Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
6
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
7
Edward Lear, 1812–1888
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
8
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
9
unknown artist
A Temple
ca. 1780
10
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
11
unknown artist
West Cowes, Isle of Wight
undated
12
Joseph Cartwright, c.1789–1829
Frigate and Corvette, Stern Forward
undated
13
unknown artist
Toulon
1777
14
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
15
Sawrey Gilpin, 1733–1807
Boats at Sea
undated
16
Sawrey Gilpin, 1733–1807
Sailboats on Calm Sea
undated
17
Rev. William Gilpin, 1724–1804
Landscape with Castle, River and Mountain
between 1762 and 1783
18
Joseph Cartwright, c.1789–1829
Revolutionaire July 20, 1821
1821
19
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig
undated
20
Joseph Cartwright, c.1789–1829
Several Ships in Formation for Battle in Heavy Seas
undated
21
Joseph Cartwright, c.1789–1829
Several Battleships at Battle: Row Boats with Figures
undated
22
Joseph Cartwright, c.1789–1829
Side View of Corvette
undated
23
Attributed to Dominic Serres, 1722–1793
Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier
undated
24
unknown artist
Rouen: A Map of the City and Surrounding Areas
undated
25
unknown artist
Le Havre and Le Manche: A Map of Le Havre
undated
26
Michel Jean Cazabon, 1813–1888
St. James' Barracks from the Playground of the Model School
1857
27
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
28
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
29
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
30
Michel Jean Cazabon, 1813–1888
The Road to the Pitch Lake
1857
31
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
32
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
33
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
34
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
35
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
36
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
37
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
38
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)
ca. 1710
39
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
40
Isaac Weld, 1774–1856
View of the Falls of Niagara
between 1795 and 1797
41
Isaac Weld, 1774–1856
Capri
ca. 1818
42
unknown artist
The City of London from Somerset House
ca. 1780
43
Isaac Weld, 1774–1856
Sion (Switzerland)
ca. 1817
44
Isaac Weld, 1774–1856
Simplon (Switzerland)
ca. 1817
45
John Minton, 1917–1957
Landscape
undated
46
John Buckler FSA, 1770–1851
Title page for: Drawings of Droitwich and its Environs
undated
47
Charles Hamilton Smith, 1776–1859
Title Page: The Naturalist Library: Mammalia. Introduction. Volume: 1:13
ca. 1837
48
Charles Hamilton Smith, 1776–1859
Frontispiece - Peter Simon Pallas
ca. 1837
49
William Swainson, 1789–1855
Sooty Falcon
ca. 1837
50
Charles Hamilton Smith, 1776–1859
The Dongola Horse
ca. 1837
51
Charles Hamilton Smith, 1776–1859
Shrubat-ur-Reech
ca. 1837
52
William Pars, 1742–1782
Landscape with Temple Ruins at Sunium
undated
53
unknown artist
Views in the Levant: Study of Figures From a Frieze or Panel
ca. 1785
54
Henry Swinburne, 1743–1803
View of the Cascine Near Florence
1787
55
Henry William Bunbury, 1750–1811
Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
undated
56
Samuel Howitt, 1756–1822
A Chaise and Pair, With Post-Boy
undated
57
Thomas Sunderland, 1744–1828
Myles Sandys' Hounds and Huntsmen Starting a Hare
undated
58
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
59
Jan Wyck, ca. 1645–1700
A Hawking Party
undated
60
Isaac Weld, 1774–1856
View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
between 1795 and 1797
61
Isaac Weld, 1774–1856
Campagna/ Rome
1818
62
Isaac Weld, 1774–1856
On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance
ca. 1817
63
Isaac Weld, 1774–1856
Einsiedein, Switzerland
ca. 1817
64
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
65
Isaac Weld, 1774–1856
Village on a Lake
ca. 1817
66
Isaac Weld, 1774–1856
St. Martyns Bruche
ca. 1826
67
Isaac Weld, 1774–1856
An Execution, Rome
1819
68
Isaac Weld, 1774–1856
Costume at Procida-Naples
1818
69
Thomas Sully, 1783–1872
Hints for Composition by Varley - 1805
1805
70
Isaac Weld, 1774–1856
Funeral Procession at Rome
1818
71
Joseph Cartwright, c.1789–1829
Three Ships with Barque-like Rigging
undated
72
Joseph Cartwright, c.1789–1829
Six Battleships Tacking in Heavy Seas
undated
73
Joseph Cartwright, c.1789–1829
Two Sloops of War, One Barque and One Schooner (?), Sterns Forward, in Heavy Seas; Several Sailing Vessels in Background
undated
74
Joseph Cartwright, c.1789–1829
Side View of Battleship Surrounded by Several Others in Heavy Seas
undated
75
Joseph Cartwright, c.1789–1829
Pierre Premier en Hollande: Scene Inside Ship With Peter the Great, Taking Notes, on Shipbuilding
undated
76
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
77
Joseph Cartwright, c.1789–1829
Single Frigate, Stern Forward; Albion 20 April 1817
1817
78
E. M. Henderson, active 1815–1830
Yarmouth Bridge, Aug. 1829
1829
79
Augustus Welby Northmore Pugin, 1812–1852
Design for an Ornamented Spandrel
undated
80
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Screen
undated
81
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
82
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
83
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
84
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
85
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
86
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
87
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
88
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
89
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
90
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
91
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
92
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
93
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
94
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
95
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
96
John Thomas Smith, 1766–1833
The Smock Exposed
1817
97
John Thomas Smith, 1766–1833
The Reconcilation
1817
98
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
99
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
100
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him