plate etched between 1880 and 1883; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
3
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
4
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
5
Print made by Samuel Palmer, 1805–1881
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
6
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
7
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
8
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
9
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
10
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
11
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
12
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
13
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
14
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
15
after Joseph Mallord William Turner, 1775–1851
Aeneas Relating His Adventures to Dido
16
Engraved by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
17
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
18
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
19
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
20
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
21
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
22
Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
23
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
24
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
25
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
26
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
27
Print made by William Blake, 1757–1827
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
28
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
29
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
30
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
31
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
32
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
33
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
34
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
35
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
36
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
37
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
38
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
39
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
40
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
1794
41
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
42
Print made by William Blake, 1757–1827
What is Man!, Frontispiece; Plate 1
1793
43
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
44
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
45
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
46
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
47
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
48
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
49
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
50
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
51
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
52
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
53
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
54
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
55
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
56
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
57
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
58
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
59
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
60
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
61
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
62
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14 (Bentley 14)
1794
63
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
64
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
1794
65
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 27)
1794
66
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
67
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
68
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
1794
69
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
70
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
71
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
72
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
73
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
74
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
75
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
76
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
1789
77
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
1789
78
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
79
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
80
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
81
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
82
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
83
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
84
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
85
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
86
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
87
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
88
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
89
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
90
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
91
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
92
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
93
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
94
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
95
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
96
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
97
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
98
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
99
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
100
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"