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Materials & Techniques watercolor
Remove constraint Materials & Techniques: watercolorOn-site Access Accessible by appointment in the Study Room
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Remove constraint Image Use: Free to UseSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- Oberon and Titania
- 1837
2
- Study of a Woman Sewing
- undated
3
- A Great Tree
- ca. 1796
4
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
5
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
6
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
7
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
9
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
11
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
12
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
13
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
14
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
16
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
17
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
18
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
19
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
23
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
24
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
25
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
26
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
27
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
28
- Mary Magdalen at the Sepulchre
- ca. 1805
29
- Devoted Wife
- undated
30
- Woman Bending over Basket
- undated
31
- Drifting
- 1885
32
- Interior of a Gothic Church
- undated
33
- A Seated Peasant Woman Seen From Behind
- undated
34
- Window West End, South Aisle, Saint Vincent
- undated
35
- A Peasant Woman, Standing, Seen From Behind
- undated
36
- A Seated Peasant Woman
- before 1841
37
- The Vine Inn, Vine Yard, Aldersgate in the City of London
- undated
38
- Woman Fishing
- undated
39
- Woman in Costume
- undated
40
- Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
- 1822
41
- A London Street Crier
- undated
42
- Hero and Leander
- 1801
43
- Miss Charlotte Sandby
- undated
44
- Beside the Lily-Pond
- 1869
45
- A Young Woman Looking Down
- undated
46
- Woodcutter and His Family
- undated
47
- Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
- undated
48
- The Cheesecake House, Hyde Park
- ca. 1795
49
- Riders Outside an Inn
- undated
50
- The Woman at the Well
- undated
51
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
52
- Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
- undated
53
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
54
- Faust and Margaret
- undated
55
- A Woman Seated and Holding an Image
- undated
56
- Prospero Summoning Ariel
- ca. 1800
57
- Peasants Resting
- 1795
58
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
59
- London Cries: A Muffin Man
- ca. 1759
60
- London Cries: "Black Heart Cherries..."
- ca. 1759
61
- London Cries: "Do You Want any Spoons..."
- ca. 1759
62
- London Cries: Fun upon Fun
- 1759
63
- London Cries: Last Dying Speech and Confession
- ca. 1759
64
- The Spoiled Child, Scene III
- ca. 1802
65
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
66
- A Young Woman in a Blue Dress
- undated
67
- Scottish Peasant Women
- undated
68
- Bucks of the First Head
- ca. 1785
69
- Dunkerswell Abbey, August 20, 1783
- 1783
70
- Woman Dressing, with Maid
- undated
71
- Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
- undated
72
- Cavalier and Maid in Spanish Costume
- undated
73
- Studies of Tradesmen and Grooms
- undated
74
- Interior of a Gothic Church
- undated
75
- The Meat Market
- undated
76
- Mrs. Morland's Portrait
- ca. 1802
77
- Adelaide
- between 1785 and 1786
78
- Incantation Scene
- undated
79
- An Old Market Woman Grinning and Gesturing with her Left Hand
- undated
80
- La Mancha
- 1828
81
- The Rustic Lover
- 1786
82
- Extensive wooded landscape with figures in foreground left
- Undated
83
- Couple in a Farmyard
- 1782
84
- Conway Castle
- 1789
85
- Hannah Snell - From the Life (in Male Dress)
- undated
86
- A Dancer
- ca. 1836
87
- Woman and Child
- undated
88
- Wanstead House
- undated
89
- Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
- undated
90
- Portrait of a Woman with a Pitcher
- 1858
91
- Druidical Stone at Strather, near Barvas, Isle of Lewis
- undated
92
- Girl in a Brown Dress
- undated
93
- Brass Plate of a Woman from Layton Church
- between 1796 and 1811
94
- Woman with a Blue Smock
- undated
95
- A Fisherwoman, Hands under Apron
- undated
96
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
97
- The Assignation
- undated
98
- Woman with Cattle
- 1803
99
- Sketches from Life in Paris: Woman and Man Carrying Buckets
- ca. 1835
100
- Italianate Landscape with Travellers no. 2
- ca. 1760