Materials & Techniques: wove paper / Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: architectural subject / Classification: Prints

201. The Roman Forum from the Tower of the Capitol

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:: Sheet: 11 1/2 × 17 7/16 inches (29.2 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. The Roman Forum from the Tower of the Capitol

Creator:: Print made by George Cooke, 1781–1834
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Rome, Bridge and Castle of St. Angelo, on the Tyber

Creator:: Print made by George Hollis, 1792–1842
Date:: 1818
Materials & Techniques:: Line engraving and etching, first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. The Roman Forum from the Tower of the Capitol

Creator:: Print made by William Richardson, active 1842–1877
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. St. Anne's Hill, No. I

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Open etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 6 1/8 inches (29.2 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Venice, The Rialto - Moonlight

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 9 5/8 inches (36.2 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Valombre

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/16 × 9 inches (36.4 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Captivity

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 1/4 inches (44.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving and graphite, engraver's proof (touched) on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Columbus and his Son

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/2 × 9 1/16 inches (36.8 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Bolton Abbey

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/2 × 9 1/8 inches (36.8 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Rome from the Farnesean Gardens

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. The Forum Romanum

Creator:: Engraved by George Hollis, 1792–1842
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Rome from Monte Testaccio

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. The Forum Romanum

Creator:: Engraved by George Hollis, 1792–1842
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 9/16 × 14 7/16 inches (29.4 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Rome from Monte Testaccio

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Rome, Tomb of Cecilia Metella

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 13 5/8 inches (26.8 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Valombre

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/16 × 11 15/16 inches (43.3 × 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. St. Julienne's Chapel

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 11/16 inches (43.5 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. High Street, Edinburgh

Creator:: Engraved by Henry Le Keux, 1787–1868
Date:: 1819
Materials & Techniques:: Line engraving and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 7/8 × 19 3/8 inches (32.7 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Heriot's Hospital

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1822
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 22 1/2 inches (37.8 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. The Castle of St. Angelo

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/8 × 11 11/16 inches (44.1 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. The Forum Romanum

Creator:: Print made by Josiah Henshall, 1806–1869
Date:: 1830
Materials & Techniques:: Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Château of Amboise

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 9/16 × 11 11/16 inches (21.7 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Jedburgh Abbey

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 7/8 × 12 1/2 inches (22.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/4 × 17 5/8 inches (23.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Jedburgh Abbey

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Heriot's Hospital

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1822
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/2 × 20 1/16 inches (34.3 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Caerlaverock Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Lowestoffe Lighthouse

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, finished state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 5/8 × 15 1/16 inches (52.4 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Berwick on Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. The Abbey Pool

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1844
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Althorp Castle, Northamptonshire

Creator:: James Redway, active 1827–1838
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; hand coloring done by an unknown later printer on medium, smooth, cream wove paper laid on mount
Dimensions:: Sheet: 2 5/16 × 3 3/4 inches (5.8 × 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Eastnor Castle

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: ca. 1835
Materials & Techniques:: Engraving on smooth, thin, cream wove paper with cream chine-collé
Dimensions:: Image: 4 5/16 × 6 3/4 inches (11 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Kensington Park Estate, Notting Hill

Creator:: Elizabeth Walker, 1800–1876
Materials & Techniques:: Lithograph on thick, smooth, cream wove paper
Dimensions:: Sheet: 20 5/8 × 31 7/16 inches (52.4 × 79.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Vue Generale de l'Eglise de l'Abbaye de Tournus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Old Cottages

Creator:: Print made by William Henry Pyne, 1769–1843
Date:: 1806, published 1807
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 5/8 inches (21.3 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Gems of the Great Exhibition No. 4: The Foreign Department

Creator:: Print made by George Baxter, 1804–1867
Date:: 1852 or 1854
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Sir William Chambers

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1794
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 11/16 inches (34.9 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Sir William Chambers

Creator:: D. P. Pariset, born 1740, active in Britain from 1767
Date:: 1769
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 15/16 × 7 7/8 inches (48.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Belvoir Castle, Rutland

Creator:: M. J. Starling, active 1830
Date:: 1835
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 7 7/8 x 10 1/8 inches (20 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. The Temple of Aphaia at Aegina: Elevations

