I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
1793
408
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
409
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
410
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
411
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
412
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
413
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
414
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
415
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
416
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
417
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
1826
418
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
419
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
420
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
421
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
422
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
423
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
424
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
425
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
426
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
1826
427
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
428
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
429
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
1826
430
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
431
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
432
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
433
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
434
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
435
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
436
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
437
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
438
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
439
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
440
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
441
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
442
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
443
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
444
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
445
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
446
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
447
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
448
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
449
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
450
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
451
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
452
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
453
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
454
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
455
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
456
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
457
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
458
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
459
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
460
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
461
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
462
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
463
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
464
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
465
Print made by William Blake, 1757–1827
The Death of Juliet
1799
466
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater (1787-1801)
1800
467
William Blake, 1757–1827
Theocritus
1821
468
William Blake, 1757–1827
Epicurus
1821
469
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
470
William Blake, 1757–1827
From Antique Coins
1821
471
William Blake, 1757–1827
Caius Julius Cæsar
1821
472
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
473
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
474
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
475
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
476
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
477
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
478
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
479
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
480
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
481
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
482
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
483
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
484
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
485
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
486
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
487
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
488
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
489
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
490
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
491
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
492
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
493
William Blake, 1757–1827
Publius Virgilius Maro
1821
494
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
495
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
496
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
497
Francesco Bartolozzi, 1728–1815
Herculea and Omphale
1786
498
Print made by Francesco Bartolozzi, 1728–1815
Hebe
1782
499
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"