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Materials & Techniques hand coloring

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1. Tiger Hunting in the East Indies

Tiger Hunting in the East Indies
Creator:
Richard Earlom, 1743–1822
Date:
1802
Materials & Techniques:
Stipple engraving, mezzotint, and etching with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 x 29 1/8 inches (52.1 x 74 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1815
Materials & Techniques:
Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Portrait of the Short Horned Bull Patriot

Portrait of the Short Horned Bull Patriot
Creator:
Print made by William Ward, 1766–1826
Date:
1810
Materials & Techniques:
Mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 × 23 5/8 inches (50.8 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Newbus Ox

The Newbus Ox
Creator:
Print made by William Ward, 1766–1826
Date:
1812
Materials & Techniques:
Mezzotint with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/8 × 24 1/8 inches (51.1 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Two Durham Oxen

Two Durham Oxen
Creator:
Print made by Charles Turner, 1774–1857
Date:
1828
Materials & Techniques:
Mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 × 30 inches (61 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. General Washington

General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. General Washington

General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 28 3/8 × 18 1/2 inches (72.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Lleweney Bleach Works

Lleweney Bleach Works
Creator:
Thomas Malton, 1726–1801
Date:
1798
Materials & Techniques:
Hand-colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 5/8 × 25 7/8 inches (52.4 × 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Chain Pier at Brighton

Chain Pier at Brighton
Creator:
Print made by John Bruce, fl. 1826
Date:
ca. 1830
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Visit to the Convent at Amiens

Visit to the Convent at Amiens
Creator:
unknown artist
Date:
1803
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 18 15/16 × 26 5/16 inches (48.1 × 66.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Returning from a Review...Paris

Returning from a Review...Paris
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Inn Yard at Calais

Inn Yard at Calais
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Breakfast at Breteuil

Breakfast at Breteuil
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Changing Horses Near Clermont

Changing Horses Near Clermont
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Pass-Room Bridewell

Pass-Room Bridewell
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 12 5/8 inches (24.2 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

17. Dining Hall, Asylum

Dining Hall, Asylum
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 12 11/16 inches (24.2 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

18. Costume of the Reign of King Henry III, 1250

Costume of the Reign of King Henry III, 1250
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1814
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/4 x 13 5/8 inches (26 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. The Justice

The Justice
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 × 11 1/4 inches (23 × 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. Hamlet

Hamlet
Creator:
Print made by Charles Ansell, ca.1752–active 1790
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 15 3/16 inches (31.2 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Military Costumes of the Reign of King Henry VI, 1447

Military Costumes of the Reign of King Henry VI, 1447
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1812
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 9/16 x 14 11/16 inches (26.9 x 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. The Lover

The Lover
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 11 1/4 inches (23.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. Fools; or Jesters

Fools; or Jesters
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1813
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 1/16 inches (36.7 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The School-Boy

The School-Boy
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 1/4 inches (22.6 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. The Infant

The Infant
Creator:
Print made by Henry Thomas Alken, 1785–1851
Date:
1824
Materials & Techniques:
Soft-ground etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 10 7/8 inches (22.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. The Young Roscius

The Young Roscius
Creator:
Print made by unknown artist
Date:
1804
Materials & Techniques:
Etching with hand coloring on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 × 11 1/8 inches (34.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. Map of Bewdley from the Ordnance Survey

Map of Bewdley from the Ordnance Survey
Creator:
Print made by Robert Kearsley Dawson, 1798–1861
Date:
undated
Materials & Techniques:
Etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 9/16 × 8 7/16 inches (34.4 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...
Creator:
Print made by J. Carwitham, active 1720–1740
Date:
1778
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Howe's Victory off Ushant

Howe's Victory off Ushant
Creator:
Robert Dodd, 1748–1816
Date:
1795
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 7/8 × 30 inches (53 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. A Cudgelling Match between English and French Negroes in the Island of Dominica

A Cudgelling Match between English and French Negroes in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 13 7/8 inches (29.5 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.

