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Materials & Techniques watercolor
Remove constraint Materials & Techniques: watercolorOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 18th century
Remove constraint Period: 18th centurySubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- A Great Tree
- ca. 1796
2
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
3
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
4
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
5
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
6
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
7
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
8
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
9
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
10
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
11
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
12
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
14
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
16
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
17
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
18
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
19
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
23
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
24
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
25
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
26
- The Cheesecake House, Hyde Park
- ca. 1795
27
- Portrait of a Lady
- 1783
28
- Portrait of a Lady
- undated
29
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
30
- Italianate Landscape with Travelers, No. 1
- ca. 1765
31
- Italianate Landscape with Travellers no. 2
- ca. 1760
32
- Woman with a Blue Smock
- undated
33
- A Fisherwoman, Hands under Apron
- undated
34
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
35
- Adelaide
- between 1785 and 1786
36
- Conway Castle
- 1789
37
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
38
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
39
- London Cries: "Do You Want any Spoons..."
- ca. 1759
40
- London Cries: Fun upon Fun
- 1759
41
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
42
- London Cries: A Muffin Man
- ca. 1759
43
- London Cries: Last Dying Speech and Confession
- ca. 1759
44
- London Cries: "Black Heart Cherries..."
- ca. 1759
45
- London Cries: A Fishmonger
- ca. 1759
46
- A Young Woman in a Blue Dress
- undated
47
- Hannah Snell - From the Life (in Male Dress)
- undated
48
- Brighton Town and Church
- ca. 1780
49
- Couple in a Farmyard
- 1782
50
- The Rustic Lover
- 1786
51
- Portrait of a Lady
- undated
52
- Comforts of Bath: The Music Master
- 1798
53
- Turnips & Carrots ho
- 1797
54
- Credulity
- 1796
55
- Portrait of a Young Woman
- 1748
56
- Westminster Abbey and St. Paul's from Battersea Fields
- undated
57
- Four O'Clock in the Country
- between 1788 and 1790
58
- Portrait of Lady Marjorie Jenkins
- 1798
59
- The Maniac
- 1787
60
- Study of a Classical Female Figure
- undated
61
- Views in the Levant: Study of a Woman Wearing Turkish Costume
- ca. 1785
62
- Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head
- ca. 1785
63
- The Elopement
- 1792
64
- Melville Castle, Midlothian
- ca. 1796
65
- Tempio d' Antonio e Faustina
- between 1798 and 1799
66
- Cottage near Newcastle, Northumberland
- ca. 1797
67
- A Devonshire Farm
- ca. 1798
68
- Turver's Farm, Wimbish, Essex
- ca. 1799
69
- Labourers at Rest
- between 1790 and 1795
70
- The Gate at Blenheim
- 1787
71
- Bucks of the First Head
- ca. 1785
72
- Dunkerswell Abbey, August 20, 1783
- 1783
73
- Woman Bending over Basket
- undated
74
- The Runaway Coach
- ca. 1791
75
- Young Lady with Brown Hair in a Mauve Dress
- ca. 1795
76
- Young Woman
- ca. 1790
77
- A Worn Out Debauchée
- between 1790 and 1795
78
- The Love Letter
- ca. 1790
79
- Saint Cuthbert's Holy Island
- 1797
80
- Country House
- ca. 1797
81
- Valle Crucis Abbey, near Llangollen
- between 1798 and 1801
82
- The New Walk, York
- ca. 1798
83
- Guisborough Priory
- undated
84
- Comforts of Bath: Private Practice Previous to the Ball
- 1798
85
- Bay Scene in Moonlight
- 1787
86
- Portrait of an Elderly Lady
- 1796
87
- A Young Lady Seated Wearing a White Dress
- 1788
88
- John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
- 1787
89
- Portrait of a Lady, Facing Left
- undated
90
- Haweswater, Westmoreland
- ca. 1795
91
- Between Chiswick and Brentford
- 1774
92
- Design for a Medal: Seated Women Being Crowned by a Winged Genius
- undated
93
- View Within the Northern Entrance of Gundecotta Pass (1 of 6)
- ca. 1792
94
- Young Lady
- ca. 1790
95
- Lady
- 1784
96
- Young Woman from a Pair of Miniatures, Possibly Husband and Wife
- ca. 1798