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Materials & Techniques laid paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 19th century

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Image Available Available

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Classification Drawing & Watercolors-Architectural

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1. Temple of Jupiter and Minerva, Thugga

Temple of Jupiter and Minerva, Thugga
Creator:
James Bruce, 1730–1794
Date:
18th century
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 7/8 × 18 1/2 inches (35.2 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Measured sketches of arch at Assuras

Measured sketches of arch at Assuras
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 15 3/4 inches (54.9 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Sketch of Elevation of Amphitheatre at El Djem showing archways

Sketch of Elevation of Amphitheatre at El Djem showing archways
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on thin, moderately textured, cream laid paper
Dimensions:
Sheet: 8 7/8 × 13 inches (22.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, pink laid paper
Dimensions:
Sheet: 3 3/16 × 7 3/8 inches (8.1 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Stables at Hinton St. George, Somerset: Plan

Stables at Hinton St. George, Somerset: Plan
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pink wash on graphite, pen and brown and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 3/8 × 14 1/4 inches (56.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Hinton St. George, Somerset: Plan of the New Staircase

Hinton St. George, Somerset: Plan of the New Staircase
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/4 x 13 3/8 inches (55.2 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1838
Materials & Techniques:
Gray wash, brown wash, and graphite with pen and black and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 7 1/2 inches (31.3 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 1/8 × 3 5/8 inches (20.6 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 × 3 3/4 inches (20.3 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 1/4 × 2 3/4 inches (21 × 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite; verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 16 7/8 × 6 3/8 inches (42.9 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
1850
Materials & Techniques:
Black ink, graphite and watercolor on thin, smooth, beige wove paper
Dimensions:
Sheet: 17 5/8 × 25 3/4 inches (44.8 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor and gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 1/2 × 4 3/8 inches (26.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, gouache and watercolor on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 12 7/8 × 7 3/8 inches (32.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, gouache, black ink, and brown ink; verso: white gouache on medium, slighy textured, brown laid paper
Dimensions:
Sheet: 10 1/8 × 5 1/8 inches (25.7 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, yellow gouache, pen and black ink, and graphite on medium, smooth, brown laid paper
Dimensions:
Sheet: 12 1/2 × 5 1/4 inches (31.8 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache, verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 11 1/2 × 5 inches (29.2 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black and brown ink, graphite, gouache and watercolor, verso: white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 11 1/2 × 5 5/8 inches (29.2 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, graphite, watercolor, gouache on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/2 × 5 3/4 inches (29.2 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Black ink, pen, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:
Sheet: 7 7/8 × 4 1/4 inches (20 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Seat of David Godfrey, Isleworth, Middlesex

Seat of David Godfrey, Isleworth, Middlesex
Creator:
Charles Tomkins, 1757–1823
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor on medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 1/2 × 8 1/2 inches (19.1 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Design for a Wall Decoration

Design for a Wall Decoration
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on textured, moderately thick, brown laid paper
Dimensions:
Sheet: 11 × 11 5/8 inches (27.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Hinton St. George, Somerset: Plan of Staircase

Hinton St. George, Somerset: Plan of Staircase
Creator:
James Wyatt, 1746–1813
Date:
1804
Materials & Techniques:
Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 5/8 x 13 3/8 inches (54.9 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Hinton St. George, Somerset: Plan of the East Dining Room

Hinton St. George, Somerset: Plan of the East Dining Room
Creator:
James Wyatt, 1746–1813
Date:
1811
Materials & Techniques:
Graphite and pen and black ink on thick, moderately textured, cream laid paper and masking tape, verso, upper center
Dimensions:
Sheet: 15 1/8 x 21 3/4 inches (38.4 x 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Cobham Hall, Kent: Section and Ceiling Plan of the Dairy

Cobham Hall, Kent: Section and Ceiling Plan of the Dairy
Creator:
James Wyatt, 1746–1813
Date:
1795
Materials & Techniques:
Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 × 21 1/2 inches (34.3 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Perspective for a Church Interior

Perspective for a Church Interior
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 × 11 5/8 inches (30.5 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Hinton St. George, Somerset: Plan of the Principal Story

Hinton St. George, Somerset: Plan of the Principal Story
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Pink wash, graphite, pen and black and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 22 3/4 x 14 inches (57.8 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Hinton St. George, Somerset: Plan of the Dressing Room

Hinton St. George, Somerset: Plan of the Dressing Room
Creator:
James Wyatt, 1746–1813
Date:
1801
Materials & Techniques:
Graphite, pen and black ink, gray and pink wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 5/8 × 21 7/8 inches (32.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Norwich Catherdral, Ambulatory

Norwich Catherdral, Ambulatory
Creator:
Maria Turner
Date:
1814
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 15 7/16 × 10 5/8 inches (39.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
1838
Materials & Techniques:
Watercolor, pen and brown ink, gray wash, and graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 x 9 5/8in. (34.3 x 24.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Mansion House, London: Elevation

