Between Ibreem and Wady Halfeh, 2:45 pm, 2 February 1867 (328)
1867
403
Edward Lear, 1812–1888
Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)
1867
404
Edward Lear, 1812–1888
Near Wady Halfeh
1867
405
Edward Lear, 1812–1888
Wady Halfeh
1867
406
Edward Lear, 1812–1888
Wady Halfeh
1867
407
Edward Lear, 1812–1888
Ibreem, 10:00 am, 2 February 1867 (317)
1867
408
Edward Lear, 1812–1888
Korosko
1867
409
Edward Lear, 1812–1888
Near Korosko
1867
410
Edward Lear, 1812–1888
Between Derr and Ibreem
1867
411
Edward Lear, 1812–1888
Near Abu Simbel
1867
412
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
413
George Romney, 1734–1802
John Henderson as Falstaff
1780
414
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
415
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
416
George Romney, 1734–1802
Captive or Dejected Woman: Possibly Andromache
undated
417
George Romney, 1734–1802
Howard Visiting a Prison
undated
418
George Romney, 1734–1802
Howard Visiting a Prison
undated
419
George Romney, 1734–1802
Prison Scene
undated
420
George Romney, 1734–1802
Howard Visiting a Prison
undated
421
George Romney, 1734–1802
Two studies for a male portrait
undated
422
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
423
George Romney, 1734–1802
Back View of a Standing Classical Male Figure
undated
424
George Romney, 1734–1802
River God
undated
425
George Romney, 1734–1802
Borghese Gladiator
undated
426
George Romney, 1734–1802
The Bath of Bath-sheba
undated
427
George Romney, 1734–1802
Seated Woman Feeding an Animal
undated
428
George Romney, 1734–1802
Mythological Group of Women and Children
undated
429
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
430
George Romney, 1734–1802
Plans for the House to be Built at Hampstead
1794
431
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
432
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
433
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
434
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
435
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
436
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
437
Print made by William Blake, 1757–1827
Pity
ca. 1795
438
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
439
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
440
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Two Stone Cottages
441
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Facade of a House and Sketch of a Man With a Cane
442
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketch of Castle Ruins with Cows Grazing in the foreground
443
Paul Sandby, 1731–1809
Italianate Landscape with Travellers no. 2
ca. 1760
444
Thomas Shotter Boys, 1803–1874
View at Swiss Cottage, London
1836
445
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
446
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
447
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
448
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
449
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
450
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
451
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
452
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
453
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
454
Michel Jean Cazabon, 1813–1888
Los Gallos, Icacos Bay
1857
455
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
456
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
457
William Paton Burton, 1828–1883
The Market Place, Tanta, Egypt
1874
458
George Shepheard, ca. 1770–1842
Shadwell by the Ship Inn
undated
459
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
460
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
461
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
462
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
463
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
464
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
465
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
466
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
467
John Thomas Smith, 1766–1833
The Reconcilation
1817
468
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
469
Paul Sandby, 1731–1809
Caricature of George Bubb Dodington and Sir Thomas Robinson
ca. 1761
470
Charlotte Warren, 18th century
Wooded Landscape with Cattle, Figures and a House
undated
471
Charles Brooking, 1723–1759
The Flagship of a Commander in Chief
undated
472
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
473
Sir David Wilkie, 1785–1841
The Manse, Cults, Fife: The Artist's Old Home
undated
474
Henry William Bunbury, 1750–1811
Entrance to Pidcock's Exhibition Tent at a Fair
undated
475
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
476
William Callow, 1812–1908
Plymouth Dockyard after the Fire
1840
477
Edward Francis Burney, 1760–1848
The Triumph of Music
ca. 1815
478
Robert Byng, 1666–1720
Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family
undated
479
William Callow, 1812–1908
View of the Pont Royal
ca. 1833
480
Henry William Burgess, active 1809–1860
St. Jacques, Dieppe
1820
481
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
482
Samuel Davis, 1760–1819
Tassisudon
1783
483
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Villa in the Mountains
484
Thomas Bradshaw, Born 1767
Album of Landscape and Figure Studies: Sketches of Waves, Buildings, Trees/Two Profiles
485
Paul Sandby, 1731–1809
Ipswich from the Grounds of Christchurch Mansion
undated
486
Peter La Cave, active 1769–1810
Haymakers
undated
487
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
488
John Henry Müntz, 1727–1798
Classical Composition
undated
489
George Robertson, 1749–1788
The Colosseum, Rome
undated
490
John Thomas Serres, 1759–1825
Southampton Water
undated
491
George Robertson, 1749–1788
Colosseum, Rome, with Arch to the Left
after 1770
492
Thomas Girtin, 1775–1802
Ruins of the Savoy Palace, London
undated
493
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
494
John Thomas Smith, 1766–1833
The Smock Exposed
1817
495
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of Dairy
1795
496
James Wyatt, 1746–1813
Cobham Hall, Kent: Windows in Dairy
1795
497
James Wyatt, 1746–1813
Cobham Hall, Kent: North Elevation of South Wing
undated
498
James Wyatt, 1746–1813
Cobham Hall, Kent: Sketch of Stables
ca. 1790
499
James Wyatt, 1746–1813
Cobham Hall, Kent: Corbels and Moulding for the Groins in the Dairy
1795
500
James Wyatt, 1746–1813
Cobham Hall, Kent: Cornice Full Size for the Chimney of the Dairy