Creator:: Edmund Turrell, active 1835–1860
Date:: undated
Materials & Techniques:: Line engraving with graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 18 inches (30.5 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Ruins of St. Paul Covent Garden

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Edinburgh Castle and Horse Fair

Creator:: Walter Geikie, 1795–1837
Date:: 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Designs for Gothic Candle Sticks and Branches

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on smooth, thin, blue wove paper
Dimensions:: Sheet: 10 3/8 × 16 5/8 inches (26.4 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Designs for Gothic Standing Candlesticks and Incense Burners

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: 1846
Materials & Techniques:: Lithograph on thin, smooth, blue wove paper
Dimensions:: Sheet: 10 1/4 x 16 3/4 inches (26 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Bishop's Chapel Bishop Eton (built c. 1845-1850)

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thin, smooth, blue wove paper
Dimensions:: Sheet: 11 1/8 × 8 1/2 inches (28.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Mill Near Colchester

Creator:: Print made by David Lucas, 1802–1881
Date:: 1845
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. St. Giles' Catholic Church: Elevation of the Steeple

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and black ink, with line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 17 1/2 × 13 1/8 inches (44.5 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Designs for Altar and Processional Crosses

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1846
Materials & Techniques:: Lithograph on thin, smooth, blue wove paper
Dimensions:: Sheet: 10 3/8 × 8 3/8 inches (26.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Dismantling of the Temple of Jupiter, Aegina

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Caligula's Palace and Bridge

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1842
Materials & Techniques:: Etching and line engraving, first published state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 25 1/4 × 36 1/8 inches (64.1 × 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Caligula's Palace and Bridge

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 36 3/8 inches (66.4 × 92.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/8 × 33 3/8 inches (64.5 × 84.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Dismantling of the Temple of Jupiter, Aegina

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. James Stuart

Creator:: Samuel William Reynolds, 1773–1835
Date:: undated
Materials & Techniques:: Engraving and etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/16 × 5 5/8 inches (20.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. The Grand Canal, Venice

Creator:: Print made by William Miller, 1796–1882
Date:: 1838
Materials & Techniques:: Etching; engraver's proof, open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. St. Mark's Place, Venice - Juliet and her Nurse

Creator:: Print made by George Hollis, 1792–1842
Date:: 1842
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 1/8 × 30 1/2 inches (61.3 × 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Ancient Italy - Ovid Banished from Rome

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Etching and line engraving, with scraping out and touched with graphite and white chalk; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Ancient Italy - Ovid Banished from Rome

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof (II, Moon's Impressions) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 36 1/8 inches (66.4 × 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1845
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 23 3/4 × 34 1/2 inches (60.3 × 87.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Venice - the Piazzetta

Creator:: Print made by William Miller, 1796–1882
Date:: 1853-1874
Materials & Techniques:: Line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Venice - the Piazzetta

Creator:: Print made by William Miller, 1796–1882
Date:: 1853-1874
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower

Creator:: William Henry Brooke, 1772–1860
Date:: undated
Materials & Techniques:: Engraving on smooth, medium, cream wove paper
Dimensions:: Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Herstmonceux Castle, Sussex

Creator:: William Tombleson, ca.1795–1835
Date:: undated
Materials & Techniques:: Engraving, (verso) graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 5 3/4 × 3 7/8 inches (14.6 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

Creator:: Print made by William Angus, 1752–1821
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Herstmonceux Castle for the history and description of the Sussex Coast

Creator:: Charles John Smith, 1803–1838
Date:: undated
Materials & Techniques:: Engraving, with graphite on smooth, medium, beige wove paper
Dimensions:: Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Herstmonceux Castle, Sussex

Creator:: John Greig, active 1803–1853
Date:: 1815
Materials & Techniques:: Engraving, with graphite on smooth, medium, cream wove paper
Dimensions:: Sheet: 3 3/4 × 6 1/4 inches (9.5 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Herstmonceux Castle, Sussex Pl. 4

Creator:: Sparrow, active 1773–1787
Date:: undated
Materials & Techniques:: Engraving, with graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 6 5/16 × 10 inches (16 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 18 3/4 × 25 1/2 inches (47.6 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Welgelegen:Vue du Pavillon de Harlem prise du Bois

Creator:: William H. Hoogkamer, 1790–1864
Date:: undated
Materials & Techniques:: Colored engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 9 1/2 × 10 13/16 inches (24.1 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Engraving on smooth, thick, cream wove paper
Dimensions:: Sheet: 19 × 25 3/8 inches (48.3 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. The Deep-Dene. The Seat of Thomas Hope, Esq.

