Materials & Techniques: aquatint / Creator Gender: male / Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Junction of Severn and Wye

1811

Thomas Girtin, 1775–1802

The Watermill Above the Bridge at Charenton

1803

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

1803

Etched by Thomas Girtin, 1775–1802

View of the Pont St. Michael, taken from the Pont Neuf

1803

Print made by Thomas Girtin, 1775–1802

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

1802

Print made by Thomas Girtin, 1775–1802

View of the Gate of St. Denis Taken from the Suburbs

1803

Print made by Thomas Girtin, 1775–1802

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

1803

Print made by Thomas Girtin, 1775–1802

View of the Palace and Village of Choisi, on the Banks of the Siene

1803

Print made by Thomas Girtin, 1775–1802

Views of the Pantheon, taken from the Arsenal

1803

Print made by Thomas Girtin, 1775–1802

The Water Works at Marli,and St. Germain en Laye Seen in the Distance

1803

Print made by Thomas Girtin, 1775–1802

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

1803

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

James Malton, 1761–1803

Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

1802

Print made by Francesco Bartolozzi, 1728–1815

To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

1792

Print made by John Augustus Atkinson, 1775–1831

Fools; or Jesters

1813

Joseph Collyer, 1748–1827

Miss Mary Palmer

1785

Print made by Caroline Watson, 1760–1814

Contemplation

1790

Print made by Caroline Watson, 1760–1814

Prince Serge and Princess Barbara Gagarin, with their son, Prince Nicholas

1785

Print made by William Birch, 1755–1834

Mrs. Robinson

1792

Print made by Matthew Dubourg, active 1786–1838

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

1815

Print made by Thomas Girtin, 1775–1802

View of the Thuilleries and Bridge, taken from the Quai d'Orsai

1802

Print made by Thomas Girtin, 1775–1802

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf

1802

Print made by Thomas Girtin, 1775–1802

View of the City with the Louvre & Taken from Pont Marie

1802

Print made by Thomas Girtin, 1775–1802

A General View of Paris, taken from Chaillot 1803

1803

after Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

1803

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

Thomas Malton, 1726–1801

Lleweney Bleach Works

1798

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1852

Print made by George Baxter, 1804–1867

Gems of the Great Exhibition No. 4: The Foreign Department

1852 or 1854

Print made by George Baxter, 1804–1867

The Great Exhibition: Exterior View from the Southwest

1851

Print made by George Baxter, 1804–1867

George Pritchard, Her Britannic Majesty's Consul

1845

Print made by George Baxter, 1804–1867

The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

1841

after George Baxter, 1804–1867

Prince Albert

after 1855

after George Baxter, 1804–1867

The Death of Ananias

after 1855

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Paul Sandby, 1731–1809

The Victor Conducted in Triumph

ca. 1781

Paul Sandby, 1731–1809

The Opening of the Carnival at Rome

ca. 1781

Print made by imitator of George Baxter, 1804–1867

Little Red Riding Hood

after 1856

Print made by George Baxter, 1804–1867

Pomare, Queen of Tahiti

1845

Paul Sandby, 1731–1809

The Horse Race at Rome During the Carnival

ca. 1781

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Imitator of George Baxter, 1804–1867

The Bride, Paul and Virginia, the Chalees Satoon, East India

after 1850

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

after George Baxter, 1804–1867

Prince Albert

after 1855

Print made by Vincent Robert Alfred Brooks, 1814–1885

Ten Needle-Box Prints

undated

Paul Sandby, 1731–1809

The Romans Polite to Strangers

ca. 1781

after George Baxter, 1804–1867

Queen Victoria

ca. 1860

William Daniell, 1769–1837

A View of the East India Docks

1808

after Thomas Rowlandson, 1756–1827

Billingsgate Market

1808

Thomas Malton the Younger, 1748–1804

Cambridge University: Emmanuel College

1799

Print made by Thomas Malton the Younger, 1748–1804

Cambridge University: Queens College

1800

Thomas Malton the Younger, 1748–1804

The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

1799

Thomas Malton the Younger, 1748–1804

The East Front of the Library of Trinity College in the University of Cambridge

1800

Thomas Malton the Younger, 1748–1804

South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

1799

Daniel Havell, 1785–1826

A View of the Bank of England

1816

Print made by Thomas Malton the Younger, 1748–1804

The Bank

1781

unknown artist

North Front of the Bank

1797

unknown artist

South Front of the Bank

1798

Joseph Constantine Stadler, active 1780–1812

Battersea, Chelsea and London from Mr. Rucker's Villa

1795

Print made by Frederick Christian Lewis the Elder, 1779–1856

Tours, looking backwards

undated

Richard Gilson Reeve, 1803–1889

The Great Western leaving Bristol for New York

1840

Richard Gilson Reeve, 1803–1889

The Favourite steam ships Vivid and Waterwitch, off Orfordness in a Breeze

1839

Henry Hoppner Meyer, ca. 1782–1847

View of the New Country Prison at Abingdon, Berkshire

undated

unknown artist

Carlinan Mill, Iverary, Scotland

1811

J. Hill, active 19th century

A Frigate in a Calm

1811

J. Hill, active 19th century

A Seventy-four in a Fresh Gale

1811

Francesco Bartolozzi, 1728–1815

Troilus and Cressida, Act 4, Scene II

1794

unknown artist

A View of St. Katharine's Dock in the Month of January, 1828

1828

William Ellis, 1747–1810

The House of George Humphrys, Esq., Spark Brook

1792

William Ellis, 1747–1810

Baskerville House, the Residence of John Ryland, Esq

1792

William Ellis, 1747–1810

The New Meeting

1792

Print made by Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton

1803

Print made by Thomas Girtin, 1775–1802

View of the Gate of the St. Denis taken from the Suburbs

1803

Print made by Thomas Girtin, 1775–1802

View of St. Cloud and Mount Cavalary taken from Pont de Seve

Robert Pollard, 1755–1838

A North East View of the Tuesday Market Place of Lynn Regis

1797

Henry Papprill This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

Henry Papprill, 1816–d.after 1883

This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1

1842

J. Wellis To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

J. Wellis, active 1799

To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed

1799