Exhibition HistoryThe Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
Italian Sketchbook, Studies from Florence and Rome, begun 1787
1787
105
Giovanni Battista Borra, 1713–1770
Stromboli
1750
106
Samuel Buck, 1696–1779
The South View of Berwick Upon Tweed
ca. 1743-1745
107
Giovanni Battista Borra, 1713–1770
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
108
John Thomas Serres, 1759–1825
A Hoy and a Lugger with other Shipping on a Calm Sea
undated
109
Amelia Long, 1762–1837
Kirkstall Abbey, Yorkshire
undated
110
Thomas Hearne, 1744–1817
A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
ca. 1775
111
John Hamilton Mortimer, 1740–1779
Death on a Pale Horse
ca. 1775
112
Paul Sandby, 1731–1809
The North Terrace, Looking East
ca. 1765
113
Paul Sandby, 1731–1809
The Norman Gate and Deputy Governor's House
ca. 1765
114
Robert Dighton, 1752–1814
Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786
1786
115
George Engleheart, 1753–1829
Portrait of a Gentleman
1787
116
Sir William Chambers, 1723–1796
The Hoo, Kimpton, Hertfordshire: Elevations and Details of a Gateway
ca. 1760-1764
117
Rev. William Gilpin, 1724–1804
Forest Scene
1771
118
John Brown, 1749–1787
The Geographers
undated
119
Edward Dayes, 1763–1804
Queen Square, London
1786
120
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
121
Edward Dayes, 1763–1804
Haweswater, Westmoreland
ca. 1795
122
Sir William Chambers, 1723–1796
Facade for a Temple of Peace, Kew Gardens, Surrey
ca. 1763
123
Jean B. C. Chatelain, 1710–1771
A View of the Rotunda in the Garden at Stowe, Buckinghamshire
1753
124
Thomas Chippendale, 1718–1779
Design for a Writing Table
1754
125
Robert Cleveley, 1747–1809
An English Man-of-War Taking Possession of a Ship
1783
126
John Warwick Smith, 1749–1831
Bay Scene in Moonlight
1787
127
Thomas Daniell, 1749–1840
Main Entrance of the Jami Mosque, Jaunpur
1797 to 1807
128
John Robert Cozens, 1752–1797
Near Chiavenna in the Grisons
ca. 1779
129
William Anderson, 1757–1837
A Frigate Awaiting a Pilot
1797
130
John Robert Cozens, 1752–1797
The Lake of Albano and Castle Gandolfo
ca. 1779
131
William Day, 1764–1807
Matlock Baths, Derbyshire
ca. 1789
132
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
133
Prince Hoare, 1755–1834
Head of a Young Girl
1780
134
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
135
John Robert Cozens, 1752–1797
The Lake of Albano and Castel Gandolfo
between 1783 and 1785
136
John Robert Cozens, 1752–1797
London from Greenwich Hill
ca. 1791
137
William Daniell, 1769–1837
Sankrydroog, Madras
1792
138
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures
ca. 1788
139
Richard Cosway, 1742–1821
Venus and Mars
ca. 1790
140
Thomas Gainsborough, 1727–1788
A Woodland Pool with Rocks and Plants
between 1765 and 1770
141
Richard Cosway, 1742–1821
Elizabeth, Countess of Hopetown
1789
142
Richard Cosway, 1742–1821
James Hope, third Earl of Hopetoun
1789
143
James Gandon, 1742–1823
Elevation for the West Front of Parliament House, Dublin
ca. 1787
144
Daniel Gardner, 1750–1805
Mrs. Justinian Casamajor and Eight of her Children
1779
145
Alexander Cozens, 1717–1786
Mountainous Landscape
ca. 1780
146
Samuel Hieronymus Grimm, 1733–1794
The French Lady in London
ca. 1771
147
Hubert-François Gravelot, 1699–1773
Drawing for a Frontispiece: "The Toast"
1735
148
Samuel Hieronymus Grimm, 1733–1794
Kennington Common
1776
149
Samuel Hieronymus Grimm, 1733–1794
The English Lady at Paris
1771
150
George Romney, 1734–1802
Italian Sketchbook
1773
151
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
152
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
153
Luigi Balugani, 1737–1770
