Genre: literary theme / Image Available: Available / Subject Terms: man

1. Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"

Creator:: Benjamin van der Gucht, 1753–1794
Date:: between 1773 and 1774
Materials & Techniques:: Oil on canvas
Dimensions:: 50 x 40 inches (127 x 101.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i

Creator:: Edward Alcock, active 1750–ca. 1778
Date:: ca. 1778
Materials & Techniques:: Oil on canvas
Dimensions:: 26 x 20 inches (66 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii

Creator:: Charles Hunt, 1803–1877
Date:: 1863
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 26 inches (45.7 x 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

4. David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii

Creator:: Benjamin Wilson, 1721–1788
Date:: 1753
Materials & Techniques:: Oil on canvas
Dimensions:: 54 5/8 x 72 1/2 inches (138.7 x 184.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I

Creator:: Landscape by William Hodges, 1744–1797
Date:: 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 36 1/4 x 48 1/2 inches (92.1 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

6. The Seven Ages of Man: The Lover, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

7. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Pen and ink and oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

8. Shylock and Jessica from the 'Merchant of Venice,' II, ii

Creator:: Gilbert Stuart Newton, 1794–1835
Date:: 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 35 x 29 1/2 inches (88.9 x 74.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

9. Master Betty as Hamlet, before a Bust of Shakespeare

Creator:: James Northcote, 1746–1831
Date:: between 1804 and 1806
Materials & Techniques:: Oil on canvas
Dimensions:: 22 x 16 inches (55.9 x 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

10. Prospero, Miranda and Ariel, from "The Tempest"

Creator:: unknown artist
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 27 3/4 x 36 3/8 inches (70.5 x 92.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

11. The Seven Ages of Man: The Infant, 'As You Like It,' II, vii

Creator:: Robert Smirke, 1752–1845
Date:: between 1798 and 1801
Materials & Techniques:: Pen and ink and oil on panel
Dimensions:: 15 x 19 7/8 inches (38.1 x 50.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

12. Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1799
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 8 1/4 x 10 1/4 inches (21 x 26 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

13. Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v

Creator:: James Stephanoff, 1787–1874
Date:: 1832
Materials & Techniques:: Oil on panel
Dimensions:: 17 1/2 x 14 5/8 inches (44.5 x 37.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

14. Virgil's Tomb by Moonlight, with Silius Italicus

Creator:: Joseph Wright of Derby, 1734–1797
Date:: 1779
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/16 x 50 1/4 inches (101.8 x 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Louis-Francois Roubiliac Modelling His Monument to Shakespeare

Creator:: Adrien Carpentiers, active 1739–1778
Date:: between 1760 and 1761
Materials & Techniques:: Oil on canvas
Dimensions:: 50 1/4 x 39 3/4 inches (127.6 x 101 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. The Taming of the Shrew

Creator:: Walter Richard Sickert, 1860–1942
Date:: ca. 1937
Materials & Techniques:: Oil on canvas
Dimensions:: 24 x 20 inches (61 x 50.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum
On View:: Not on view

17. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 15 inches (46.4 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Dr. Syntax: Walking with a Stick

Creator:: unknown artist
Date:: ca. 1810
Materials & Techniques:: Pearlware figure
Dimensions:: Sheet: 6in. (15.2cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Dr. Syntax: Losing His Temper

Creator:: Derby porcelain factory, founded 1756
Date:: ca. 1810
Materials & Techniques:: Derby figure
Dimensions:: Sheet: 6in. (15.2cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Oberon and Titania

Creator:: Francis Danby, 1793–1861
Date:: 1837
Materials & Techniques:: Watercolor and black ink with gum over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Procris and Cephalus

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Poems of Thomas Gray, Design 101, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Poems of Thomas Gray, Design 53, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Poems of Thomas Gray, Design 55, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Poems of Thomas Gray, Design 99, "Ode for Music."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Poems of Thomas Gray, Design 27, "A Long Story."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Poems of Thomas Gray, Design 37, "Ode to Adversity."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Poems of Thomas Gray, Design 65, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Poems of Thomas Gray, Design 69, "The Fatal Sisters."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Poems of Thomas Gray, Design 79, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Jerusalem, Plate 76

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Poems of Thomas Gray, Design 33, "A Long Story."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Lear Awakened by Cordelia

Creator:: George Romney, 1734–1802
Date:: ca. 1774
Materials & Techniques:: Brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 19 5/16 inches (38 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

66. Lear Awakened by Cordelia

Creator:: George Romney, 1734–1802
Date:: between 1774 and 1775
Materials & Techniques:: Brown ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 19 5/16 inches (30.7 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

67. The Abandonment and Rescue of Perdita from "The Winter's Tale"

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 8 inches (12.1 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

68. Prospero and Miranda

Creator:: George Romney, 1734–1802
Date:: ca. 1787
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 20 5/16 x 13 5/8 inches (51.6 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

69. John Henderson as Falstaff

Creator:: George Romney, 1734–1802
Date:: 1780
Materials & Techniques:: Gray ink and gray wash with pen and black ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/2 x 12 1/2 inches (39.3 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

70. Prospero Summoning Ariel

Creator:: William Young Ottley, 1771–1836
Date:: ca. 1800
Materials & Techniques:: Watercolor, graphite, gouache, white chalk, and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 12 7/16 x 8 1/8 inches (31.6 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Faust and Margaret

