De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
6
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
7
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
8
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
9
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
10
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
11
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
12
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
13
James Gwin, 1700–1769
De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
1763
14
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
15
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
16
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
17
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
18
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
19
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
20
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
21
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
22
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
23
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
24
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
25
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
26
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
27
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
28
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
29
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
30
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
31
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
32
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
33
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
34
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
35
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
36
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
37
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
38
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
39
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
40
James Gwin, 1700–1769
Seconde Position du Salut
1763
41
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
42
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
43
James Gwin, 1700–1769
Premiere Position du Salut
1763
44
James Gwin, 1700–1769
Troisieme Position du Salut
1763
45
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
46
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
47
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
48
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
49
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
50
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
51
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
52
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
53
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
54
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
55
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
56
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
57
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
58
John Wootton, 1682–1764
The Meet
undated
59
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
60
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
61
unknown artist
Tattersall's Training School
1771
62
Edward Francis Burney, 1760–1848
View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
undated
63
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: The Death
1816
64
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Full Cry
1816
65
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Near the Death
1816
66
George Dance, 1741–1825
A Fist Fight, With the Prince Regent Among the Spectators
undated
67
George Garrard, 1760–1826
Colonel Thornton Driving Tandem on His Sporting Tour of Scotland
1786
68
Samuel Howitt, 1756–1822
Foxhunting: Breaking Cover
undated
69
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
70
Samuel Howitt, 1756–1822
Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
1805
71
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
72
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
73
Samuel Howitt, 1756–1822
The Kill
undated
74
Samuel Howitt, 1756–1822
Going out of Kennel
undated
75
Samuel Howitt, 1756–1822
The Check
undated
76
Samuel Howitt, 1756–1822
Full Cry
undated
77
Samuel Howitt, 1756–1822
The Death
undated
78
Samuel Howitt, 1756–1822
Going to Cover
undated
79
Thomas Rowlandson, 1756–1827
A Crowded Race Meeting
between 1805 and 1810
80
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
81
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
82
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
83
Robert Dighton, 1752–1814
Snipe Shooting
ca. 1790
84
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
85
William Hamilton, 1751–1801
The Return from Coursing
undated
86
Samuel Howitt, 1756–1822
Racing Scene
1792
87
Julius Caesar Ibbetson, 1759–1817
Salmon Spearing
undated
88
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
89
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
90
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The Death
undated
91
unknown artist
Mid-Day
1799
92
unknown artist
Evening
1799
93
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
94
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
95
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Unkennelling the Pack
1816
96
Samuel Howitt, 1756–1822
Foxhunting: At Fault
undated
97
Thomas Horner, 1785–1844
A Meet at Bachelors' Hall in the Vale of Neath, Wales