The Caller at the Mill, with sketches outside margin
1918-1919
2
Robert Polhill Bevan, 1865–1925
Two Bridges
1912-1913
3
Robert Polhill Bevan, 1865–1925
Fields Farm, Clayhidon
1917
4
Print made by Samuel Palmer, 1805–1881
Christmas
1877
5
Print made by Samuel Palmer, 1805–1881
Christmas
1850
6
Print made by Samuel Palmer, 1805–1881
Christmas
1850
7
Charles Hamilton Smith, 1776–1859
Views of France, Volume II
undated
8
Richard Banks Harraden, 1778–1862
The Gate of Honour, Caius College, Cambridge
ca. 1840
9
Augustus Welby Northmore Pugin, 1812–1852
Designs for a Gothic Lamp
1839
10
Thomas Miles Richardson Sr., 1784–1848
Wooden Jetty
undated
11
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of South Front of South Wing
undated
12
John William Upham, 1772–1828
The Castle at Dieppe, Normandy
undated
13
Thomas Anburey, 1759–1840
Mahore, a Fortress Belonging to Nizam Alley (1 of 6)
ca. 1792
14
Thomas Anburey, 1759–1840
Ruins of Baugnee-Ghur near Hydrabad (1 of 6)
ca. 1792
15
James Bruce, 1730–1794
Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings.
1765
16
Thomas Stothard, 1755–1834
Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)
undated
17
Thomas Miles Richardson Sr., 1784–1848
The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas
undated
18
Thomas Miles Richardson Sr., 1784–1848
Monk Bar, York
undated
19
Thomas Miles Richardson Sr., 1784–1848
Dunstanborough Castle
undated
20
Thomas Miles Richardson Sr., 1784–1848
St. Nicholas Church, Newcastle Upon Tyne
ca. 1825
21
James Bruce, 1730–1794
No. 1 plan of a temple at Baalbec
undated
22
Edmund Turrell, active 1835–1860
The Temple of Aphaia at Aegina: Sections
1828
23
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
24
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
25
Thomas Harrison, 1744–1829
Designs for Clifton Castle, Yorkshire: Two Alternative Elevations
undated
26
unknown artist
Herstmonceux Castle
undated
27
William Taverner, 1703–1772
Landscape with Buildings: Possibly at Richmond, Surrey
undated
28
Henry Shaw, 1800–1873
Italian Churches
undated
29
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
30
Henry Phillip Hope, active 1799–1818
Vue de la Porte aux Lions a Constantinople
undated
31
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
32
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
33
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
undated
34
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
undated
35
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
36
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
37
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
38
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
39
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
40
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
41
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
42
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
43
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
44
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
45
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
46
unknown artist
Cobham Hall, Kent: Sketch for a bed
ca. 1790
47
Henry Shaw, 1800–1873
Italian Churches
undated
48
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
49
Henry Shaw, 1800–1873
Italian Churches
undated
50
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
undated
51
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
52
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
53
Henry Phillip Hope, active 1799–1818
Paysage
undated
54
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
55
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
undated
56
Henry Phillip Hope, active 1799–1818
Vue d'une Colonne dans L'Interieur du Serail a Constantinople
undated
57
Henry Phillip Hope, active 1799–1818
Soldats Asiatique
undated
58
Thomas Hope, 1769–1831
Views of the Back Front of Henry Phillip Hope's house towards Hyde Park in Seymour Place
1818
59
Henry Phillip Hope, active 1799–1818
Perspective View of Henry Phillip Hope's Arklow House in Connaught Place
undated
60
Henry Phillip Hope, active 1799–1818
Facade of Three Bay Late Georgian House
undated
61
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
undated
62
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
undated
63
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
64
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
undated
65
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
undated
66
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
undated
67
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
undated
68
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
69
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
70
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
71
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
72
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
73
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
74
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
75
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
76
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
77
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
78
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
79
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
80
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison ou est ne le General Rapp a Colmar
undated
81
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
undated
82
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar
1825
83
Henry Shaw, 1800–1873
Italian Churches
undated
84
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of Pipes
undated
85
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
86
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
undated
87
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
88
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
89
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
90
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
91
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
undated
92
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
93
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
94
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
95
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
96
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
97
unknown artist
Design for Table - Elevation, View of Top, View of base
ca. 1835
98
unknown artist
Sketch for Ceiling or Bed Canopy
undated
99
unknown artist
Design for Table Top or Ceiling, with fringed flap on corner suggesting alterntive border pattern
undated
100
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)