Creator Gender: male / Image Available: Available - YCBA Collections Search Search Results

42001. Long-Horned Cattle

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 14 15/16 inches (28.5 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42002. A Cow Byre

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Brown wash, gray wash, and graphite on moderately thick, slightly textured, greened white wove paper
Dimensions:: Sheet: 12 5/8 x 12 3/8 inches (32 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42003. Kermesse

Creator:: Wyndham Lewis, 1882–1957
Date:: 1912
Materials & Techniques:: Gouache, watercolor, pen and black ink, black wash and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 11 7/8 x 12 inches (30.2 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund and Gift of Neil F. and Ivan E. Phillips in memory of their mother, Mrs. Rosalie Phillips

42004. The Return from Labor

Creator:: William Powell Frith, 1819–1909
Date:: ca. 1846
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 10 × 7 3/8 inches (25.4 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42005. A Lime Pit

Creator:: George Frost, 1745–1821
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 3/8 inches (26.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42006. A Wooded Landscape with Pool

Creator:: George Frost, 1745–1821
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42007. Trees on a Crumbling Bank

Creator:: George Frost, 1745–1821
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 × 11 1/8 inches (40.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42008. Landscape with Donkeys

Creator:: George Frost, 1745–1821
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 16 1/2 inches (29.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42009. The Coupée, Isle of Sark

Creator:: George Arthur Fripp, 1813–1896
Date:: undated
Materials & Techniques:: Watercolor over graphite with scraping out on thick, rough, cream wove paper
Dimensions:: Sheet: 13 1/4 × 19 5/8 inches (33.7 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42010. Entrance from the Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 9/16 x 12 13/16 inches (44.6 x 32.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42011. The Castalian Spring, Delphi

Creator:: John Fulleylove, 1845–1908
Date:: ca. 1895
Materials & Techniques:: Watercolor over graphite with scraping out on thick, rough cream wove paper
Dimensions:: Sheet: 10 7/8 × 7 1/2 inches (27.6 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42012. The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light

Creator:: John Fulleylove, 1845–1908
Date:: ca. 1895
Materials & Techniques:: Watercolor and graphite, with scraping out on thick, rough, wove paper
Dimensions:: Sheet: 10 7/8 × 15 3/8 inches (27.6 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42013. The Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 17 5/8 inches (32.2 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42014. The Garden Front

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 17 5/8 inches (32.5 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42015. A Donkey, Six Studies: Lying, Walking, Standing, Sitting

Creator:: Robert Hills, 1769–1844
Date:: after 1804
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 7 5/8 inches (27.3 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42016. Ireland and Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 x 12 5/8 inches (32.7 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42017. A Stag's Head: three studies

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Graphite and gelatin fixative on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 7 3/8 inches (24.1 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42018. St. Stephen's Churchyard, Jersey, with the Tomb of the Artist's Brother

Creator:: Robert Hills, 1769–1844
Date:: after 1828
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 5/8 inches (14.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42019. The Indian Theatre

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 17 1/2 inches (32 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42020. The Fallen Tree

Creator:: Robert Hills, 1769–1844
Date:: 1804
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 11 5/8 inches (24.8 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42021. Night from the River

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 12 5/8 inches (44.8 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42022. Evening in Little Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 12 5/8 inches (45 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42023. Beaufort's Tower, St. Cross

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: ca. 1902
Materials & Techniques:: Etching and drypoint in brown ink
Dimensions:: Plate: 5 13/16 x 3 13/16in. (14.8 x 9.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42024. Ware

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: ca. 1902
Materials & Techniques:: Etching and drypoint in brown ink
Dimensions:: Sheet: 7 3/8 x 9 3/4in. (18.7 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42025. The Art Gallery

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 17 13/16 inches (32.2 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42026. Study of a Holly Tree

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42027. Almshouses, St. Cross

Creator:: Sir David Young Cameron, 1865–1945
Date:: ca. 1902
Materials & Techniques:: Etching and drypoint in brown ink
Dimensions:: Sheet: 7 3/8 x 9 3/4in. (18.7 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42028. The Lea, Near Ware

Creator:: Sir David Young Cameron, 1865–1945
Date:: ca. 1902
Materials & Techniques:: Etching and drypoint in brown ink
Dimensions:: Sheet: 7 7/16 x 9 13/16in. (18.9 x 24.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42029. The Itchen, near Winchester

