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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 18th century
Remove constraint Period: 18th centuryWork Type watercolor
Remove constraint Work Type: watercolorSearch Results
1
- Gabriel Hunt
- undated
2
- Study for the Foundlings
- ca. 1739
3
- Christ Church Gate, Canterbury
- 1793 to 1794
4
- View of Ely Cathedral
- ca. 1796
5
- Landscape with Barn
- ca. 1795
6
- Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
- 1793
7
- Man with Horse and Cart Entering a Quarry
- ca. 1797
8
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
9
- Interior of St. John's Palace, Eltham
- ca. 1793
10
- Saint Augustine's Gate, Canterbury
- ca. 1793
11
- The Angler
- 1794
12
- Santa Lucia, A Convent near Caserta
- ca. 1795
13
- Near Grindelwald
- ca. 1796
14
- Landscape with Trees and Figures
- ca. 1796
15
- Dent de Lion, Margate
- ca. 1791
16
- Villa d'Este
- ca. 1796
17
- Autumn Sowing of the Grain
- ca. 1794
18
- Newark - upon - Trent
- ca. 1796
19
- A Great Tree
- ca. 1796
20
- In the Valley Near Vietri
- ca. 1794
21
- Villa Salviati on the Arno
- between 1796 and 1797
22
- Windsor
- ca. 1798
23
- Evening Landscape with Castle and Bridge in Yorkshire
- between 1798 and 1799
24
- A Three Storied Georgian House in a Park
- ca. 1795
25
- North East View of Grantham Church, Lincolnshire
- ca. 1797
26
- Sir William Hamilton's Villa
- ca. 1795
27
- From the Isola Borromena, Lago Maggiore
- ca. 1795
28
- Landscape with Waterfall
- ca. 1796
29
- Fisherman's Cottage, Dover
- ca. 1790s
30
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
31
- Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
- 1789
32
- Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
- 1789
33
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
34
- Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
- 1789
35
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
36
- Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
- 1794
37
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
38
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
39
- Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
- 1794
40
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
41
- Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
- 1794
42
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
43
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
44
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
45
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
46
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
47
- Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
- 1794
48
- Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
- 1794
49
- Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
- 1794
50
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
51
- Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
- 1794
52
- Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
- 1794
53
- Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
- 1794
54
- Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
- 1794
55
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
56
- Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
- 1789
57
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789
58
- Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
- 1797
59
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
60
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
61
- Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
- 1797
62
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
63
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
64
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
65
- Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
- 1797
66
- Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
- 1797
67
- Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
- 1797
68
- Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
- 1797
69
- The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
- between 1797 and 1798
70
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
71
- The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
- between 1797 and 1798
72
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
73
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
74
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
75
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
76
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
77
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
78
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
79
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
80
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
81
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
82
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
83
- America. A Prophecy, Plate 17, "On Albions Angels...."
- 1793
84
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
85
- America. A Prophecy, Plate 2, Title Page
- 1793
86
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
87
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
88
- America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
- 1793
89
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
90
- The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
- 1789
91
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
92
- Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
- 1794
93
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
94
- The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
- 1794
95
- The First Book of Urizen, Plate 15 (Bentley 14)
- 1794
96
- The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
- 1794
97
- The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
- 1794
98
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
99
- The First Book of Urizen, Plate 7 (Bentley 12)
- 1794
100
- The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
- 1794