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Credit Line Yale Center for British Art, Paul Mellon Collection

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Joseph Mallord William Turner Junction of Severn and Wye
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
Thomas Girtin View of the City with the Louvre & Taken from Pont Marie
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
Thomas Girtin The Water Works at Marli,and St. Germain en Laye Seen in the Distance.
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
Frederick Christian Lewis the Elder View of the Village of Chaillot & C. taken from Pont de la Concorde
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
Thomas Girtin View of St. Cloud and Mt. Calvary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
Matthew Dubourg The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Print made by Matthew Dubourg, active 1786–1838
The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
1815
Thomas Girtin View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
Thomas Girtin View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
Thomas Girtin A General View of Paris, taken from Chaillot 1803.
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
Joseph Collyer Miss Mary Palmer
Joseph Collyer, 1748–1827
Miss Mary Palmer
1785
unknown artist Locomotive Engine and Train of the Birmingham and Liverpool Rail Road
unknown artist
Locomotive Engine and Train of the Birmingham and Liverpool Rail Road
1825
Caroline Watson Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas
Print made by Caroline Watson, 1760–1814
Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas
1785
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
William Daniell A View of the East India Docks
William Daniell, 1769–1837
A View of the East India Docks
1808
Samuel Freeman Mamma at Romps
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
Robert Dodd Howe's Victory off Ushant
Robert Dodd, 1748–1816
Howe's Victory off Ushant
1795
Richard Gilson Reeve Christ Church Cathedral, Oxford
Print made by Richard Gilson Reeve, 1803–1889
Christ Church Cathedral, Oxford
1807
Richard Gilson Reeve Clare Hall, Cambridge
Print made by Richard Gilson Reeve, 1803–1889
Clare Hall, Cambridge
1807
Richard Gilson Reeve Peterborough Cathedral
Print made by Richard Gilson Reeve, 1803–1889
Peterborough Cathedral
1809
Richard Gilson Reeve Malmsbury Abbey
Print made by Richard Gilson Reeve, 1803–1889
Malmsbury Abbey
1809
Richard Gilson Reeve Peterborough Cathedral
Print made by Richard Gilson Reeve, 1803–1889
Peterborough Cathedral
1809
Robert Havell Cassiobury, Hertfordshire, The Seat of the Earl of Essex
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
Robert Havell Cassiobury, Hertfordshire, The Seat of the Earl of Essex
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
John Hill North-West Front, Cassiobury
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
John Hill The Great Cloister, Cassiobury
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
Luigi Schiavonetti Milk below Maids
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
Anthony Cardon Do You Want Any Matches?
Print made by Anthony Cardon, 1772–1813
Do You Want Any Matches?
1794
Niccoló Schiavonetti New Mackrel, New Mackrel
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
Anthony Cardon Round & Sound, Five Pence a Pound, Duke Cherries
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
Giovanni Vendramini Strawberrys, Scarlet Strawberries.