This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 x 24 3/8 inches (50.8 x 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Snipe Shooting

Snipe Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 1/16 x 20 13/16 inches (38.3 x 52.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Pheasant Shooting

Pheasant Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Grouse Shooting

Grouse Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Mail Coach in a Flood

The Mail Coach in a Flood
Creator:
Print made by Frederick Rosenberg, active 1816–1832
Date:
1827
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Sergeant's Inn

Sergeant's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Barnard's Inn

Barnard's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 6 1/2 inches (12.1 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Clement's Inn

Clement's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Furnival's Inn

Furnival's Inn
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 6 3/8 inches (12.7 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Lincoln's Inn Hall and Chapel

Lincoln's Inn Hall and Chapel
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1800
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Venice, Evening, Sheet 1

Venice, Evening, Sheet 1
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

42. Venice, Evening, Sheet 3

Venice, Evening, Sheet 3
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

43. Venice, Evening, Sheet 4

Venice, Evening, Sheet 4
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

44. Venice, Evening, Sheet 9

Venice, Evening, Sheet 9
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

45. Venice, Evening, Sheet 10

Venice, Evening, Sheet 10
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

46. Venice, Evening, Sheet 11

Venice, Evening, Sheet 11
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

47. Venice, Evening, Sheet 16

Venice, Evening, Sheet 16
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

48. Venice, Evening, Sheet 15

Venice, Evening, Sheet 15
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

49. Venice, Evening, Sheet 14

Venice, Evening, Sheet 14
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

50. Venice, Evening, Sheet 2

Venice, Evening, Sheet 2
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

51. Venice, Evening, Sheet 5

Venice, Evening, Sheet 5
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

52. Venice, Evening, Sheet 6

Venice, Evening, Sheet 6
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

53. Venice, Evening, Sheet 7

Venice, Evening, Sheet 7
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

54. Venice, Evening, Sheet 8

Venice, Evening, Sheet 8
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

55. Venice, Evening, Sheet 12

Venice, Evening, Sheet 12
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

56. Venice, Evening, Sheet 13

Venice, Evening, Sheet 13
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

57. Venice, Evening

Venice, Evening
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring, printed on sixteen sheets on Velin Arches 300gsm white wove paper
Dimensions:
Overall: 63 × 77 3/8 inches (160 × 196.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price

58. Who'll Have a Crown - Now's Your Time

Who'll Have a Crown - Now's Your Time
Creator:
Print made by William Heath, 1795–1840
Date:
1830
Materials & Techniques:
Etching, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 3/4 x 15 1/4 inches (27.3 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

59. Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Creator:
Print made by John Harris the elder, 1767–1832
Date:
1797
Materials & Techniques:
Engraving with original hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 x 12 1/4 inches (40.6 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

60. The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
Creator:
Print made by William Ward, 1766–1826
Date:
December 1, 1801
Materials & Techniques:
Mezzotint engraving printed in color with original hand coloring on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 22 1/2 x 18 3/8 inches (57.2 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

61. Dr. Syntax and his Counterpart

Dr. Syntax and his Counterpart
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Aquatint and etching with hand coloring in watercolor on medium, slightly texture, cream wove paper
Dimensions:
Frame: 23 11/16 × 30 inches (60.2 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Eugene Galleries, Inc.

62. Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk

Henry, (Eldest Son) and Charles, (Second Son) of Charles Brandon, 1st Duke of Suffolk
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1798
Materials & Techniques:
Line engraving and stipple engraving with hand coloring in watercolor gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

63. White Hart, Bishopsgate Street

White Hart, Bishopsgate Street
Creator:
unknown artist
Date:
1800
Materials & Techniques:
Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 9 1/2 × 7 5/8 inches (24.1 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Billingsgate Market

Billingsgate Market
Creator:
after Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 9 1/8 × 11 1/8 inches (23.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Southampton or Bloomsbury Square

Southampton or Bloomsbury Square
Creator:
Sutton Nicholls, active 1725
Date:
1754
Materials & Techniques:
Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 16 × 21 3/8 inches (40.6 × 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. A View of the Bank of England

A View of the Bank of England
Creator:
Daniel Havell, 1785–1826
Date:
1816
Materials & Techniques:
Hand-colored aquatint on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 15 9/16 × 20 1/16 inches (39.5 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. A View of the East India Docks

A View of the East India Docks
Creator:
William Daniell, 1769–1837
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. The Mask

The Mask
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1790
Materials & Techniques:
Color printed etching and stipple engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/16 × 12 9/16 inches (25.9 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798
Creator:
Richard Livesay, 1753–1826
Date:
1799
Materials & Techniques:
Aquatint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/8 × 23 9/16 inches (48.6 × 59.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 9/16 × 22 1/4 inches (39.5 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Howe's Victory off Ushant

