The Horse Mart (with further sketches in the margin)
ca. 1918
7
Robert Polhill Bevan, 1865–1925
A Morning at Tattersalls (with further sketches in left margin folded over)
undated
8
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
9
Robert Polhill Bevan, 1865–1925
Sale at Ward's Repository, No. 2
ca. 1918
10
Robert Polhill Bevan, 1865–1925
Timber Hauling
ca. 1917
11
John Constable, 1776–1837
A Recollection of the New R.A
1837
12
John Constable, 1776–1837
Mr. Hobson of Markfield and Family
ca. 1806
13
John Constable, 1776–1837
A Country Girl in the Lake District
1806
14
attributed to Samuel Palmer, 1805–1881
Study of a Pilgrim
undated
15
Samuel Palmer, 1805–1881
Ivy Cottage, Shoreham
undated
16
Samuel Palmer, 1805–1881
A Pastoral Scene
1835
17
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
18
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
19
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
20
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
21
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
22
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
23
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
24
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
25
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
26
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
27
Samuel Palmer, 1805–1881
The Timber Wain
between 1833 and 1834
28
Samuel Palmer, 1805–1881
Timber Wagon Crossing a Stream
undated
29
Samuel Palmer, 1805–1881
The Wayside Smithy
undated
30
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
31
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
32
Print made by George Stubbs, 1724–1806
Labourers
1789
33
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
34
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
35
Print made by William Hogarth, 1697–1764
The Sleeping Congregation
1736
36
Print made by William Hogarth, 1697–1764
A Midnight Modern Conversation
1733
37
Print made by William Hogarth, 1697–1764
Southwark Fair
1733
38
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
39
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
40
Joseph Mallord William Turner, 1775–1851
Cricket on the Goodwin Sands
undated
41
Joseph Mallord William Turner, 1775–1851
A View of Boppart, with Figures on the River Bank
1817
42
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
43
Etched by Joseph Mallord William Turner, 1775–1851
Young Anglers
1811
44
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
45
Joseph Mallord William Turner, 1775–1851
Landscape with Trees and Figures
ca. 1796
46
Joseph Mallord William Turner, 1775–1851
Newark - upon - Trent
ca. 1796
47
Joseph Mallord William Turner, 1775–1851
Leeds
1816
48
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
49
Joseph Mallord William Turner, 1775–1851
Steeton Manor House, Near Farnley
between 1815 and 1818
50
Joseph Mallord William Turner, 1775–1851
Lulworth Castle, Dorset
ca. 1820
51
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
52
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
53
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
54
Joseph Mallord William Turner, 1775–1851
Ingleborough from Chapel-Le-Dale
between 1810 and 1815
55
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
56
Joseph Mallord William Turner, 1775–1851
Saint Catherine's Hill, Guildford, Surrey
1830
57
Joseph Mallord William Turner, 1775–1851
The Angler
1794
58
Joseph Mallord William Turner, 1775–1851
High Street, Edinburgh
ca. 1818
59
Edward Lear, 1812–1888
A Study of Ferns, Civitella
1842
60
attributed to George Romney, 1734–1802
Study of the Head of a Young Man
undated
61
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
62
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
63
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
64
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
65
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
66
Nicholas Pocock, 1740–1821
Landscape with Gypsies
undated
67
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
68
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
69
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
70
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
71
Edward Francis Burney, 1760–1848
Design in Color for a Bookplate
undated
72
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
73
Hubert-François Gravelot, 1699–1773
Design for Medal: Both Hands Fil'd for Britain
undated
74
James Roberts, active 1766–1809
Three Ladies Standing on a Terrace
undated
75
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
76
Paul Sandby, 1731–1809
The Itinerant Pedlar
undated
77
Benjamin West, 1738–1820
Page Boy Asleep
undated
78
William Mulready, 1786–1863
Study for a Girl Reading
undated
79
Benjamin West, 1738–1820
Study of Trees
undated
80
Richard Westall, 1765–1836
A Landscape with a Portrait of a Lady, Full Length, Holding a Hat