Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings.
1765
2
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of South Front of South Wing
undated
3
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
4
unknown artist
Design for a Classical House
undated
5
unknown artist
A Half-timbered House
ca. 1800
6
John Yenn, 1750–1821
Design for a Doorway
1781
7
unknown artist
Design for a Lamp
undated
8
unknown artist
Design for a Tripod and Design for Entablature of the Upper Range of Windows in the Hall
undated
9
unknown artist
Design for a Lamp
undated
10
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
11
John Yenn, 1750–1821
Design for a Doorway
1781
12
unknown artist
Design for a Clock Case
undated
13
unknown artist
Design for a Library
undated
14
unknown artist
Design for a Saloon
undated
15
unknown artist
Paultons, Hampshire
undated
16
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
17
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
18
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
19
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
20
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
21
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
22
James Bruce, 1730–1794
No. 1 plan of a temple at Baalbec
undated
23
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
24
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
25
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
26
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
27
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
28
unknown artist
Design for a Wine Cooler
undated
29
unknown artist
Elevation of a Bedchamber with Corinthian Decoration
undated
30
unknown artist
Alms-Houses at Greenhithe, Kent
1774
31
unknown artist
Design for an Altar
undated
32
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevations of the Music Hall
undated
33
unknown artist
Design for Herms
undated
34
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
35
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
36
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
37
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
38
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
39
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
40
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
41
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
42
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
43
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
44
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
45
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
46
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
47
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
48
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
49
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
50
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
51
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
52
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
53
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
54
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
55
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
56
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
57
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
58
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
59
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
60
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
61
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
62
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
63
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
64
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
65
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
66
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
67
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
68
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
69
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
70
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
71
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
72
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
73
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
74
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
75
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
76
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
77
unknown artist
Hinton St. George, Somerset: Attic Floor Plan
undated
78
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
79
unknown artist
Hinton St. George, Somerset: Design for a Door Frame
undated
80
unknown artist
Hinton St. George, Somerset: Design for a Vaulted Ceiling
undated
81
unknown artist
Hinton St. George, Somerset: Plan of Staircase
undated
82
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
83
unknown artist
Hinton St. George, Somerset: Plan of Stables
1777
84
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
85
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
86
unknown artist
One of Six Designs for a Wall Decoration
undated
87
unknown artist
One of Six Designs for a Wall Decoration
undated
88
unknown artist
Section of the Chimney Side for the Alteration of the Great Hall