Creator:: Sir David Young Cameron, 1865–1945
Date:: ca. 1902
Materials & Techniques:: Etching and drypoint in black ink
Dimensions:: Sheet: 7 1/2 x 9 7/8in. (19.1 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42030. Distant View of Winchester and St. Cross

Creator:: Sir David Young Cameron, 1865–1945
Date:: ca. 1902
Materials & Techniques:: Etching and drypoint in brown ink
Dimensions:: Sheet: 7 1/2 x 9 7/8in. (19.1 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42031. The Lea, near Ryehouse

Creator:: Sir David Young Cameron, 1865–1945
Date:: ca. 1902
Materials & Techniques:: Etching and drypoint in brown ink
Dimensions:: Sheet: 7 7/16 x 9 3/4in. (18.9 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42032. Winchester Cathedral

Creator:: Sir David Young Cameron, 1865–1945
Date:: ca. 1902
Materials & Techniques:: Etching and drypoint in black ink
Dimensions:: Sheet: 7 7/16 x 9 3/4in. (18.9 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42033. The Windings of the Wye near Bakewell

Creator:: Sir David Young Cameron, 1865–1945
Date:: ca. 1902
Materials & Techniques:: Etching and drypoint in black ink
Dimensions:: Sheet: 7 1/2 x 9 3/4in. (19.1 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42034. Tree Study

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 10 3/4 inches (21.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42035. The Windings of the Wye near Bakewell

Creator:: Sir David Young Cameron, 1865–1945
Date:: ca. 1902
Materials & Techniques:: Etching and drypoint in black ink
Dimensions:: Sheet: 7 3/8 x 9 7/8in. (18.7 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42036. Near Draseford

Creator:: Sir David Young Cameron, 1865–1945
Date:: ca. 1902
Materials & Techniques:: Etching and drypoint in black ink
Dimensions:: Sheet: 7 1/2 x 9 3/4in. (19.1 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42037. The Valley of the Lathkill

Creator:: Sir David Young Cameron, 1865–1945
Date:: ca. 1902
Materials & Techniques:: Etching and drypoint in black ink
Dimensions:: Sheet: 7 1/2 x 9 15/16in. (19.1 x 25.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

42038. Study of a Seated Woman

Creator:: Henry Fuseli, 1741–1825
Date:: 1791
Materials & Techniques:: Watercolor, graphite, pen and gray ink, gray wash, gouache, and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 7 7/8 inches (30.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42039. The Peasant's Dream, Paradise Lost, Book 1, 781-8

Creator:: Henry Fuseli, 1741–1825
Date:: 1793 to 1800
Materials & Techniques:: Graphite, black chalk, white chalk and white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/8 x 20 3/8 inches (31.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42040. Percival Frees Belisane from the Spell of Urma

Creator:: Henry Fuseli, 1741–1825
Date:: 1811
Materials & Techniques:: Graphite and gray wash; verso: pen and black ink and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 8 3/4 inches (18.4 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42041. Ariadne Watching the Struggle of Theseus with the Minotaur

Creator:: Henry Fuseli, 1741–1825
Date:: 1815 to 1820
Materials & Techniques:: Brown wash, oil, white gouache, white chalk, gum and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 24 3/8 × 19 3/4 inches (61.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42042. Study of a Back of a Female Nude, Standing

Creator:: attributed to Henry Fuseli, 1741–1825
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink and white chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 3 5/8 inches (16.5 x 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42043. Canon Douglas Lodge Close, Sarum

Creator:: David Charles Read, 1790–1851
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles S. Rhyne

42044. Street Scene in Calais

Creator:: John Scarlett Davis, 1804–1845
Date:: undated
Materials & Techniques:: Watercolor with scratching out over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 5 5/8 inches (18.4 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42045. Ardea di Cesarini

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink, graphite on textured, medium, cream laid paper
Dimensions:: Sheet: 12 × 17 5/8 inches (30.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42046. Vanbrugh Castle, Greenwich

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 7 x 9 3/4 inches (17.8 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42047. Greenwich Park

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Gray wash with gray ink over graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 10 1/4 x 13 3/8 inches (26 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42048. Haverfordwest, Pembrokeshire

