Associated Places: London / Image Use: Free to Use / Subject Terms: church

John Varley, 1778–1842

Westminster Abbey from Tothill Fields

1832

Not on view

Samuel Scott, 1701/2–1772

View on the Thames with Westminster Bridge

between 1743 and 1744

Not on view

Pieter Angillis, 1685–1734

Vegetable Seller, Covent Garden

ca. 1726

Not on view

Attributed to William Hodges, 1744–1797

The Thames and the Adelphi

ca. 1772

Not on view

unknown artist

The Interior of Westminster Abbey

ca. 1714

Not on view

George Arnald, 1763–1841

A Western View of part of Westminster and Bird Cage Walk taken from the Mill House...,

1808

Not on view

William Marlow, 1740–1813

St. Paul's and Blackfriars Bridge

between 1770 and 1772

Not on view

Canaletto, 1697–1768

Westminster Bridge, with the Lord Mayor's Procession on the Thames

1747

Not on view

unknown artist

The Great Fire of London, with Ludgate and Old St. Paul's

ca. 1670

Not on view

Samuel Scott, 1701/2–1772

Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company

ca. 1745

Not on view

Claude de Jongh, ca. 1600–1663

The Thames at Westminster Stairs

1631

Not on view

Samuel Collings, active 1784–1795

Frost on the Thames

1788 to 1789

Not on view

Philippe-Jacques de Loutherbourg, 1740–1812

The Great Fire of London

ca. 1797

Not on view

Benjamin West, 1738–1820

Milkmaids in St. James's Park, Westminster Abbey Beyond

ca. 1801

Not on view

Frederick Nash, 1782–1856

The Monument and London Bridge

ca. 1825

Not on view

Print made by Robert Polhill Bevan, 1865–1925

A London Church

1924

John Constable, 1776–1837

Fulham Church from across the River

1818

Print made by William Hogarth, 1697–1764

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Alexander Nasmyth, 1758–1840

Westminster Abbey from Dean's Yard

undated

George Sidney Shepherd, 1784–1862

Wandshorst Church Surrey

undated

Frederick Nash, 1782–1856

Ambulatory, Westminster Abbey

undated

Print made by Thomas Medland, 1755–1823

Ruins of St. Paul Covent Garden

1795

Samuel Wale, 1721–1786

Westminster Abbey

undated

Thomas Shotter Boys, 1803–1874

The Church of St. Magnus the Martyr, London Bridge, with the Monument in the Background

1832

Wenceslaus Hollar, 1607–1677

In Saint Paul's Church, One of the Choir Doors

between 1656 and 1658

William Henry Hunt, 1790–1864

The Portico of St. Martin-in-the-Fields

ca. 1862

Print made by Sir Robert Smirke the younger, 1781–1867

Design for London Bridge Approach

between 1827 and 1835

Print made by Sir Robert Smirke the younger, 1781–1867

Design for London Bridge Approach

between 1827 and 1835

Samuel Scott, 1701/2–1772

Westminster Abbey and Bridge from Somerset Garden

1759

unknown artist

Section of the House of Commons as it is at Present

ca. 1800

Print made by George Gladwin, active 1820s–1830s

Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834

1835

unknown artist

House of Commons Restored Giving Additional Sitting Room for 100 Members

ca. 1800

Print made by James Sands, active 1813–1846

The Lower Lobby, House of Commons

1815

Print made by James Basire the younger, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

unknown artist

Entrance Doorway in the Tower, St Stephen's Chapel

undated

John Carter, 1748–1817

South View in the Entrance of Porch at West End of St. Stephen's Chapel West

between 1790 and 1802

Print made by Robert William Billings, 1813–1874

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

1835

Print made by James Basire the younger, 1769–1822

South West view of St. Stephen's Chapel Westminster, Restored 1800

1801

Print made by T. Clarke, 1799–1839

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

1835

Attributed to John Carter, 1748–1817

Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

between 1790 and 1802

John Carter Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Attributed to John Carter, 1748–1817

Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

between 1790 and 1802

unknown artist

Details of the Screen of Entrance Porch, St Stephen's Chapel

undated

Attributed to John Carter, 1748–1817

Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

New East Front, St Stephen's Chapel

ca. 1801

Attributed to John Carter, 1748–1817

Springing of an Arch, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Capitals, St Stephen's Chapel

between 1790 and 1802

Print made by James Basire, 1730–1802

Plate IX: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate X: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802

Plate XIII: St Stephen's Chapel

1795

John Carter, 1748–1817

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

between 1790 and 1802

Print made by John Thomas Smith, 1766–1833

Geometrical Construction of the Freeze and Battlements in the House of Commons

1805

Print made by James Basire the younger, 1769–1822

Plate XI: St Stephen's Chapel

1795

Attributed to John Carter, 1748–1817

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

Print made by James Basire, 1730–1802

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

1795

Attributed to John Carter, 1748–1817

Half the Plan of Ceiling, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Impost moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Impost and Base of Columns, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

ca. 1781

Attributed to John Carter, 1748–1817

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Print made by unknown artist

Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel

1835

James McNeill Whistler, 1834–1903

The "Adam and Eve," Old Chelsea

1879

James Miller, active 1773–1814

View of Isleworth Church

undated

James Miller, active 1773–1814

Putney on Fulham

1770s

Thomas Bowles, ca. 1712–died 1753

The Church of St. Mary Le Bow in Cheapside London

Sir Francis Seymour Haden, 1818–1910

Battersea Bridge

1868

Print made by Matthew Dubourg, active 1786–1838

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

1822

Thomas Bowles, ca. 1712–died 1753

A South View of Westminster Abby & St. Margarets Church

Print made by Thomas Bonnor, ca. 1740–ca. 1812

St. Martin's Church Westminster

1810

Thomas Girtin, 1775–1802

Christ Church, Blackfriars, London

between 1792 and 1794

Sutton Nicholls, active 1725

St. Mary le Strand

1731-1748

Print made by unknown artist

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

between 1720 and 1750