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberries
1795
Anthony Cardon A New Love Song, Only ha'Penny a Piece
Print made by Anthony Cardon, 1772–1813
A New Love Song, Only ha'Penny a Piece
1796
John Augustus Atkinson Fools; or Jesters
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
Thomas Rowlandson Undertakers Regaling
Thomas Rowlandson, 1756–1827
Undertakers Regaling
1801
John Bluck Encouragement of Arts &c, Adelphi
John Bluck, active 1791–1831
Encouragement of Arts &c, Adelphi
1809
John Bluck Ackerman's Library for Works of Art
John Bluck, active 1791–1831
Ackerman's Library for Works of Art
1813
Daniel Havell A View of the Bank of England
Daniel Havell, 1785–1826
A View of the Bank of England
1816
unknown artist North Front of the Bank
unknown artist
North Front of the Bank
1797
Francesco Bartolozzi Antony and Cleopatra, Act I, Scene II
Francesco Bartolozzi, 1728–1815
Antony and Cleopatra, Act I, Scene II
1794
Francesco Bartolozzi King Lear, Act 4, Scene VII
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
Francesco Bartolozzi Troilus and Crssida, Act 3, Scene II
Francesco Bartolozzi, 1728–1815
Troilus and Crssida, Act 3, Scene II
1794
Francesco Bartolozzi Troilus and Cressida, Act 4, Scene II
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
Francesco Bartolozzi Ophelia vide Hamlet, Act 4, Scene VII
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
Richard Cooper the Younger The Procession of the Knights of the Most Noble Order of the Garter
Richard Cooper the Younger, 1740–1814
The Procession of the Knights of the Most Noble Order of the Garter
1782
Valentine Green St. Augustine's Gate, Canterbury
Valentine Green, 1739–1813
St. Augustine's Gate, Canterbury
1779
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
James Gillray The Valley of the Shadow of Death
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
James Gillray Presages of the Millenium
James Gillray, 1756–1815
Presages of the Millenium
1795
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin View of the Tuilleries and Bridge taken from the Quay D'Orsai
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge taken from the Quay D'Orsai
1802
Thomas Girtin View of Pont Neuf, part of the Louvre and the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
Thomas Girtin View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
Thomas Girtin View of the Gate of the St. Denis taken from the Suburbs
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
Thomas Girtin View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin The Water Works at Marli and St. German en Laye seen in the distance
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin View of St. Cloud and Mount Cavalary taken from Pont de Seve
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mount Cavalary taken from Pont de Seve
Thomas Girtin View of the Village of Chaillot and etc. taken from Pont de la Concorde.
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
Thomas Girtin The Water Mill above the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
Robert Havell View of the Old Corn Market and Tuns Inn, Guildford
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford
1819
Henry Papprill British Queen Steam Ship
Henry Papprill, 1816–d.after 1883
British Queen Steam Ship
1838
Henry Papprill This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
Frederick Christian Lewis the Elder View of Old Aberdeen, Including King's College and the Cathedral
Frederick Christian Lewis the Elder, 1779–1856
View of Old Aberdeen, Including King's College and the Cathedral
1808
Archibald Robertson The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr.
Archibald Robertson, 1748–1788
The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr
1782
Thomas Rowlandson French Barracks
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
Thomas Rowlandson English Barracks
Etched by Thomas Rowlandson, 1756–1827
English Barracks
1791
Richard Gilson Reeve View of the Port of Liverpool
Richard Gilson Reeve, 1803–1889
View of the Port of Liverpool
1836
Richard Gilson Reeve The Victoria Steam Ship at Hull
Richard Gilson Reeve, 1803–1889
The Victoria Steam Ship at Hull
ca. 1837
James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
James Gillray Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
Francis Jukes Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
Print made by Francis Jukes, 1747–1812
Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
1802
Matthew Dubourg Snipe Shooting
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
Richard Gilson Reeve Malmsbury Abbey
Print made by Richard Gilson Reeve, 1803–1889
Malmsbury Abbey
1809
Frederick Christian Lewis the Elder Tours, looking backwards
Print made by Frederick Christian Lewis the Elder, 1779–1856
Tours, looking backwards
undated
James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
Print made by James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
John Hassell Clapham Manor-House, Surry
John Hassell, 1767–1825
Clapham Manor-House, Surry
between 1804 and 1822
William Ellis The House of William Russell, Esq., Showell Green
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
William Ellis The House of George Humphrys, Esq., Spark Brook
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
William Ellis The New Meeting
William Ellis, 1747–1810
The New Meeting
1792
William Ellis Beddington
William Ellis, 1747–1810
Beddington
1792
William Ellis Bordesley Hall, the Seat of John Taylor, Esq.
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
unknown artist The Famous Lincolnshire Ox
Print made by unknown artist
The Famous Lincolnshire Ox
1823
Matthew Dubourg Partridge Shooting
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
Matthew Dubourg Pheasant Shooting
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
Robert Isaac Cruikshank A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
unknown artist Glen Crowe, Western Highlands, Scotland
after unknown artist
Glen Crowe, Western Highlands, Scotland
1811