Howe's Victory off Ushant
Creator:
Robert Dodd, 1748–1816
Date:
1795
Materials & Techniques:
Aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 7/8 × 30 1/8 inches (53.1 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Principal Front of the Bank of England

Principal Front of the Bank of England
Creator:
Thomas Malton, 1726–1801
Date:
1790
Materials & Techniques:
Hand colored etching on slightly textured, medium, gray wove paper
Dimensions:
Sheet: 15 1/4 × 20 9/16 inches (38.7 × 52.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Bank of England and Royal Exchange, Cornhill

The Bank of England and Royal Exchange, Cornhill
Creator:
Print made by Henry Wallis, 1805–1890
Date:
1840
Materials & Techniques:
Etching and line engraving with hand coloring in watercolor on smooth, moderately thick, beige wove paper
Dimensions:
Sheet: 7 5/8 × 15 1/8 inches (19.4 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. South Front of the Bank

South Front of the Bank
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Hand colored aquatint on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 12 1/8 × 15 1/16 inches (30.8 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837
Creator:
Print made by Charles Rosenberg, active 1828–1848
Date:
1837
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 18 9/16 × 25 5/16 inches (47.1 × 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Young Mother, Baby Girl and Boy Beside a Country Fence

Young Mother, Baby Girl and Boy Beside a Country Fence
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring on moderately thick, slightly textured, cream wove paper pasted on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 6 5/8 inches (21.9 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Fisherman with Two Children

Fisherman with Two Children
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 6 1/8 × 7 1/2 inches (15.5 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Credulity

Credulity
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1796
Materials & Techniques:
Color-printed etching and stipple engraving, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 9 5/16 inches (30 × 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Tivoli

Tivoli
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1800
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 23 1/8 × 27 11/16 inches (58.7 × 70.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Messrs. Morgan & Sanders, Catherine St., Strand

Messrs. Morgan & Sanders, Catherine St., Strand
Creator:
Print made by unknown artist
Date:
1809
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 7/16 inches (15.4 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Cowdray Court from the Lodging House

Cowdray Court from the Lodging House
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 14 5/16 inches (25.2 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. English Barracks

English Barracks
Creator:
Etched by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. French Barracks

French Barracks
Creator:
Etched by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. View of Palace Yard on the day of the Coronation of His Majesty George IV

View of Palace Yard on the day of the Coronation of His Majesty George IV
Creator:
Print made by Charles J. Hullmandel, 1789–1850
Date:
1821
Materials & Techniques:
Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. The Famous Lincolnshire Ox

The Famous Lincolnshire Ox
Creator:
Print made by unknown artist
Date:
1823
Materials & Techniques:
Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 20 1/2 inches (43.2 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind

Portrait of a Two-Year-Old Ewe, of the New Leicestershire Kind
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Etching and aquatint with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 x 23 3/8 inches (48.3 x 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. The Chillington Oxen

The Chillington Oxen
Creator:
Print made by John Porter, active 1838
Date:
1838
Materials & Techniques:
Line engraving and mezzotint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 21 1/2 inches (46.4 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Partridge Shooting

Partridge Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. A Sea Engagement between the English and Algerines

A Sea Engagement between the English and Algerines
Creator:
Print made by Paul Fourdrinier, 1698–1758
Date:
ca. 1743
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 inches (31 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.
Creator:
Print made by Remi Parr, active 1723–1750
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 18 1/16 inches (31.8 × 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only
Creator:
Print made by Remi Parr, active 1723–1750
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 18 1/8 inches (31.3 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Sweet William's Farewell to Black Eyed Susan

Sweet William's Farewell to Black Eyed Susan
Creator:
Print made by Paul Fourdrinier, 1698–1758
Date:
undated
Materials & Techniques:
Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 × 18 1/8 inches (31.2 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. A View of Paris

A View of Paris
Creator:
Print made by Paul Angier, active 1749
Materials & Techniques:
Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. The Return (First Class)

The Return (First Class)
Creator:
Print made by William Henry Simmons, 1811–1882
Date:
1857
Materials & Techniques:
Hand-colored etching, stipple engraving, and line engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 3/8 × 29 3/8 inches (54.3 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Newgate

Newgate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1799
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Mount: 11 3/4 × 15 7/16 inches (29.8 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:
Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection