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Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
John R. Skeaping One of Burch's
John R. Skeaping, 1901–1980
One of Burch's
1974
Samuel Palmer Study of a Pilgrim
attributed to Samuel Palmer, 1805–1881
Study of a Pilgrim
undated
John Constable Male Nude
John Constable, 1776–1837
Male Nude
1808
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
Edward Lear Egpytian Man on Camel
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Greek Woodcutter, June 13 /56
Edward Lear, 1812–1888
Greek Woodcutter, June 13 /56
1856
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney Classical Male Nude
George Romney, 1734–1802
Classical Male Nude
undated
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
George Romney Ladies in Waiting
George Romney, 1734–1802
Ladies in Waiting
undated
George Romney Duke of Dorset (So-called)
George Romney, 1734–1802
Duke of Dorset (So-called)
undated
George Romney Lord Salisbury, Standing by a Pillar
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
unknown artist Man in Tartan Kilt and Top Armor
unknown artist
Man in Tartan Kilt and Top Armor
undated
unknown artist Design for a Country House
unknown artist
Design for a Country House
ca. 1840
unknown artist Hawkstone Hall, Shropshire
unknown artist
Hawkstone Hall, Shropshire
ca. 1790
Paul Sandby Trees, with a Man Crossing a Footbridge
Paul Sandby, 1731–1809
Trees, with a Man Crossing a Footbridge
undated
John Martin An Elderly Man Petitioning Christ
Attributed to John Martin, 1789–1854
An Elderly Man Petitioning Christ
undated
Philip William May Wild Indian
Philip William May, 1864–1903
Wild Indian
undated
Daniel Maclise Henry Sass
Daniel Maclise, 1806–1870
Henry Sass
between 1830 and 1835
William Young Ottley Prospero Summoning Ariel
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
Ambrose Poynter Sketches from Life in Paris: Woman and Man Carrying Buckets
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Woman and Man Carrying Buckets
ca. 1835
Ambrose Poynter Sketches from Life in Paris: Man in Blue Trousers
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Man in Blue Trousers
ca. 1835
Henry Morton St. Thomas' Church, Winchelsea
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
Henry Morton Old Buildings at Hastings
Henry Morton, ca. 1807–1825
Old Buildings at Hastings
after 1819
Henry Morton Windmill on the Sea Coast Near Hastings
Henry Morton, ca. 1807–1825
Windmill on the Sea Coast Near Hastings
undated
Henry Morton Strand Gateway, Winchelsea
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
Richard Gibson Portrait of a Gentleman
Richard Gibson, 1615–1690
Portrait of a Gentleman
undated
Ozias Humphry Portrait of a Gentleman
Ozias Humphry, 1742–1810
Portrait of a Gentleman
undated
Alexander Runciman Celadon and Amelia from Thomson's 'The Seasons'
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
Sir James Thornhill Design for a portrait of an architect or a painter
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
Paul Sandby Landscape with beech trees and man driving cattle and sheep
style of Paul Sandby, 1731–1809
Landscape with beech trees and man driving cattle and sheep
undated
Richard Westall Greatheart's Battle with Grim
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
Paul Sandby Landscape with a man playing a pipe under an old tree
style of Paul Sandby, 1731–1809
Landscape with a man playing a pipe under an old tree
undated
Mather Brown Man Seated on a Rock
Mather Brown, 1761–1831
Man Seated on a Rock
undated
James Moore The Artist Sketching Mlle. de St. Legier as a Shepherdess
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
Sir David Wilkie A Priest with Two Children
Sir David Wilkie, 1785–1841
A Priest with Two Children
between 1825 and 1828
William Pars The Secundini Monument at Ighel in the Duchy of Luxembourg
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
Thomas Barker Man in a Blue Cloak
attributed to Thomas Barker, 1769–1847
Man in a Blue Cloak
undated
William Mulready The Fight Interrupted
William Mulready, 1786–1863
The Fight Interrupted
undated
Thomas Sewell Robins A Postilion
Thomas Sewell Robins, 1814–1880
A Postilion
undated
John Vanderbank Lady and Cockatoo
John Vanderbank, 1694–1739
Lady and Cockatoo
undated
Richard Westall Rosebud, or the Judgement of Paris
Richard Westall, 1765–1836
Rosebud, or the Judgement of Paris
1791
Paul Sandby Conway Castle
Paul Sandby, 1731–1809
Conway Castle
1789
Michel Vincent Brandoin Shepherd, Shepherdess and Dog
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
Louis Philippe Boitard Man in Ragged Clothes Seated with Right Arm Over Another Chair
Louis Philippe Boitard, active 1734–1760
Man in Ragged Clothes Seated with Right Arm Over Another Chair
undated
Henry William Bunbury A Long-Chinned Man Arm in Arm with a Bosomy Woman in Tall Hat
Henry William Bunbury, 1750–1811
A Long-Chinned Man Arm in Arm with a Bosomy Woman in Tall Hat
undated
Henry William Bunbury A Man wth a Large Nose: Profile Facing Right, Head and Shoulders
Henry William Bunbury, 1750–1811
A Man wth a Large Nose: Profile Facing Right, Head and Shoulders
undated
Thomas Stothard Solicitude: A Man Supporting a Fainting Woman
Thomas Stothard, 1755–1834
Solicitude: A Man Supporting a Fainting Woman
undated