plate etched between ca. 1880 and 1883; impression printed in 1924
8
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
9
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
10
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
11
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
12
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
13
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
14
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
15
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
16
Print made by Samuel Palmer, 1805–1881
The Vine
1852
17
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
18
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
19
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
20
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
21
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
22
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
23
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
24
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
25
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
26
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
27
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
28
Print made by Thomas Abiel Prior, 1809–1886
The Goddess of Discord in the Garden of Hesperides
between 1859 and 1861
29
Print made by James T. Willmore, 1800–1863
Childe Harold's Pilgrimage
between 1859 and 1861
30
Print made by John Cousen, 1804–1880
Lake of Nemi (Vignette)
ca. 1844
31
Print made by John Cousen, 1804–1880
The Bright Stone of Honour - from LXV - 'The Turner Gallery'
between 1859 and 1879
32
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
33
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
34
Print made by William Miller, 1796–1882
Field of Waterloo
1835
35
Print made by William Miller, 1796–1882
The Rhymer's Glen
1835
36
Print made by William Miller, 1796–1882
Field of Waterloo with Lightning
1835
37
Print made by James Charles Armytage, 1802–1897
"It's Auld Ailie Hersell"
1836
38
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
39
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
40
Print made by William Miller, 1796–1882
The Rhymer's Glen
1835
41
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. I
1834
42
Print made by Edward Goodall, 1795–1870
Johnnie Armstrong's Tower (Vignette)
1834
43
Print made by Edward Goodall, 1795–1870
Smailholm Tower (Vignette)
1834
44
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
45
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
46
Print made by William Miller, 1796–1882
The Rhymer's Glen (Vignette)
1835
47
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1851
48
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
49
Print made by Thomas Abiel Prior, 1809–1886
The Golden Bough
1875
50
Print made by James Baylis Allen, 1803–1876
Phryne going to the Bath as Venus
between 1859 and 1861
51
Print made by William Miller, 1796–1882
Field of Waterloo (with Lightning)
1835
52
Print made by John Cousen, 1804–1880
The Acropolis of Athens
1832
53
Print made by Edward Francis Finden, 1791–1857
Negropont
1834
54
Print made by Edward Francis Finden, 1791–1857
The Plain of Troy
1832
55
Print made by Edward Goodall, 1795–1870
Carlisle
1834
56
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
57
Print made by Edward Francis Finden, 1791–1857
Parnassus and Castalian Spring
1833
58
Samuel Bradshaw, 1830–1869
The Parting of Hero and Leander
ca. 1861
59
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
60
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
61
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
62
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
63
Print made by Edward Francis Finden, 1791–1857
The Field of Waterloo from Hougoumont
1833
64
Print made by James T. Willmore, 1800–1863
Lochmaben Castle
1834
65
Print made by Robert Wallis, 1794–1878
Hermitage Castle
1834
66
Print made by John Horsburgh, 1791–1869
Mayburgh
1834
67
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
68
Print made by William Miller, 1796–1882
Loch Achray
1834
69
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
70
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower