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Materials & Techniques watercolor

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On-site Access Accessible by appointment in the Study Room

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Period 18th century

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Subject Terms clouds

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Search Results

Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
Joseph Mallord William Turner View of Ely Cathedral
Joseph Mallord William Turner, 1775–1851
View of Ely Cathedral
ca. 1796
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner In the Valley Near Vietri
Joseph Mallord William Turner, 1775–1851
In the Valley Near Vietri
ca. 1794
Joseph Mallord William Turner Landscape with Trees and Figures
Joseph Mallord William Turner, 1775–1851
Landscape with Trees and Figures
ca. 1796
Joseph Mallord William Turner Near Grindelwald
Joseph Mallord William Turner, 1775–1851
Near Grindelwald
ca. 1796
Joseph Mallord William Turner Evening Landscape with Castle and Bridge in Yorkshire
Joseph Mallord William Turner, 1775–1851
Evening Landscape with Castle and Bridge in Yorkshire
between 1798 and 1799
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
William Blake America. A Prophecy, Plate 10, "The Terror Answered...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake America. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
William Blake America. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake America. A Prophecy, Plate 8, "The Morning Comes...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
1794
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
Willey Reveley Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
Willey Reveley, 1760–1799
Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
ca. 1785
Capt. Francis Grose St. Mary's Priory, Thetford
Capt. Francis Grose, 1731–1791
St. Mary's Priory, Thetford
undated
Thomas Hearne A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
Thomas Hearne, 1744–1817
A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
ca. 1775
Gerard van der Gucht Fort St. George
Print made by Gerard van der Gucht, 1696–1776
Fort St. George
1736
Gerard van der Gucht Tellicherry
Print made by Gerard van der Gucht, 1696–1776
Tellicherry
1736
Anthony Cardon Credulity
Print made by Anthony Cardon, 1772–1813
Credulity
1796
Pierre Charles Canot The Great Bridge over the Taafe
Pierre Charles Canot, ca. 1710–1777
The Great Bridge over the Taafe
1775
Francis Towne Modern Bridge at Narni
Francis Towne, 1740–1816
Modern Bridge at Narni
1795
John Nixon Eastbourne from Lord G.: Cavendish's Seat in the Park
John Nixon, ca. 1760–1818
Eastbourne from Lord G.: Cavendish's Seat in the Park
1787
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
Jacob More A View at Terracina
Jacob More, 1740–1793
A View at Terracina
1778
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
Francis Wheatley Traveling Potter Outside a Cottage
Francis Wheatley, 1747–1801
Traveling Potter Outside a Cottage
1798
Paul Sandby An Encampment in St. James Park
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
Paul Sandby The North Terrace, Windsor Castle, Looking West
Paul Sandby, 1731–1809
The North Terrace, Windsor Castle, Looking West
ca. 1765
Nicholas Pocock The River Avon: with Passing Vessels
Nicholas Pocock, 1740–1821
The River Avon: with Passing Vessels
1785
Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
Paul Sandby, 1731–1809
North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
1767
John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
John Warwick Smith Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen
John Warwick Smith, 1749–1831
Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen
undated
James Wyatt Design for Little Frogmore: Elevation
James Wyatt, 1746–1813
Design for Little Frogmore: Elevation
1791
Willey Reveley Views in the Levant: Temple Ruins at Paestum
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
John Collet Stable Boy Holding a Horse in a Landscape
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
Thomas Jones The Grotto at Posillipo
Thomas Jones, 1742–1803
The Grotto at Posillipo
ca. 1782
unknown artist Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
unknown artist
Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
between 1713 and 1718
John Robert Cozens Interlaken
John Robert Cozens, 1752–1797
Interlaken
1776
John Robert Cozens Lake of Vico Between Rome and Florence
John Robert Cozens, 1752–1797
Lake of Vico Between Rome and Florence
1783
John Robert Cozens Between Chamonix and Martigny
John Robert Cozens, 1752–1797
Between Chamonix and Martigny
1776
John Robert Cozens The Lake of Nemi
John Robert Cozens, 1752–1797
The Lake of Nemi
between 1783 and 1785
John Robert Cozens Galleria di Sopra, Albano
John Robert Cozens, 1752–1797
Galleria di Sopra, Albano
ca. 1778
John Robert Cozens The Bay of Naples from Capodimonte
John Robert Cozens, 1752–1797
The Bay of Naples from Capodimonte
1790
John Robert Cozens Il Parco degli Astroni - The Wooded Crater Bottom with Hunt in Progress
John Robert Cozens, 1752–1797
Il Parco degli Astroni - The Wooded Crater Bottom with Hunt in Progress
1783
John Robert Cozens The Lake and Town of Nemi
John Robert Cozens, 1752–1797
The Lake and Town of Nemi
ca. 1779
John Robert Cozens Near Chiavenna in the Grisons
John Robert Cozens, 1752–1797
Near Chiavenna in the Grisons
ca. 1779
John Robert Cozens Monte della Madonna, near Argua
John Robert Cozens, 1752–1797
Monte della Madonna, near Argua
1783
Sir William Chambers Royal Botanic Gardens, Kew: Design for Interior of a Mosque
Sir William Chambers, 1723–1796
Royal Botanic Gardens, Kew: Design for Interior of a Mosque
ca. 1761
John Warwick Smith Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire
John Warwick Smith, 1749–1831
Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire
1790
John Warwick Smith Isola Madre, Lago Maggiore
John Warwick Smith, 1749–1831
Isola Madre, Lago Maggiore
ca. 1781
Henry Tresham The Ascent of Vesuvius
Henry Tresham, 1751–1814
The Ascent of Vesuvius
1785 to 1790
John Robert Cozens The Bay of Naples from Capodimonte, Italy
John Robert Cozens, 1752–1797
The Bay of Naples from Capodimonte, Italy
ca. 1790
Paul Sandby A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
Paul Sandby, 1731–1809
A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills
1794
Thomas Girtin Pluscardine Abbey, Elgin
Thomas Girtin, 1775–1802
Pluscardine Abbey, Elgin
ca. 1793
Thomas Girtin Turver's Farm, Wimbish, Essex
Thomas Girtin, 1775–1802
Turver's Farm, Wimbish, Essex
ca. 1799
Thomas Girtin Country House
Thomas Girtin, 1775–1802
Country House
ca. 1797
Thomas Girtin Valle Crucis Abbey, near Llangollen
imitator of Thomas Girtin, 1775–1802
Valle Crucis Abbey, near Llangollen
between 1798 and 1801
Thomas Girtin Rochester, Kent: from the North
Thomas Girtin, 1775–1802
Rochester, Kent: from the North
ca. 1790
Thomas Girtin Classical Composition
Thomas Girtin, 1775–1802
Classical Composition
1798 to 1799