Carthamus tinctorius L. (Safflower): finished drawing of flowering plant
1765-1773
154
Johann Heinrich Ramberg, 1763–1840
The St. Aubyn Family
1787
155
Luigi Balugani, 1737–1770
Sphyrna zygaena (Hammer-headed Shark)
1765-1773
156
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
157
Luigi Balugani, 1737–1770
Aspis cornutus (Horned Viper or Cerastes)
1765-1773
158
Joseph Goupy, 1689–1769
Death of Ananias
1740
159
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
160
Bernard Lens III, 1682–1740
The Memorial of Lord Darnley
1728
161
Bernard Lens III, 1682–1740
Classical Landscape
1717
162
Stubbs, George, 1724–1806
The anatomy of the horse
1766
163
Kirby, John Joshua, 1716–1774
Dr. Brook Taylor's method of perspective made easy,
1754
164
Peacham, Henry, approximately 1576–approximately 1643
The art of dravving vvith the pen,
1607
165
Rice, Edmund Nagle, -1801
A plan of mathematical learning taught in the Royal Academy, Portsmouth
approximately 1798-1799
166
Langley, Batty, 1696–1751
The city and country builder's, and workman's treasury of designs, or, The art of drawing, and working the ornamental parts of architecture
1740
167
Camper, Petrus, 1722–1789
The works of the late Professor Camper
1794
168
The compleat drawing-master;
1766
169
Malton, James, d. 1803
The young painter's maulstick
1800
170
Ripa, Cesare, 1560–1645
Iconologia, or, Moral emblems
MDCCIX [1709]
171
Chinese landskips
[ca. 1752?]
172
Bowles, Carington, 1724–1793
The draughtsman's assistant, or, Drawing made easy
[ca. 1801]
173
Hogarth, William, 1697–1764
The analysis of beauty
1753
174
Grose, Francis, 1731?-1791
Rules for drawing caricaturas
1788
175
Hipwell, John
The elements of navigation
1759
176
Goeree, Willem, 1635–1711
An introduction to the general art of drawing,
1674
177
Lavater, Johann Caspar, 1741–1801
Essays on physiognomy
MDCCLXXXIX-MDCCXCVIII [1789-1798, i.e. 1799]
178
Sandby, Paul, 1731–1809
A collection of landskips, and figures, &c.
January 12, 1773
179
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
180
Bowles, Carington, 1724–1793
All draughtsmen's assistant, or, Drawing made easy
[177-?]
181
Le Brun, Charles, Sir, 1619–1690
A method to learn to design the passions
1734
182
Parkinson, Thomas, active 1769–1789
Flower painting made easy
[1760?]
183
Dubreuil, Jean, 1602–1670
The practice of perspective
1743
184
Gwynn, John, 1713–1786
An essay on design
1749
185
Gilpin, William, 1724–1804
Observations on the river Wye,
1792
186
Smith, John Thomas, 1766–1833
Remarks on rural scenery
1797
187
The excellency of the pen and pencil,
1688
188
Dubreuil, Jean, 1602–1670
Perspective practical
1698
189
Introduction to drawing ships
[1788]
190
Bowles, Carington, 1724–1793
Bowles's polite recreation in drawing
[1779]
191
Le Brun, Charles, Sir, 1619–1690
Bowles's Passions of the soul
[1800?]
192
Austin, William, 1721–1820
A specimen of sketching landscapes, in a free and masterly manner, with a pen or pencil
1781
193
Orme's Pocket sketch book
[1799]
194
A new drawing-book of out-lines &c. : very proper for the first-practice of all who are willing to excell in that noble-art =
1722
195
Junius, Franciscus, 1589–1677
The painting of the ancients, in three bookes: declaring by historicall observations and examples, the beginning, progresse, and consvmmation of that most noble art. And how those ancient artificers attained to their still so much admired excellencie
1638
196
The florist
[ca. 1760]
197
Bickham, George, 1684?-1758?
The museum of arts
1745?]
198
Lens, Bernard, 1682–1740
For the curious young gentlemen and ladies that study and practice the commendable art of drawing, colouring, etc.