Materials & Techniques: etching (printing process) and stipple engraving / On-site Access: Accessible by appointment in the Study Room / Subject Terms: posing

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Materials & Techniques etching (printing process)

Materials & Techniques stipple engraving

On-site Access Accessible by appointment in the Study Room

Subject Terms posing

Print made by Thomas Cheesman, 1760–1834/35

Lady Hamilton as the Spinster

1789

Print made by Samuel Freeman, 1773–1857

Sir Robert Ker Porter

undated

Print made by Samuel Freeman, 1773–1857

Henry Tresham, R. A

1809

Print made by Francis Croll, baptized 1826–1854

Rev.d John Thomson

undated

Edward Harding, 1755–1840

Sir John Medina

1797

Print made by George Chinnery, 1774–1852

Henry Tresham, Esq, R.A

1802

Print made by Samuel Freeman, 1773–1857

The Rt. Hon. Alexander Hood, Viscount Bridport, K.B

1834

Print made by Samuel Freeman, 1773–1857

Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence

1810

Bradshaw & Blacklock, active ca.1850

Swiss Costumes

after 1850

Print made by Charles Heath, 1785–1848

Thomas Gray

undated

Print made by Francis Croll, baptized 1826–1854

Sir William Allan

undated

Print made by Thomas Gaugain, 1748–1812

James Beattie, LL.D

1805

Print made by William Thomas Fry, 1789–1843

Benjamin West, Esq. President of the Royal Academy

1820

Richard Gaywood, active 1650–1680

Portrait of Louis XIV, King of France and Navarre

undated

Print made by William Faithorne, ca. 1620–1691

Portrait of Francis Moore

ca. 1663

Print made by William Nelson Gardiner, 1766–1814

Mr. Kemble, of the Theatre Royal, Drury Lane

1797

Print made by Robert Dighton, 1752–1814

Hamlet in Scotland

1794

Print made by R. Clamp, fl.1789–1798

Sir John Hawkins

1794

Print made by Samuel Freeman, 1773–1857

Henry Home, Lord Kames

undated

William Dickinson, 1746–1823

The Relief

1781

Print made by unknown artist

Richard Cosway

1788

Print made by James Heath, 1757–1834

James Barry, Esq

after 1806

Thomas Harland, active early 19th century

Charles Barry

undated

Print made by Samuel Freeman, 1773–1857

Robert Cleveley, Esqr. Marine Painter to his R.H. the Prince of Wales, and Marine Draftsman to his R.H. the Duke of Clarence

1810

Charles Fox, 1749–1809

John Burnet, Author of "Practical Hints on Painting"

1827

Sir George Hayter, 1792–1871

Sir George Hayter

1822

Print made by William Carpenter, 1818–1899

Charles Fox

1849

Print made by Francesco de Grado, active 1693

Antonio Vandyck

ca. 1693

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Samuel Freeman, 1773–1857

William Aikman

undated

Edward Harding, 1755–1840

Robert Williams

1796

Print made by Thomas Chambars, ca. 1724–1789

Robert van Voerst

1771

Print made by William Dickinson, 1746–1823

Mary Robinson

1785

Print made by Frederick Bacon, 1803–1887

The Penitent

between 1842 and 1887

Print made by Frederick Bacon, 1803–1887

Thomas Bewick

1852

Edward Francis Finden, 1791–1857

Hester Lynch Piozzi (Mrs. Thrale)

1835

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