Materials & Techniques: laid paper and watercolor / Work Type: drawing / Subject Terms: architectural subject

301. House by a Bridge

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 15/16 × 7 13/16 inches (15.1 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

302. Tree amidst Houses

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 7 3/4 inches (15.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

303. View of a Building with Chimneys

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 13/16 × 6 3/8 inches (19.8 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

304. A Country Lane

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 7 13/16 inches (16.2 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

305. Views in the Levant: Place of Worship with Three Bell Towers with Crosses

Creator:: Workshop of Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 13/16 × 14 3/16 inches (24.9 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Views in the Levant: Back View of the Head of the Sphinx

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 12 5/16 inches (25.1 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 11 inches (16.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Views in the Levant: Ruined Flat Archway

Creator:: Attributed to Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 11/16 × 8 11/16 inches (34.8 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Views in the Levant: Rome with Ruins seen Through an Archway

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 8 1/4 inches (29.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/16 × 20 3/4 inches (29.1 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Views in the Levant: The Columns of Augustus at Brundisium

Creator:: Willey Reveley, 1760–1799
Date:: 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/16 × 10 3/8 inches (41.4 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Views in the Levant: A Ruined Byzantine Church

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 13 5/16 inches (23.5 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 × 18 1/4 inches (32.5 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 11/16 × 9 3/4 inches (32.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 18 9/16 inches (29.2 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. The Old Stables, Petworth

Creator:: John Melchior Barralet, active 1750–1787
Date:: 1778
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 14 15/16 inches (28.4 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. The Front of a Town House

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1785
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 19 1/4 inches (29.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Study for a Stage Set: a Fortress with Cannon and Buildings

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, blue laid paper
Dimensions:: Sheet: 7 1/2 x 16 1/2 inches (19.1 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. The Admiralty Building from Whitehall

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1782
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 1/4 inches (18.4 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Banqueting House, Whitehall

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline, and graphite; verso: pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 3/8 × 15 3/4 inches (31.4 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Doorway and Window of a Church

Creator:: attributed to John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 15/16 × 9 7/16 inches (32.9 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Lincoln Cathedral From Brayford Pool

Creator:: David Cox, 1783–1859
Date:: ca. 1808
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 3/8 x 11 inches (21.3 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Kielder Castle, Northumberland

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, beige laid paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. The Claudian Aquaduct, Rome

Creator:: Francis Towne, 1740–1816
Date:: 1785
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. View of the Market Place at Juliers in Westphalia

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Watercolor with pen and brown, black, and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 x 21 1/16 inches (31.6 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Arch of Janus, after Piranesi

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Classical Composition

Creator:: Thomas Girtin, 1775–1802
Date:: 1798 to 1799
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, laid paper, mounted on very thick cardboard
Dimensions:: Sheet: 12 x 18 13/16 inches (30.5 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Tynemouth Priory, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. The Abbey Mill, Knaresborough

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Ruins at Capua

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 × 12 1/2 inches (38.4 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. A Town House on the Thames

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige laid paper, with thin, slightly textured, blue laid paper border, mounted on linen backed with moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 40 1/8 inches (40.6 x 101.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

334. A Wood Yard on the Thames at Nine Elms

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

335. The Thames with Montagu House and Westminster Bridge

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and gouache on medium, slightly textured, beige laid paper with medium, slightly textured, cream wove paper border, mounted on linen, backed with medium, slightly textured, blue laid paper
Dimensions:: Sheet: 17 1/4 x 36 inches (43.8 x 91.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

336. Tangiers

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, beige laid paper mounted on thick, slightly textured, beige board
Dimensions:: Mount: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

337. Unidentified Office or Stables: Front Elevation

Creator:: James Gibbs, 1682–1754
Date:: ca. 1720
Materials & Techniques:: Watercolor with pen and ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 14 1/2 inches (20.6 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. A Street in Asiago

Creator:: Martin Hardie, 1875–1952
Date:: 1918
Materials & Techniques:: watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 8 1/4 inches (29.8 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

339. Rider Leading a Second Horse, Leaving the Grounds of a Country House

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and gum arabic on moderately thick, slightly textured, cream wove paper, mounted on medium, moderately textured, cream laid paper
Dimensions:: Mount: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Prudhoe Castle, Northumberland

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, beige laid paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. At the Cottage Gate, July 16, 1906

Creator:: Joseph Edward Southall, 1861–1944
Date:: 1906
Materials & Techniques:: Watercolor, gouache and graphite on medium, moderately textured, blue laid paper
Dimensions:: Sheet: 8 7/8 x 5 5/8 inches (22.5 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor with pen in black ink and blue ink, over graphite, with gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 9 3/8 inches (34.3 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Bungay Castle

Creator:: James Moore, 1762–1799
Date:: 1790
Materials & Techniques:: Watercolor, graphite, pen and gray ink and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. A View of Hall-head Sugar Plantation, Jamaica

Creator:: Edward Kennion, 1743–1809
Date:: ca. 1780
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 9 5/8 inches (17.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