The Mansion House, London: Elevation
Creator:
Joseph Wolf, 1820–1899
Date:
undated
Materials & Techniques:
Graphite, pen and black and brown ink, gray wash on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 11 3/4 × 15 1/4 inches (29.8 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A Small Villa

A Small Villa
Creator:
Stow, ca. 1835
Date:
undated
Materials & Techniques:
Pen and black ink on smooth, medium, white laid paper
Dimensions:
Sheet: 19 × 23 1/2 inches (48.3 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Design for the Rotunda, Ranelagh Gardens

Design for the Rotunda, Ranelagh Gardens
Creator:
Sir William John Newton, 1785–1869
Date:
undated
Materials & Techniques:
Pen and black ink, brown ink, and graphite; verso: graphite and brown wash on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 18 1/4 × 20 1/2 inches (46.4 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, sligihtly textured, cream laid paper
Dimensions:
Sheet: 4 13/16 × 4 1/2 inches (12.2 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Windsor Castle, Berkshire

Windsor Castle, Berkshire
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
ca. 1823
Materials & Techniques:
Watercolor over graphite and pen on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Plan for Entrance at Hinton St. George

Plan for Entrance at Hinton St. George
Creator:
John Kempshead, active 1808
Date:
1812
Materials & Techniques:
Graphite, pen and black ink, watercolor, pen and brown ink on moderately textured, moderately thick, cream laid paper
Dimensions:
Sheet: 22 13/16 × 18 3/8 inches (57.9 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Cluny Castle, Aberdeenshire, Scotland: Ground Floor Plan with Proposed Alterations

Cluny Castle, Aberdeenshire, Scotland: Ground Floor Plan with Proposed Alterations
Creator:
William Wilkins, 1778–1839
Date:
ca. 1816
Materials & Techniques:
Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 7/8 × 18 1/2 inches (35.2 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Temple of Venus and Rome, Palatine

Temple of Venus and Rome, Palatine
Creator:
Lewis Vulliamy, 1791–1871
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and brown wash on slightly textured, thin, white laid paper
Dimensions:
Sheet: 9 9/16 × 16 3/16 inches (24.3 × 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored

The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and black and red ink, and brown and pink wash on two joined sheets of medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 25 inches (31.4 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Temple of Apollo Epikourios: Section through the Cella

The Temple of Apollo Epikourios: Section through the Cella
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite, pen and brown and gray ink, and brown wash on medium, moderately textured, cream antique laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles

The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and gray ink with traces of graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The Temple of Aphaia at Aegina: Elevation and Partial Section

The Temple of Aphaia at Aegina: Elevation and Partial Section
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 12 1/2 inches (42.5 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Design for a Gothic Tower: East Elevation

Design for a Gothic Tower: East Elevation
Creator:
studio of Sir Jeffry Wyatville, 1766–1840
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, graphite on textured, medium, cream laid paper
Dimensions:
Sheet: 18 1/2 × 11 1/4 inches (47 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Costessy Hall, Norfolk

Costessy Hall, Norfolk
Creator:
John Chessell Buckler, 1793–1894
Date:
1831
Materials & Techniques:
Pen and brown ink with watercolor over graphite on slightly textured, thick, beige wove paper
Dimensions:
Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Brecon Bridge

Brecon Bridge
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1803
Materials & Techniques:
Gray and black wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/2 x 15 7/8 inches (21.6 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Castle Acre Priory, Norfolk, West Front

Castle Acre Priory, Norfolk, West Front
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1804
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper, mounted to medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Sheriff Hutton Castle, Yorkshire

Sheriff Hutton Castle, Yorkshire
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1808
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 13 x 8 1/2 inches (33 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. East End of the Abbey Church of St. Paul at Rouen, Normandy

East End of the Abbey Church of St. Paul at Rouen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Graphite and brown wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Norwich Cathedral: Entrance to Jesus Chapel

Norwich Cathedral: Entrance to Jesus Chapel
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1807
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 14 1/8 inches (27.3 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Interior of a Church, Looking West from South Aisle

Interior of a Church, Looking West from South Aisle
Creator:
imitator of John Sell Cotman, 1782–1842
Date:
ca. 1804
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 7 1/2 inches (28.9 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Crypt of Saint Gervaise, Rouen, Normandy

Crypt of Saint Gervaise, Rouen, Normandy
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1817
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 x 10 3/4 inches (20 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Packington

Packington
Creator:
Attributed to Hon. Daniel Finch, 1789–1868
Date:
1834
Materials & Techniques:
Pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 10 1/4 inches (17.8 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Design for a Farm House. Elevations of Two Fronts

Design for a Farm House. Elevations of Two Fronts
Creator:
Joseph Michael Gandy, 1771–1843
Date:
between 1794 and 1797
Materials & Techniques:
Pen and gray ink, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 15/16 × 27 7/8 inches (48.1 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. St. Alban's Abbey

St. Alban's Abbey
Creator:
Henry Edridge, 1769–1821
Date:
1805
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 × 13 5/8 inches (22.9 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection