:
Gray ink and gray wash with pen and black ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.3 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

9. Sketches for "The Accusation of Susanna"

Sketches for "The Accusation of Susanna"
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite with pen and brown ink; verso: gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 16 5/8 inches (27.3 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

10. Borghese Gladiator

Borghese Gladiator
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink over graphite, verso: graphite, black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 15 1/4 inches (41.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

11. Shepherdess Cutting an Inscription on a Tree

Shepherdess Cutting an Inscription on a Tree
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink; verso: gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 16 3/8 inches (32.1 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

12. Howard Visiting a Prison

Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Black ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

13. Moses Receiving the Law

Moses Receiving the Law
Creator:
William Blake, 1757–1827
Date:
ca. 1780
Materials & Techniques:
Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Bristol

Bristol
Creator:
Nicholas Pocock, 1740–1821
Date:
ca. 1780
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 x 14 1/2in. (24.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Unidentified Town House: Front Elevation

Unidentified Town House: Front Elevation
Creator:
Colen Campbell, 1676–1729
Date:
undated
Materials & Techniques:
Graphite, pen and wash within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 19 1/4 inches (31.3 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Norton Hall, Cheshire: Ground Plan with Designs for a Canal

Norton Hall, Cheshire: Ground Plan with Designs for a Canal
Creator:
unknown artist
Date:
between 1760 and 1776
Materials & Techniques:
Pen and black ink, gray wash, and pen and brown ink on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 5/8 × 15 inches (24.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Unidentified Country House: Ground Floor Plan

Unidentified Country House: Ground Floor Plan
Creator:
Attributed to John Sanderson, active 1730; died 1774
Date:
undated
Materials & Techniques:
Pen and black ink with gray and brown wash on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 14 1/4 × 19 3/4 inches (36.2 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Design for the Staircase at Stratford Place

Design for the Staircase at Stratford Place
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pen and black ink, yellow and gray washes; (verso) graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/2 x 23 1/8 inches (41.9 x 58.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Elevations of a Room

Elevations of a Room
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black and gray ink with gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 × 12 3/8 inches (44.8 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Unidentified Country House: Rear Elevation

Unidentified Country House: Rear Elevation
Creator:
Attributed to John Sanderson, active 1730; died 1774
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/8 x 17 9/16 inches (27 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan

Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan
Creator:
William Kent, ca.1686–1748
Date:
ca. 1733
Materials & Techniques:
Graphite, pen and black ink, brown wash, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Exterior View of Keylas (Kailasanatha)

Exterior View of Keylas (Kailasanatha)
Creator:
Gangaram Chintaman Tambat, active 1790s
Date:
ca. 1795
Materials & Techniques:
Pen and black ink, gray wash and watercolor on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 26 1/2 inches (30.5 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Cobham Hall, Kent: Unidentified Plan

Cobham Hall, Kent: Unidentified Plan
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite, gray wash, pen and black and brown ink on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 1/4 × 14 inches (41.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage

Cobham Hall, Kent: Ground Plan of Part of the Offices and New Passage
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 27 1/2 x 21 1/2 inches (69.9 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Cobham Hall, Kent: Plan of the chamber story of part of the offices

Cobham Hall, Kent: Plan of the chamber story of part of the offices
Creator:
James Wyatt, 1746–1813
Date:
1798
Materials & Techniques:
Graphite, pen and black and brown ink and yellow wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 x 26 3/8 inches (54.6 x 67 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Plans of Ancient Roman Baths - Terme de M Agrippa

Plans of Ancient Roman Baths - Terme de M Agrippa
Creator:
Giovanni Stern, 1734–1794
Date:
undated
Materials & Techniques:
Gray and brown wash with and pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 x 35 1/4 inches (59.4 x 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Plans of Ancient Roman Baths: Terme Antoniane

Plans of Ancient Roman Baths: Terme Antoniane
Creator:
Giovanni Stern, 1734–1794
Date:
undated
Materials & Techniques:
Gray and brown wash with pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:
Sheet: 23 1/2 x 35 1/4 inches (59.7 x 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Plans of Ancient Roman Baths: Terme del Imp. Diocleziano

Plans of Ancient Roman Baths: Terme del Imp. Diocleziano
Creator:
Giovanni Stern, 1734–1794
Date:
undated
Materials & Techniques:
Gray and brown wash with watercolor and pen and black ink over graphite on medium, moderatedly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 x 35 1/4 inches (59.4 x 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Kings Weston, Bristol: Entrance Front Elevation

Kings Weston, Bristol: Entrance Front Elevation
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink with gray wash over graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 18 5/8 inches (36.8 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Lowther House, Westmorland: Elevation of the Court Front

Lowther House, Westmorland: Elevation of the Court Front
Creator:
Colen Campbell, 1676–1729
Date:
between 1718 and 1729
Materials & Techniques:
Graphite, pen and black ink, gray wash, within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 20 13/16 inches (35.2 x 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Fishing Boats

Fishing Boats
Creator:
Francis Swaine, 1730–1782
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, and gray wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Whitton House, Middlesex: Elevation of the Court Front

Whitton House, Middlesex: Elevation of the Court Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 18 3/16 inches (30.2 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Whitton Place, Middlesex: Elevation of the Garden Front

Whitton Place, Middlesex: Elevation of the Garden Front
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 inches (31.4 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans

Whitton House, Middlesex: Two Alternate Elevations of the Court Front and Corresponding Ground Floor Plans
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 24 1/8 inches (44.8 x 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Whitton House, Middlesex: First Floor Plan

Whitton House, Middlesex: First Floor Plan
Creator:
Roger Morris, 1695–1749
Date:
between 1732 and 1739
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Design for a Ceiling

Design for a Ceiling
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink with gray wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 7/8 x 13 3/4 inches (22.5 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The City of Westminster from Near the York Water Gate

The City of Westminster from Near the York Water Gate
Creator:
Canaletto, 1697–1768
Date:
between 1746 and 1747
Materials & Techniques:
Watercolor, gray wash, and pen and brown ink on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 x 28 1/4 inches (38.7 x 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The South-west View of Battle Abbey in the County of Sussex

The South-west View of Battle Abbey in the County of Sussex
Creator:
Samuel Buck, 1696–1779
Date:
1735
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Premiere Position pour tirer L'Epée

Premiere Position pour tirer L'Epée
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Position pour la Garde en Quarte

Position pour la Garde en Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Position pour le Garde en Tierce et le Coup de Tierce

Position pour le Garde en Tierce et le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Quatrieme Position du Salut

Quatrieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Cinquieme Position du Salut

Cinquieme Position du Salut
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. De la Parade de Tierce, sur le Coup de Tierce

De la Parade de Tierce, sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. De la Parade de Seconde sur le Coup de Seconde

De la Parade de Seconde sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/8 × 17 11/16 inches (28.3 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. De la Parade du Cavé sur le Coup de Flanconnade

De la Parade du Cavé sur le Coup de Flanconnade
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. De la Parade Dequinte sur le Coup de Quinte

De la Parade Dequinte sur le Coup de Quinte
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Du Coupé sur Pointe de Quarte en Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Risposte Aprés Avoir Trompé la Parade du Poignard

Risposte Aprés Avoir Trompé la Parade du Poignard
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. West Cowes, Isle of Wight

West Cowes, Isle of Wight
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Brown and gray wash and pen brown ink on medium, smooth, cream wove paper mounted on card
Dimensions:
Sheet: 5 5/8 x 9 1/4 inches (14.3 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Elizabeth Manwaring

60. Five Designs for a House in the Gothic Style: Elevation

Five Designs for a House in the Gothic Style: Elevation
Creator:
James Wyatt, 1746–1813
Date:
1791
Materials & Techniques:
Watercolor and gray wash on pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 43 1/4 × 23 3/8 inches (109.9 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Design for Little Frogmore: Elevation

Design for Little Frogmore: Elevation
Creator:
James Wyatt, 1746–1813
Date:
1791
Materials & Techniques:
Watercolor, gray wash, pen and black and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 1/2 x 18 inches (59.7 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Landscape with Fisherman

Landscape with Fisherman
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, yellow wash, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 9/16 × 9 5/16 inches (16.7 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

63. Two Men Looking Into Landscape with Castle, River and Mountain Scene

Two Men Looking Into Landscape with Castle, River and Mountain Scene
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/2 x 10 3/8in. (16.5 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

64. Two Men in a Landscape and a Castle on a Hill

Two Men in a Landscape and a Castle on a Hill
Creator:
Rev. William Gilpin, 1724–1804
Date:
1769
Materials & Techniques:
Gray wash, graphite, pen and black ink on thick, rough, beige laid paper
Dimensions:
Sheet: 9 3/4 × 13 1/8 inches (24.8 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

65. Landscape with Large Cruciform

Landscape with Large Cruciform
Creator:
Rev. William Gilpin, 1724–1804
Date:
1769
Materials & Techniques:
Gray wash, graphite, pen and black ink and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

66. Pine Trees and Castle in a Landscape

Pine Trees and Castle in a Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 x 7 3/4in. (12.7 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

67. Landscape

Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
1765
Materials & Techniques:
Gray wash, graphite, pen and gray ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 5/8 × 4 13/16 inches (19.4 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

68. Landscape

Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/2 × 9 3/8 inches (16.5 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

69. River Landscape with Castle in the Distance

River Landscape with Castle in the Distance
Creator:
Rev. William Gilpin, 1724–1804
Date:
1766
Materials & Techniques:
Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 × 12 inches (20.3 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

70. Two Trees in a Landscape

Two Trees in a Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 7/8 × 13 1/8 inches (25.1 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

71. View of Windermere

View of Windermere
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and gray ink and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/4 × 9 3/8 inches (15.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

72. A View of Esq. Turner's Garden at Valence in Kent

A View of Esq. Turner's Garden at Valence in Kent
Creator:
John Donowell, active 1753–1786
Date:
undated
Materials & Techniques:
Pen and gray ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 16 1/8 inches (25.4 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Political Caricature: "The Spiritualists"

Political Caricature: "The Spiritualists"
Creator:
Anthony Walker, 1726–1765
Date:
undated
Materials & Techniques:
Gray wash and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 10 1/2 inches (22.9 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
Creator:
Thomas Hearne, 1744–1817
Date:
1778
Materials & Techniques:
Gray wash, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 13 5/8 x 10 3/8 inches (34.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Bridge, Walton on Thames

The Bridge, Walton on Thames
Creator:
Augustin Heckel, 1690–1770
Date:
ca. 1750
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 15 3/8 inches (23.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. De la Parade de Prime sur le Coup de Seconde

De la Parade de Prime sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Canadian Calash or Marche-Donc

Canadian Calash or Marche-Donc
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 9in. (16.5 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground

View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. View of the Falls of Niagara

View of the Falls of Niagara
Creator:
Isaac Weld, 1774–1856
Date:
between 1795 and 1797
Materials & Techniques:
Pen, and black ink, gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 10 11/16 × 13 3/16 inches (27.1 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. The City of London from Somerset House

The City of London from Somerset House
Creator:
unknown artist
Date:
ca. 1780
Materials & Techniques:
Graphite, gray wash, pen, ink, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 14 5/8 inches (22.9 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

De la Risposte en Quinte de Pied forme sur le Coup de Seconde
Creator:
James Gwin, 1700–1769
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Landscape with Castle on Riverbank

Landscape with Castle on Riverbank
Creator:
Rev. William Gilpin, 1724–1804
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 1/2 × 13 5/8 inches (24.1 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

84. Landscape (unfinished)

Landscape (unfinished)
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, verso: Gray wash, brown wash, pen and black ink and brown ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

85. Landscape with Castle in the Distance

Landscape with Castle in the Distance
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, brown wash, graphite, pen and black ink and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

86. View of Castle Ruin

View of Castle Ruin
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, blue wash, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 9 3/8 inches (16.8 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

87. Landscape with Two Trees and Castle

Landscape with Two Trees and Castle
Creator:
Rev. William Gilpin, 1724–1804
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/4in. (27.8 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

88. A Greyhound

A Greyhound
Creator:
Sawrey Gilpin, 1733–1807
Date:
1760
Materials & Techniques:
Watercolor, graphite, gray wash, pen and black ink on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 9/16 × 9 5/16 inches (14.1 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

89. A Dwelling

A Dwelling
Creator:
Sawrey Gilpin, 1733–1807
Date:
ca. 1760
Materials & Techniques:
Graphite, gray wash, pen and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 5 11/16 x 7 7/8in. (14.4 x 20cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

90. View from a Riverbank

View from a Riverbank
Creator:
Captain John Bernard Gilpin, 1701–1776
Date:
undated
Materials & Techniques:
Gray wash, black wash, pen and black ink and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 15/16 × 18 1/8 inches (30.3 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

91. The Arch of Titus from the Forum, Rome

The Arch of Titus from the Forum, Rome
Creator:
Arthur Pond, ca. 1705–1758
Date:
ca. 1725
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 6 1/4 inches (24.8 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Langley Park, Norfolk: Elevation of the South Front

Langley Park, Norfolk: Elevation of the South Front
Creator:
John Sanderson, active 1730; died 1774
Date:
ca. 1750
Materials & Techniques:
Pen and black, brown and gray ink with gray and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 × 21 7/8 inches (37.3 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Thames Ditton, Surrey: Design for Gothic Church

Thames Ditton, Surrey: Design for Gothic Church
Creator:
Sir Robert Taylor, 1714–1788
Date:
ca. 1776
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 15 7/8 inches (30.2 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Headfort House, Ireland: Ceiling of the Front Hall

Headfort House, Ireland: Ceiling of the Front Hall
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black and brown ink with gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 20 inches (36.5 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east

No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 15/16 x 11 5/8 inches (37.9 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Tomb de la Chretienne/ Juba and Cleopatra

Tomb de la Chretienne/ Juba and Cleopatra
Creator:
James Bruce, 1730–1794
Date:
ca. 1769
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gouache, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 21 3/8 inches (39.1 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Ionic Temple Ptolmeta

Ionic Temple Ptolmeta
Creator:
James Bruce, 1730–1794
Date:
ca. 1769
Materials & Techniques:
Gray wash, pen and black ink, and graphite on moderately textured, thick, cream laid paper
Dimensions:
Sheet: 13 11/16 × 17 3/8 inches (34.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Elevation and Plan of Arch at Makther

Elevation and Plan of Arch at Makther
Creator:
James Bruce, 1730–1794
Date:
ca. 1768
Materials & Techniques:
Graphite, gray wash, pen and black ink, red pencil on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 3/8 × 19 1/8 inches (64.5 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Plans of Ancient Roman Church: 4. Terme di Tito

Plans of Ancient Roman Church: 4. Terme di Tito
Creator:
Giovanni Stern, 1734–1794
Date:
undated
Materials & Techniques:
Gray and brown wash with pen and black ink, over graphite on medium, moderatedly textured, cream laid paper
Dimensions:
Sheet: 23 1/2 x 35 1/4 inches (59.7 x 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. The Tea Party

The Tea Party
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection