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Materials & Techniques laid paper
Remove constraint Materials & Techniques: laid paperCredit Line Yale Center for British Art, Paul Mellon Fund
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1
- Male Nude
- 1808
2
- Paestum
- between 1820 and 1826
3
- Shields Lighthouse
- between 1820 and 1826
4
- Ship in a Storm
- between 1820 and 1826
5
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
6
- Figure Study 8
- undated
7
- Figure Composition Study 2
- undated
8
- Study of a Horse's Hooves
- undated
9
- Figure Composition Study 13
- undated
10
- Figure Composition Study 14
- undated
11
- Figure Study 2
- undated
12
- Figure Composition Study 27
- undated
13
- Study of Leaves 2
- undated
14
- Figure Composition Study 34
- undated
15
- Male Head 2
- undated
16
- Figure Composition Study 30
- undated
17
- Study of Three Women
- undated
18
- Figure Composition Study 36
- undated
19
- Figure Composition Study 37
- undated
20
- Female Figure
- undated
21
- Figure Study of a Woman
- undated
22
- Figure Study Twelve
- undated
23
- Figure Study 5
- undated
24
- Figure Study 6
- undated
25
- Figure Composition Study 49
- undated
26
- Study of Two Figures and a Face
- undated
27
- Study of a Seated Woman
- undated
28
- Figure Composition Study 38
- undated
29
- Figure Composition Study 39
- undated
30
- Study of Two Seated Figures
- undated
31
- Study of a Standing Figure
- undated
32
- Figure Study 4
- undated
33
- Figure Composition Study 50
- undated
34
- Figure Study 10
- undated
35
- Composition of Two Figures
- undated
36
- Figure Study Eleven
- undated
37
- Figure Study Thirteen
- undated
38
- Figure Study 1
- undated
39
- Figure Composition Study 8
- undated
40
- Figure Composition Study 9
- undated
41
- Figure Composition Study 16
- undated
42
- Figure Composition Study 17
- undated
43
- Figure Study 9
- undated
44
- Landscape
- undated
45
- Figure Composition Study 25
- undated
46
- Leaves 1
- undated
47
- Study of a Cow
- undated
48
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
49
- Manuscript Notes
- 1773
50
- Manuscript Notes
- 1773
51
- Manuscript Notes
- 1773
52
- Manuscript Notes
- 1773
53
- Manuscript Notes
- 1773
54
- Manuscript Notes
- 1773
55
- Manuscript Notes
- 1773
56
- Manuscript Notes
- 1773
57
- Manuscript Notes
- 1773
58
- Manuscript Notes
- 1773
59
- Manuscript Notes
- 1773
60
- Portrait of Lady Menzies
- 1770
61
- Ariccia
- between 1783 and 1789
62
- Figures in the Wind
- 1940
63
- Tennis Players
- 1918
64
- A Kashmir Bridge
- 1924
65
- A View of the Tomb of the Emperor Sher Shah at Sasseram in Bahar
- 1786
66
- Griffin and Johnson
- 1748
67
- Mrs. Quarrington as St. Agnes
- ca. 1787
68
- A Temple Perched on a Rocky Outcrop Seen Across a Lake
- ca. 1767
69
- Study of a Man
- 1743
70
- Duchess of Manchester with Her Son George, Viscount Mandeville, as 'Diana and Cupid'
- 1769
71
- Hebe
- 1780
72
- Mrs. Montagu
- 1776
73
- Miss Morris as 'Hope Nursing Love'
- 1771
74
- Hebe
- 1785
75
- Louis Philippe Joseph, Duke of Orleans
- ca. 1786
76
- Lady Caroline Price
- 1788
77
- Sir Joshua Reynolds, P.R.A., F.R.S., LL.D
- c.1770
78
- Madame Schindlerin
- ca. 1777
79
- Lady Caroline Scarsdale and Her Son the Hon. John Curzon
- undated
80
- Miss Mary Anne Kirkley
- 1801
81
- The Careful Shepherdess (Miss Searle)
- 1775
82
- Lady Smith and Her Children: George Henry, Louisa, and Charlotte
- 1789
83
- Mrs. Siddons, in the Character of the Tragic Muse
- 1787
84
- Mrs. Sheridan as 'St. Cecilia'
- 1776
85
- Lady Charles Spencer
- ca. 1767
86
- Portrait of Mrs. Elizabeth Stanhope
- 1790
87
- Mrs. Turner
- ca. 1760
88
- The Honble Mrs. Tollemache, in the Character of Miranda
- 1786
89
- The Bird Cage
- 1786
90
- The Calling of Samuel
- 1783
91
- Cartouche
- 1777
92
- Love
- c.1813
93
- Cupid in the Character of a Link Boy
- 1777
94
- Mercury
- 1777
95
- Cupid and Psyche
- 1816
96
- Cupid in the Character of a Link Boy
- 1777
97
- Girl with a Kitten
- 1787
98
- Guardian Angels
- 1786
99
- The Infant Academy
- 1783
100
- The Infant Jupiter
- 1775