Materials & Techniques: etching (printing process) / Author ss: after Joseph Mallord William Turner, 1775–1851, British / Genre: architectural subject / Associated Places: England / Work Type: intaglio print

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Materials & Techniques etching (printing process)

Author ss after Joseph Mallord William Turner, 1775–1851, British

Genre architectural subject

Associated Places England

Work Type intaglio print

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1818-1823

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by William Miller, 1796–1882

Norham Castle - Moonrise

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James T. Willmore, 1800–1863

Alnwick Castle

1830

Print made by James T. Willmore, 1800–1863

Alnwick Castle

1830

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by William Miller, 1796–1882

Durham Cathedral

1836

Print made by William Radclyffe, 1780–1855

Hornby Castle, from Tatham Church

1822

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1821

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1822

Print made by Robert Wallis, 1794–1878

Bolton Abbey, Yorkshire

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1822

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by unknown artist

Flower-Garden Porch at Farnley (Vignette)

1814

Print made by unknown artist

Gateway to the Flower Garden at Farnley

1814

Print made by unknown artist

Bay Windows in the Flower Garden at Farnley

1814

Print made by unknown artist

Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

1814

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