Creator:: Theodor von Holst, 1810–1844
Date:: undated
Materials & Techniques:: Graphite, watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 6 1/2 inches (24.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Ferdinand Riding the Waves

Creator:: Theodor von Holst, 1810–1844
Date:: ca. 1830
Materials & Techniques:: Watercolor with gray wash and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Creator:: Thomas Carwitham, active 1723
Date:: ca. 1723
Materials & Techniques:: Pen and brown ink and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 4 5/16 x 3 3/4 inches (11 x 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

74. Greatheart's Battle with Grim

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Macbeth and the Witches

Creator:: James Northcote, 1746–1831
Date:: between 1777 and 1778
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 16 1/4 inches (32.4 x 41.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Thomas Weston as Spy in Bates "The Rival Candidates"

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 4 3/8 inches (15.9 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Procris and Cephalus

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1864
Materials & Techniques:: Etching and mezzotint, printed in brown ink Finished state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Rinaldo and Armida

Creator:: Valentine Green, 1739–1813
Date:: 1775
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 20 7/8 x 14 15/16 inches (53 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Captive

Creator:: Print made by Robert Blyth, 1750–1784
Date:: 1781
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:: Sheet: 13 11/16 x 17 1/4 inches (34.8 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Here Nature List'ning Stood

Creator:: Print made by Cornelis Apostool, 1762–1844
Date:: 1795
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 5 15/16 inches (22.8 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. A Great Actor between Tragedy and Comedy

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1834
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/16 x 16 5/16 inches (28.4 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Isaac Watts

Creator:: Simon François Ravenet, 1706–1774
Date:: undated
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 1/8 × 6 11/16 inches (23.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Lovelace in Prison

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Procris and Cephalus

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1885
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 12 7/8 inches (26 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

85. Reverend Hugh Blair, D.D.

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/4 × 11 15/16 inches (38.7 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 26 3/4 inches (51.4 x 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/16 x 20 1/16 inches (38.3 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

88. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. And Ah! Let Pity Turn Her Dewy Eyes...

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/16 x 10 9/16 inches (35.7 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Ticket: Anacreontic Society Meeting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1779
Materials & Techniques:: Stipple and line engraving and etching in black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Gadshill

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1796
Materials & Techniques:: Color printed mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/16 x 12 3/16 inches (41.5 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Celadon and Amelia from Thomson's 'The Seasons'

Creator:: Alexander Runciman, 1736–1785
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Scene from "The Abbot"

Creator:: Sir David Wilkie, 1785–1841
Date:: 1833
Materials & Techniques:: Watercolor with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund

99. Illustration for Don Quixote, Two Figures at a Table

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Oil on wove paper mounted on board
Dimensions:: Sheet: 3 x 3 1/2in. (7.6 x 8.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. She Never Told Her Love, But Sat Like Patience on a Monument

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"

2. Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i

3. Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii

4. David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii

5. Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I

6. The Seven Ages of Man: The Lover, 'As You Like It,' II, vii

7. The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii

8. Shylock and Jessica from the 'Merchant of Venice,' II, ii

9. Master Betty as Hamlet, before a Bust of Shakespeare

10. Prospero, Miranda and Ariel, from "The Tempest"

11. The Seven Ages of Man: The Infant, 'As You Like It,' II, vii

12. Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii

13. Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v

14. Virgil's Tomb by Moonlight, with Silius Italicus

15. Louis-Francois Roubiliac Modelling His Monument to Shakespeare

16. The Taming of the Shrew

17. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

18. Dr. Syntax: Walking with a Stick

19. Dr. Syntax: Losing His Temper

20. Oberon and Titania

21. Apuleia in Search of Apuleius

22. Procris and Cephalus

23. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

24. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

25. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

26. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

27. The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

28. The Poems of Thomas Gray, Design 101, "Ode for Music."

29. The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

30. The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."

31. The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

32. The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

33. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

34. The Poems of Thomas Gray, Design 53, "The Bard."

35. The Poems of Thomas Gray, Design 55, "The Bard."

36. The Poems of Thomas Gray, Design 99, "Ode for Music."

37. Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

38. Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

39. The Poems of Thomas Gray, Design 27, "A Long Story."

40. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

41. The Poems of Thomas Gray, Design 37, "Ode to Adversity."

42. The Poems of Thomas Gray, Design 65, "The Bard."

43. The Poems of Thomas Gray, Design 69, "The Fatal Sisters."

44. The Poems of Thomas Gray, Design 79, "The Descent of Odin."

45. Jerusalem, Plate 76

46. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

47. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

48. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

49. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

50. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

51. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

52. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

53. Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

54. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

55. Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

56. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

57. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

58. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

59. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

60. The Poems of Thomas Gray, Design 33, "A Long Story."

61. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

62. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

63. The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

64. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

65. Lear Awakened by Cordelia

66. Lear Awakened by Cordelia

67. The Abandonment and Rescue of Perdita from "The Winter's Tale"

68. Prospero and Miranda

69. John Henderson as Falstaff

70. Prospero Summoning Ariel

71. Faust and Margaret

72. Ferdinand Riding the Waves

73. Jupiter and Callisto: Ovid, Metamorphoses, Book 2