Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
19
Joseph Mallord William Turner, 1775–1851
Shipping Scene, with Fishermen
between 1815 and 1820
20
Edward Lear, 1812–1888
A Country House
ca. 1834
21
Edward Lear, 1812–1888
Manor (Knowsley Lane?)
undated
22
Edward Lear, 1812–1888
Turin, Italy
after 1872
23
Edward Lear, 1812–1888
S. Pietro Degli Agostiniani. Leonessa
1844
24
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
25
Edward Lear, 1812–1888
Albania
between 1848 and 1849
26
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
27
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
28
Edward Lear, 1812–1888
Memphis
1867
29
George Romney, 1734–1802
Mother and Son
undated
30
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
31
George Romney, 1734–1802
Mythological Group of Women and Children
undated
32
George Romney, 1734–1802
Standing Male Figure
undated
33
George Romney, 1734–1802
Howard Visiting a Prison
undated
34
George Romney, 1734–1802
Possibly a Fight Scene
undated
35
George Romney, 1734–1802
Prison Scene
undated
36
George Romney, 1734–1802
David before Saul
undated
37
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
38
George Romney, 1734–1802
Studies of a Seated Woman
undated
39
George Romney, 1734–1802
Three Young Witches
undated
40
George Romney, 1734–1802
Two Children Embracing
undated
41
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
42
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
43
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
44
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
45
George Romney, 1734–1802
David Playing the Harp
undated
46
George Romney, 1734–1802
Pamela
undated
47
George Romney, 1734–1802
Muscious Scaevola
undated
48
George Romney, 1734–1802
Satan Presiding over Hell
undated
49
George Romney, 1734–1802
Demonic Attack for the Temptation of Christ
undated
50
George Romney, 1734–1802
[Small Sketchbook]
1784
51
George Romney, 1734–1802
[Small Sketchbook]
1784
52
George Romney, 1734–1802
[Small Sketchbook]
1784
53
George Romney, 1734–1802
[Small Sketchbook]
1784
54
George Romney, 1734–1802
[Small Sketchbook]
1784
55
George Romney, 1734–1802
[Small Sketchbook]
1784
56
George Romney, 1734–1802
[Small Sketchbook]
1784
57
George Romney, 1734–1802
[Small Sketchbook]
1784
58
George Romney, 1734–1802
[Small Sketchbook]
1784
59
George Romney, 1734–1802
[Small Sketchbook]
1784
60
George Romney, 1734–1802
[Small Sketchbook]
1784
61
George Romney, 1734–1802
Noah's Children Rejoicing
undated
62
George Romney, 1734–1802
Female Figures
undated
63
George Romney, 1734–1802
Slight Group of Figures
undated
64
George Romney, 1734–1802
Landscape with a Leaning Tree
undated
65
George Romney, 1734–1802
[Small Sketchbook]
1784
66
George Romney, 1734–1802
[Small Sketchbook]
1784
67
George Romney, 1734–1802
[Small Sketchbook]
1784
68
George Romney, 1734–1802
Seated Woman
undated
69
George Romney, 1734–1802
Prostrate Woman
undated
70
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
71
George Romney, 1734–1802
Initiation of a Rustic Nymph
undated
72
George Romney, 1734–1802
[Small Sketchbook]
1784
73
George Romney, 1734–1802
[Small Sketchbook]
1784
74
George Romney, 1734–1802
[Small Sketchbook]
1784
75
George Romney, 1734–1802
[Small Sketchbook]
1784
76
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
77
George Romney, 1734–1802
Samson Overpowered
undated
78
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
79
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
80
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
81
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
82
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
83
Dante Gabriel Rossetti, 1828–1882
Miss Elizabeth Siddal
between 1854 and 1855
84
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
85
John Varley, 1778–1842
A Romantic Landscape
undated
86
James Ward, 1769–1859
Studies after Anthony van Dyck's Portrait of Arthur Goodwin
1825
87
James Ward, 1769–1859
An Outhouse Wall
undated
88
Benjamin West, 1738–1820
Page Boy Asleep
undated
89
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
90
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
91
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
92
Thomas Uwins, 1782–1857
John Britton, F.S.A
ca. 1820
93
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
94
Edward Francis Burney, 1760–1848
Unique Specimens of Mineralogy
undated
95
Joseph Clarendon Smith, 1778–1810
Margate Hoy
1807
96
Charlotte Warren, 18th century
Wooded Landscape with Cattle, Figures and a House
undated
97
John James Chalon, 1778–1854
Music: Composition in a Garden
ca. 1832
98
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
99
Giovanni Stern, 1734–1794
Plans of Ancient Roman Baths - Terme de M Agrippa
undated
100
Giovanni Stern, 1734–1794
Plans of Ancient Roman Baths: Terme del Imp. Diocleziano