Materials & Techniques: brown ink and gray wash / On-site Access: Accessible by appointment in the Study Room

John Constable, 1776–1837

Trees and Deer

1825

Samuel Palmer, 1805–1881

Cornfields with Barn, Shoreham

ca. 1829

Samuel Palmer, 1805–1881

A Shepherd and his Flock under the Moon and Stars

ca. 1827

Samuel Palmer, 1805–1881

The Primitive Cottage, Shoreham

undated

William Hogarth, 1697–1764

Benjamin Read

ca. 1757

Edward Lear, 1812–1888

Wady Feiran, Peninsula of Mt. Sinai

ca. 1880

George Romney, 1734–1802

River God

undated

George Romney, 1734–1802

Borghese Gladiator

undated

George Romney, 1734–1802

Prison Scene

undated

George Romney, 1734–1802

Newton and the Prism

undated

George Romney, 1734–1802

Sketches for "The Accusation of Susanna"

undated

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

[Small Sketchbook]

1784

George Romney, 1734–1802

Shepherdess Cutting an Inscription on a Tree

undated

George Romney, 1734–1802

Head in Profile

undated

George Romney, 1734–1802

David before Saul

undated

George Romney, 1734–1802

Pharmarus Raises the Phantom before Kunaza

undated

George Romney, 1734–1802

Horseman of Montecavallo

between 1773 and 1774

George Romney, 1734–1802

Woman at a Column

undated

George Romney, 1734–1802

Two Nude Children

undated

Master of the Giants, active 1779

Apollo and Daphne

between 1770 and 1799

Arthur Pond, ca. 1705–1758

The Arch of Titus from the Forum, Rome

ca. 1725

William Henry Pyne, 1769–1843

Poulterer's Shop

undated

Edward Pierce, c.1630–1695

The Diana Fountain, Bushy Park: Original Design

undated

Francis Place, 1647–1728

A Study for the Pilkington Crest, a mower with a scythe

undated

unknown artist

Whinny Liggate; Balgredan

undated

John Martin, 1789–1854

The Walls of Jericho

1834

Isaac Oliver, ca. 1565–1617

Classical Study of Three Figures

undated

George Morland, 1763–1804

Peasants in a Grotto

undated

Francis Place, 1647–1728

City of Bath

1678

unknown artist

Whitehall Palace, London: Elevation of Proposed Design

between 1710 and 1740

unknown artist

Whitehall Palace, London: Section of Proposed Design

between 1710 and 1740

Moses Haughton Jr., 1772–1848

A Young Country Couple

undated

Matthew Haughton, 1768–1821

A Fashionable Audience

undated

Francis Hayman, 1707/8–1776

Battledore and Shuttlecock

ca. 1740

James Howe, 1780–1836

Scene with Horse and Rider

undated

William Green, 1760–1823

Landscape with River and a Bridge

undated

unknown artist

Kirkeoch, Nun Mill

undated

unknown artist

The Farm

undated

Peter Monamy, 1681–1749

Landing of William of Orange at Tor Bay

1688

Francis Place, 1647–1728

East Side of Sheriff Hutton Castle

undated

Philippe-Jacques de Loutherbourg, 1740–1812

The Island of Portland

undated

Philippe-Jacques de Loutherbourg, 1740–1812

The Front at Brighton

undated

Philippe-Jacques de Loutherbourg, 1740–1812

A Path on a Hilltop

undated

Joseph Wolf, 1820–1899

The Mansion House, London: Elevation

undated

unknown artist

Bombie Mill, Bombie, Tongue of Bombie

undated

unknown artist

Palmangan

undated

Thomas Manby, 1633(?)–1695

Ponte Lucano, Near Tivoli

between 1660 and 1690

unknown artist

Norton Hall, Cheshire: Ground Plan with Designs for a Canal

between 1760 and 1776

Robert Adam, 1728–1792

Headfort House, Ireland: Elevation of the Eating Parlor

1771

John Thomas Smith, 1766–1833

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith, 1766–1833

Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833

The Reconcilation

1817

John Thomas Smith, 1766–1833

The Smock Exposed

1817

John Thomas Smith, 1766–1833

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith, 1766–1833

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith, 1766–1833

Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817

John Thomas Smith, 1766–1833

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1817

Dominic Serres, 1722–1793

Firing a Salute

1770

imitator of Canaletto, 1697–1768

Venetian Fantasy

undated

Robert Byng, 1666–1720

Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family

undated

Thomas Sunderland, 1744–1828

Landscape at Ambleside

ca. 1800

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817