345. View of Sir William Hamilton's Villa at Posilipo

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 12 3/4 inches (39.4 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jeanne-Marie & Homer Byington

346. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 8 5/8 inches (20.6 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. View of Richmond Castle, Yorkshire

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor heightened with gouache on two sheets of laid paper, laid on a contemporary wash line mount
Dimensions:: Sheet: 16 13/16 x 31 inches (42.7 x 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

348. Sections of Room under Painted Chamber

Creator:: Charles James Richardson, 1806–1871
Date:: 1827
Materials & Techniques:: Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. A Devonshire Farm

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured, cream laid paper, mounted on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 7 3/4 × 11 5/8 inches (19.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. A Temple in Harewood Park

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, gouache, black chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 × 7 inches (21.3 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Fondi: Il Castello

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 21 inches (38.7 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. An Old House and a Man Climbing a Stile

Creator:: Attributed to John Berney Ladbrooke, 1803–1879
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 7 3/8 inches (14.6 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Moody Hall: Front Elevation and Principal Floor Plan

Creator:: Attributed to Batty Langley, 1696–1751
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, pen and black ink, pen and gray ink, watercolor, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 16 1/2in. (31.8 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Thames Side Buildings

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 33 inches (36.5 x 83.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

355. Ripon Minster, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Country House

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 13 inches (20.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Berry Pomeroy Castle, Devon

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black chalk and graphite on thick, moderately textured, beige laid paper, mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Valle Crucis Abbey, near Llangollen

Creator:: imitator of Thomas Girtin, 1775–1802
Date:: between 1798 and 1801
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Tempio di Clitumno, Rome, after Piranesi

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 7/16 x 12 1/8 inches (21.4 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Guisborough Priory

Creator:: follower of Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 15/16 x 20 1/8 inches (30.3 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. View of St. Peters, Rome

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Watercolor over graphite with some scratching out on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/16 x 36 1/4 inches (38.3 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. St. James's Chapel, Southover, Lewes

Creator:: James Lambert of Lewes, 1725–1788
Date:: 1762
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. A Thames Wharf with Westminster Bridge in the Distance

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 35 3/4 inches (36.8 x 90.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

364. St. Alban's Cathedral, Hertfordshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 9/16 x 9 11/16 inches (31.9 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Valle Crucis Abbey, Denbighshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 3/4 x 12 1/4 inches (24.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Chapel Church, Surrey

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor, gouache and scraping over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/4 x 16 inches (31.1 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Place des Victoires, Paris

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1783
Materials & Techniques:: Watercolor in pen and black ink over graphite on medium, moderately textured, cream antique laid paper
Dimensions:: Sheet: 13 3/4 x 21 inches (34.9 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

369. Oxford

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 12 3/8 inches (19.7 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

370. Venice

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 x 8 7/8 inches (15.2 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Elena Siff Erenberg

371. The Baths of Caracalla, Rome

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 18 5/8 inches (29.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

372. Sepulchre on the Via Nomentana in the Roman Campagna

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 19 inches (29.5 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

373. Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 21 1/8 inches (37.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

374. The Colosseum from the Caelian Mount, with the Arch of Constantine and a View of the Forum, Rome.

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

375. A Panoramic View toward St. Peter's from the Palace of the Caesars

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Graphite, watercolor, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 18 1/4 inches (29.2 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

376. Tintagel Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Watercolor with wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 9/16 x 12 inches (24.3 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. The Reconciliation of the Montagues and the Capulets

Creator:: Frederic Leighton, 1830–1896
Date:: 1854
Materials & Techniques:: Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

378. Ludlow Castle

Creator:: Samuel Scott, 1701/2–1772
Date:: between 1765 and 1769
Materials & Techniques:: Watercolor, pen and ink and graphite on thick, moderately textured, cream laid paper with a thin, slightly textured, blue laid paper border
Dimensions:: Sheet: 18 3/8 x 35 1/2 inches (46.7 x 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

379. Castle Acre Priory, Norfolk, West Front

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1804
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted to medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Sheriff Hutton Castle, Yorkshire

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1808
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 13 x 8 1/2 inches (33 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Cottages and Trees with a Fence

Creator:: James Stark, 1794–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 11 3/4 inches (18.4 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Earlham, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Earlham House, Norfolk

Creator:: Isaac Johnson, 1754–1835
Date:: undated
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. An Interior View of the Colosseum, Rome

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 1/2 inches (36.8 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. In the Camp Vaccinio at Rome

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1777
Materials & Techniques:: Watercolor and gouache over graphite on medium, rough, cream laid paper
Dimensions:: Sheet: 15 1/8 x 23 13/16 inches (38.4 x 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. A Double Storeyed House with Single Storeyed Wings beside a Reservoir with a Family Approaching by Elephant and Palanquin

Creator:: Unknown artist (Company style)
Date:: between 1795 and 1810
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Image: 12 3/4 × 20 1/4 inches (32.4 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

387. Classical Composition

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 8 1/2 inches (14.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. The River Stour, St. Mildred's Church and the Castle of Canterbury

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: 1757
Materials & Techniques:: Watercolor with pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 21 7/8in. (21 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1761
Materials & Techniques:: Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso
Dimensions:: Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Headfort House, Ireland: Sections of the House and Offices

Creator:: Sir William Chambers, 1723–1796
Date:: 1765
Materials & Techniques:: Graphite, watercolor and pen and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 7/8 x 24 5/16 inches (40.3 x 61.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Isola Bella, Lago Maggiore

Creator:: Charles Gore, 1729–1807
Date:: ca. 1776
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 22 1/4 inches (19.4 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Ground Plan for a Bungalow

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 × 11 3/4 inches (58.4 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Figures Outside the Boar Inn

Creator:: Robert Dixon, 1780–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/4 × 17 1/8 inches (50.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Design for Wall Decoration with Neoclassical Panels

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on medium, slightly textured, laid paper
Dimensions:: Sheet: 16 3/4 × 28 9/16 inches (42.5 × 72.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Design for Ceiling

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1765
Materials & Techniques:: Pen and black and brown ink, watercolor and gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 x 9 3/8 inches (33 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Monument to Shakespeare

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1763
Materials & Techniques:: Graphite, watercolor, and pen and black ink, gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 20 9/16 inches (39.1 x 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Headfort House, Ireland: Plan of Principal Floor

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1765
Materials & Techniques:: Graphite, gray wash, watercolor and pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 15/16 x 24 3/8 inches (40.5 x 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Facade for a Temple of Peace, Kew Gardens, Surrey

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1763
Materials & Techniques:: Graphite, pen and black ink, watercolor and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. The Grotto and the Temple of Contemplation, Stowe

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: 1752
Materials & Techniques:: Watercolor, graphite, brown wash, gray wash, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. A View of the Rotunda in the Garden at Stowe, Buckinghamshire

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: 1753
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques laid paper

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301. House by a Bridge

302. Tree amidst Houses

303. View of a Building with Chimneys

304. A Country Lane

305. Views in the Levant: Place of Worship with Three Bell Towers with Crosses

306. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

307. Views in the Levant: Back View of the Head of the Sphinx

308. Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea

309. Views in the Levant: Ruined Flat Archway

310. Views in the Levant: Rome with Ruins seen Through an Archway

311. Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head

312. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

313. Views in the Levant: The Columns of Augustus at Brundisium

314. Views in the Levant: A Ruined Byzantine Church

315. Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

316. Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall

317. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

318. The Old Stables, Petworth

319. The Front of a Town House

320. Study for a Stage Set: a Fortress with Cannon and Buildings

321. The Admiralty Building from Whitehall

322. Banqueting House, Whitehall

323. Doorway and Window of a Church

324. Lincoln Cathedral From Brayford Pool

325. Kielder Castle, Northumberland

326. The Claudian Aquaduct, Rome

327. View of the Market Place at Juliers in Westphalia

328. Arch of Janus, after Piranesi

329. Classical Composition

330. Tynemouth Priory, Northumberland

331. The Abbey Mill, Knaresborough

332. Ruins at Capua

333. A Town House on the Thames

334. A Wood Yard on the Thames at Nine Elms

335. The Thames with Montagu House and Westminster Bridge

336. Tangiers

337. Unidentified Office or Stables: Front Elevation

338. A Street in Asiago

339. Rider Leading a Second Horse, Leaving the Grounds of a Country House

340. Prudhoe Castle, Northumberland

341. At the Cottage Gate, July 16, 1906

342. Plan of Entrenchments near Cape Rojo, Puerto Rico, May 26, 1585, after the original by John White in the British Museum [Caribbean and Oceanic, No. 4]

343. Bungay Castle

344. A View of Hall-head Sugar Plantation, Jamaica

345. View of Sir William Hamilton's Villa at Posilipo

346. Design for a London Townhouse: Elevation

347. View of Richmond Castle, Yorkshire

348. Sections of Room under Painted Chamber

349. A Devonshire Farm

350. A Temple in Harewood Park

351. Fondi: Il Castello

352. An Old House and a Man Climbing a Stile

353. Moody Hall: Front Elevation and Principal Floor Plan

354. Thames Side Buildings

355. Ripon Minster, Yorkshire

356. Country House

357. Berry Pomeroy Castle, Devon

358. Valle Crucis Abbey, near Llangollen

359. Tempio di Clitumno, Rome, after Piranesi

360. Guisborough Priory

361. View of St. Peters, Rome

362. St. James's Chapel, Southover, Lewes

363. A Thames Wharf with Westminster Bridge in the Distance

364. St. Alban's Cathedral, Hertfordshire

365. Tempio d' Antonio e Faustina

366. Valle Crucis Abbey, Denbighshire

367. Chapel Church, Surrey

368. Place des Victoires, Paris

369. Oxford

370. Venice

371. The Baths of Caracalla, Rome

372. Sepulchre on the Via Nomentana in the Roman Campagna