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1791
Materials & Techniques:: Watercolor with black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 1/2 inches (24.1 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42049. Behind Middlesex Hospital

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Gray wash with black ink over graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42050. Putney Church and Bridge

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1772
Materials & Techniques:: Watercolor with gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 1/4 x 12 inches (23.5 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42051. Kennington Common

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1776
Materials & Techniques:: Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/4 x 20 1/4 inches (33.7 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42052. Young Lady with a Book

Creator:: William Hoare, 1706/7–1792/99
Date:: undated
Materials & Techniques:: Red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 5 inches (14.9 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42053. Head of a Young Girl

Creator:: Prince Hoare, 1755–1834
Date:: 1780
Materials & Techniques:: Graphite, red chalk and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 4 1/4 inches (17.5 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42054. The French Lady in London

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: ca. 1771
Materials & Techniques:: Gray wash black ink and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 9 inches (29.2 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42055. The English Lady at Paris

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1771
Materials & Techniques:: Gray wash with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 9 5/8 inches (31.8 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42056. A Young Girl

Creator:: Attributed to Francois Theodore Rochard, 1798–1858
Date:: undated
Materials & Techniques:: Watercolor on ivory
Dimensions:: Image: 1 1/4 x 7/8 inches (3.2 x 2.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ormsbee N. Robinson

42057. Norham Castle, Northumberland

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/16 × 6 1/16 inches (10.3 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42058. Holy Island and Castle, Northumberland

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/16 × 6 3/16 inches (10.6 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42059. Two Gentlemen Talking to a Seated Lady

Creator:: Sir John Everett Millais, 1829–1896
Date:: undated
Materials & Techniques:: Pen and gray ink and scraping on thin, smooth, cream wove paper
Dimensions:: Sheet: 9 1/8 x 7 1/4 inches (23.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42060. Landscape with Cows

Creator:: imitator of Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Brown and gray wash with pen and brown ink over graphite or black chalk on moderately thick, slightly textured, cream wove paper with embossed gold border
Dimensions:: Sheet: 10 7/8 x 14 5/8 inches (27.6 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Elizabeth Achelis

42061. Ladies Beside a Column and Arcade

Creator:: Anthony Highmore, 1719–1799
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and black ink, and graphite on medium, bmoderately textured, cream laid paper
Dimensions:: Sheet: 4 1/4 x 3 inches (10.8 x 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42062. Design for a Medallion: Figure of a Woman

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, beige laid paper mounted on medium, slightly textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:: Mount: 11 1/8 × 7 7/8 inches (28.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42063. Design for a Medal: Concordia Victrix

Creator:: Hubert-François Gravelot, 1699–1773
Date:: ca. 1767
Materials & Techniques:: Graphite and black chalk, incised and squared for transfer on medium, slightly textured, gray laid paper
Dimensions:: Mount: 11 × 7 7/8 inches (27.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42064. Design for an Engraving: Battle of Troy with the Trojan Horse

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen and brown ink, pen and black ink, red chalk, graphite, watercolor and gold leaf on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:: Mount: 12 1/8 × 11 inches (30.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42065. Design for a Vignette: The King of France Surrounded by Courtiers

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, and red chalk, incised and squared for transfer on medium, slightly textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 11 inches (28.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42066. Portrait of Lady Ottoline Morrell

Creator:: Augustus Edwin John, 1878–1961
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 1/16 inches (37.5 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John P. Sturges

42067. Gate of the Old Fort at Old Benares

Creator:: Samuel Davis, 1760–1819
Date:: ca. 1792
Materials & Techniques:: Watercolor and graphite on wove paper with pen and brown ink border laid down on heavy wove paper
Dimensions:: Mount: 21 × 27 3/4 inches (53.3 × 70.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42068. View from a Wood, Overlooking the River and Hills at Teignmouth, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1810
Materials & Techniques:: Gray wash, pen, gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42069. Canonteign

Creator:: John White Abbott, 1763–1851
Date:: 1808
Materials & Techniques:: Gray wash and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 3/8 inches (26.7 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42070. The Mouth of the Cavern at Castleton in the Peak of Derby

Creator:: John White Abbott, 1763–1851
Date:: 1791
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42071. Figures on a Rocky River Bank at Canonteign, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1801
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42072. Trees Overhanging a Lake

Creator:: John White Abbott, 1763–1851
Date:: between 1803 and 1807
Materials & Techniques:: Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 7 3/4 inches (29.8 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42073. The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left

Creator:: John White Abbott, 1763–1851
Date:: 1810
Materials & Techniques:: Watercolor, gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42074. Drawing for a Frontispiece: "The Toast"

Creator:: Hubert-François Gravelot, 1699–1773
Date:: 1735
Materials & Techniques:: Pen and black ink, pen and brown ink, and gray wash on medium, moderately textured, beige laid paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 5 5/8 inches (21.3 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42075. Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 x 8 7/8 inches (36.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42076. Design for a Royal Monument

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Gray wash with pen with black, gray and brown ink, with traces of graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 5/16 x 7 1/2 inches (33.8 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42077. Designs for an Ornamental Cartouche: for the Engraved Portrait of Sir Samuel Garth (1661-1719)

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 x 8 11/16 inches (35.6 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42078. British, Neoclassical frame

Creator:: workshop of Robert Adam, 1728–1792
Date:: 4th quarter of 18th century
Materials & Techniques:: Carved wood, original matt and burnished water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

42079. British, Neoclassical frame

Creator:: workshop of Robert Adam, 1728–1792
Date:: 4th quarter of 18th century
Materials & Techniques:: Carved wood, original matt and burnished water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

42080. British, Rococo frame

Creator:: Perhaps Richard Fisher of York, ca. 1705–ca. 1770
Date:: 2nd and 3rd quarters of 18th century
Materials & Techniques:: Carved wood, later gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

42081. British, Neoclassical frame

Creator:: Design Robert Adam, 1728–1792
Date:: 2nd half of 18th century
Materials & Techniques:: Wood and compo, later gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

42082. British, Neoclassical frame

Creator:: Original pattern by Thomas Allwood, ca. 1750–ca.1800
Date:: early 19th century
Materials & Techniques:: Carved wood, later gilding over original gilding
Dimensions:: Frame: 45 1/2 × 58 × 4 inches (115.6 × 147.3 × 10.2 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

42083. British, 'Carlo Maratta' frame

Creator:: attributed to Thomas Allwood, ca. 1750–ca.1800
Date:: 4th quarter of 18th century
Materials & Techniques:: Carved wood, original matt and burnished water gilding, and oil gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

42084. British, Artist's frame: Pre-Raphaelite

Creator:: Joseph Green Jr., 1840–1870
Date:: 1861
Materials & Techniques:: Wood and compo with oak mount, original oil and water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

42085. British, Neoclassical frame

Creator:: Perhaps Thomas Vialls, 1719–1781
Date:: 4th quarter of 18th century
Materials & Techniques:: Wood and compo, original oil and water gilding and sanded inlay
Collection:: Frames
Credit Line:: Yale Center for British Art

42086. British, Artist's frame

Creator:: probably Joseph Green Jr., 1840–1870
Date:: 3rd quarter of 19th century
Materials & Techniques:: Wood and compo with oak mount, outer frame later oil gilding over original; inner frame original oil gilding
Dimensions:: Frame: 22 1/2 × 21 1/2 inches (57.2 × 54.6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

42087. British, Palladian frame

Creator:: James Richards, 1721–1767
Date:: 1730
Materials & Techniques:: Carved wood, later patinated oil and water gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

42088. French, Rococo Revival frame

Creator:: Bourdier, 19th century
Date:: early 20th century
Materials & Techniques:: Carved wood, original matt and burnished water and oil gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

42089. British 'Lely' frame

Creator:: Emile Joseph Remy, ca. 1868–1949
Date:: 20th century
Materials & Techniques:: Carved wood, water gilt and patinated
Collection:: Frames
Credit Line:: Yale Center for British Art

42090. British, Neoclassical frame

Creator:: Perhaps Thomas Allwood, ca. 1750–ca.1800
Date:: late 18th century
Materials & Techniques:: Carved wood, regilded over original water gilding; sanded spandrels
Dimensions:: Frame: 50 3/4 × 60 1/2 inches (128.9 × 153.7 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

42091. British, Neoclassical frame

Creator:: Perhaps Isaac Gosset, 1713–1799
Date:: late 18th century
Materials & Techniques:: Wood and compo, later oil gilding over original gilding
Dimensions:: Frame: 59 3/4 × 70 1/2 × 5 3/4 inches (151.8 × 179.1 × 14.6 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

42092. British, Rococo Trophy frame

Creator:: Perhaps Isaac Gosset, 1713–1799
Date:: mid-18th century
Materials & Techniques:: Carved wood, later gilding over original gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

42093. French Régence 'Duveen' frame

Creator:: Bourdier, 19th century
Date:: late 19th to early 20th century
Materials & Techniques:: Carved wood, matt and burnished water gilding over recutting: hatching, fluting, enriched diaper
Dimensions:: Frame: 106 × 68 inches (269.2 × 172.7 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

42094. British, 'Carlo Maratta' frame

Creator:: Perhaps Thomas Vialls, 1719–1781
Date:: 3rd quarter of 18th century
Materials & Techniques:: Carved wood, original matt and burnished water gilding
Collection:: Frames
Credit Line:: Yale Center for British Art

42095. British, Neoclassical style frame

Creator:: Ernest Wheatley
Date:: 20th century
Materials & Techniques:: Wood, canvas, water gilt
Collection:: Frames
Credit Line:: Yale Center for British Art

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42001. Long-Horned Cattle

42002. A Cow Byre

42003. Kermesse

42004. The Return from Labor

42005. A Lime Pit

42006. A Wooded Landscape with Pool

42007. Trees on a Crumbling Bank

42008. Landscape with Donkeys

42009. The Coupée, Isle of Sark

42010. Entrance from the Piazza

42011. The Castalian Spring, Delphi

42012. The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light

42013. The Piazza

42014. The Garden Front

42015. A Donkey, Six Studies: Lying, Walking, Standing, Sitting

42016. Ireland and Russia

42017. A Stag's Head: three studies

42018. St. Stephen's Churchyard, Jersey, with the Tomb of the Artist's Brother

42019. The Indian Theatre

42020. The Fallen Tree

42021. Night from the River

42022. Evening in Little Russia

42023. Beaufort's Tower, St. Cross

42024. Ware

42025. The Art Gallery

42026. Study of a Holly Tree

42027. Almshouses, St. Cross

42028. The Lea, Near Ware

42029. The Itchen, near Winchester

42030. Distant View of Winchester and St. Cross

42031. The Lea, near Ryehouse

42032. Winchester Cathedral

42033. The Windings of the Wye near Bakewell

42034. Tree Study

42035. The Windings of the Wye near Bakewell

42036. Near Draseford

42037. The Valley of the Lathkill

42038. Study of a Seated Woman

42039. The Peasant's Dream, Paradise Lost, Book 1, 781-8

42040. Percival Frees Belisane from the Spell of Urma

42041. Ariadne Watching the Struggle of Theseus with the Minotaur

42042. Study of a Back of a Female Nude, Standing

42043. Canon Douglas Lodge Close, Sarum

42044. Street Scene in Calais

42045. Ardea di Cesarini

42046. Vanbrugh Castle, Greenwich

42047. Greenwich Park

42048. Haverfordwest, Pembrokeshire

42049. Behind Middlesex Hospital

42050. Putney Church and Bridge

42051. Kennington Common

42052. Young Lady with a Book

42053. Head of a Young Girl

42054. The French Lady in London

42055. The English Lady at Paris

42056. A Young Girl

42057. Norham Castle, Northumberland

42058. Holy Island and Castle, Northumberland

42059. Two Gentlemen Talking to a Seated Lady

42060. Landscape with Cows

42061. Ladies Beside a Column and Arcade

42062. Design for a Medallion: Figure of a Woman

42063. Design for a Medal: Concordia Victrix

42064. Design for an Engraving: Battle of Troy with the Trojan Horse

42065. Design for a Vignette: The King of France Surrounded by Courtiers

42066. Portrait of Lady Ottoline Morrell

42067. Gate of the Old Fort at Old Benares

42068. View from a Wood, Overlooking the River and Hills at Teignmouth, Devon

42069. Canonteign

42070. The Mouth of the Cavern at Castleton in the Peak of Derby

42071. Figures on a Rocky River Bank at Canonteign, Devon

42072. Trees Overhanging a Lake

42073. The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left

42074. Drawing for a Frontispiece: "The Toast"