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Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
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1
- Ploughing the Hillside
- ca. 1905
2
- The Bayhorse, Tattersall’s
- 1921
3
- Sussex Farm Wagon
- ca. 1906
4
- Under the Hammer
- between 1912 and 1913
5
- Ivy Cottage, Shoreham
- undated
6
- Study of a Pilgrim
- undated
7
- A Pastoral Scene
- 1835
8
- The Rising Moon
- 1857
9
- The Rising Moon
- 1857
10
- The Rising Moon
- 1857
11
- The Sleeping Shepherd
- 1857
12
- The Weary Ploughman
- 1858
13
- The Rising Moon
- 1857
14
- The Herdsman's Cottage
- 1850
15
- The Rising Moon
- 1857
16
- The Weary Ploughman
- 1858
17
- The Timber Wain
- between 1833 and 1834
18
- Timber Wagon Crossing a Stream
- undated
19
- The Wayside Smithy
- undated
20
- A Recollection of the New R.A
- 1837
21
- A Country Girl in the Lake District
- 1806
22
- Labourers
- 1789
23
- Young Anglers
- 1811
24
- Rome from Monte Mario
- ca. 1818
25
- Dartmoor: The Source of the Tamar and the Torridge
- ca. 1813
26
- Newark - upon - Trent
- ca. 1796
27
- Man with Horse and Cart Entering a Quarry
- ca. 1797
28
- Ingleborough from Chapel-Le-Dale
- between 1810 and 1815
29
- Autumn Sowing of the Grain
- ca. 1794
30
- Saint Catherine's Hill, Guildford, Surrey
- 1830
31
- Interior of St. John's Palace, Eltham
- ca. 1793
32
- The Angler
- 1794
33
- Leeds
- 1816
34
- High Street, Edinburgh
- ca. 1818
35
- A View of Boppart, with Figures on the River Bank
- 1817
36
- Christ Church Gate, Canterbury
- 1793 to 1794
37
- Cricket on the Goodwin Sands
- undated
38
- Steeton Manor House, Near Farnley
- between 1815 and 1818
39
- Lulworth Castle, Dorset
- ca. 1820
40
- Landscape with Trees and Figures
- ca. 1796
41
- A Study of Ferns, Civitella
- 1842
42
- Illustrations of Imitation of Eclogue I, Page 18
- 1821
43
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
44
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
45
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
46
- London Cries: Last Dying Speech and Confession
- ca. 1759
47
- Allahabad, from the Right Bank of the Jumna
- 1865
48
- The Village Well
- 1864
49
- The Dilkoosha, Lucknow in the Distance
- 1866
50
- Thugs in the School of Industry, Jubblepoor
- undated
51
- Dust Storm Coming On, near Jeypore, Rajpootana
- 1863
52
- Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
- 1799
53
- Rustic Scene: man fishing, left; cottage with water-mill and horses right
- undated
54
- The Village of Aldbury, Hertfordshire
- 1816
55
- Ghent: Street with Figures, Leading Up to the Cathedral
- 1832
56
- Landscape at Ambleside
- ca. 1800
57
- Haymakers
- undated
58
- Landscape with Gypsies
- undated
59
- Capriccio of a Venetian Courtyard
- undated
60
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
61
- A Fireworks Display
- undated
62
- The Fisherman
- undated
63
- The Market Square, Bury St. Edmunds
- undated
64
- Weeke's Museum, Coventry Street, London
- undated
65
- Shepherd and Shepherdess by Moonlight
- undated
66
- A Fruit Stall in a Market
- undated
67
- Denial and Disappointment
- undated
68
- The Porch, Reims Cathedral
- ca. 1840
69
- The Porta Nigra, Trier
- undated
70
- Venetian Fantasy
- undated
71
- Group of Figures, with a Man Painting in Watercolors and a Girl Handing Cups of Tea
- ca. 1830
72
- The Manse, Cults, Fife: The Artist's Old Home
- undated
73
- Carisbrooke Castle, Isle of Wight
- undated
74
- Dagnall Lane, St. Albans
- ca. 1820
75
- Millbank
- 1806
76
- Dr. Munro's Carpenter at Work
- ca. 1815
77
- Design for a Fan
- 1775
78
- Henry Sass
- between 1830 and 1835
79
- A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary
- 1812
80
- Sketches from Life in Paris: Two Women
- ca. 1835
81
- Man on Horse, with Pigs
- undated
82
- Lea Marshes
- undated
83
- Roundway Park, Wiltshire: Exterior View
- ca. 1840
84
- Girl Reading a Book
- 1814
85
- Sketch for a Family Group
- undated
86
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
87
- London Cries: A Milkmaid
- ca. 1759
88
- Greytown
- undated
89
- Cerco de Paro, Lima
- ca. 1855
90
- Olivia Returns to Her Family
- undated
91
- Landscape with Shepherd and Sheep
- undated
92
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
93
- Street Scene at Stratford by Bow
- undated
94
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
95
- Fountain in the Gardens, Paris: Evening
- undated
96
- A Christening
- undated
97
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
98
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
99
- The Reconcilation
- 1817
100
- The Smock Exposed
- 1817