Creator:: George Frederick Prosser, active 1828–1868
Date:: undated
Materials & Techniques:: Lithograph on smooth, thin, white wove paper laid on white wove paper
Dimensions:: Image: 5 1/4 × 8 3/8 inches (13.3 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Interior of the Hall at the Deepdene

Creator:: M. J. Starling, active 1830
Date:: undated
Materials & Techniques:: Engraving on smooth, thin, white wove paper laid on white wove paper
Dimensions:: Plate: 6 13/16 × 9 1/2 inches (17.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Deepdene near Dorking

Creator:: Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Image: 4 1/8 × 7 inches (10.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Bosbeek en Groenendaal nabij Heemstede

Creator:: Print made by Petrus Josephus Lutgers, 1808–1874
Date:: between 1837 and 1844
Materials & Techniques:: Lithograph and pen and black ink on smooth, medium, white wove paper laid on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. The Temple of Jupiter in the Island of Aegina

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. The Stork and Aqueduct

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Column at Yarmouth to the Memory of Lord Nelson

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Norham Castle, on the River Tweed

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1824
Materials & Techniques:: Mezzotint; engraver's proof (d) (touched) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 3/8 inches (28.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Back of the New Mills, Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: 1812
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/8 x 16 3/4 inches (31.5 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Cowdray Ruins

Creator:: Print made by James Clark, 19th century
Date:: 1824
Materials & Techniques:: Colored aquatint on thick, textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 20 11/16 inches (39 × 52.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Three Sketches of: a House, A Gothic Spires and Ornamentation

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 11 3/8 inches (20 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thin, smooth, white wove paper
Dimensions:: Sheet: 7 7/8 × 11 1/2 inches (20 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Sketch of a Portion of a Gothic Wall

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Design for a Town Hall

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Etching and line engraving with graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 12 inches (16.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. St. Benedicte

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: 1842
Materials & Techniques:: Black ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 8 1/4 inches (14.6 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Grecian Frieze Ornament

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: 1831
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Rambling Sketces, from ; 'The British Architecture'

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1883
Materials & Techniques:: Lithograph on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 3/4 × 19 1/4 inches (37.5 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Designs for Architectural Ornamentation: Doorways

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Designs for Architectural Ornamentation: Arched Friezes

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 11 7/8 inches (23.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Designs for Monumental Ornamentation

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 11 5/8 inches (23.5 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. St. Herbert's Chapel

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. The Long Gallery, Louvre

Creator:: James McNeill Whistler, 1834–1903
Date:: 1894
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 5/8 x 8 3/16 inches (29.5 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Valombre

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 6 1/4 inches (29.5 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre architectural subject

Classification Prints

Search Results

201. The Roman Forum from the Tower of the Capitol

202. The Roman Forum from the Tower of the Capitol

203. Rome, Bridge and Castle of St. Angelo, on the Tyber

204. The Roman Forum from the Tower of the Capitol

205. St. Anne's Hill, No. I

206. Venice, The Rialto - Moonlight

207. Valombre

208. Captivity

209. St. Julienne's Chapel

210. Columbus and his Son

211. Bolton Abbey

212. Rome from the Farnesean Gardens

213. The Forum Romanum

214. Rome from Monte Testaccio

215. The Forum Romanum

216. Rome from Monte Testaccio

217. Rome, Tomb of Cecilia Metella

218. Valombre

219. St. Julienne's Chapel

220. High Street, Edinburgh

221. Heriot's Hospital

222. The Castle of St. Angelo

223. The Forum Romanum

224. Château of Amboise

225. Jedburgh Abbey

226. Caerlaverock Castle

227. Jedburgh Abbey

228. Heriot's Hospital

229. Caerlaverock Castle

230. Lowestoffe Lighthouse

231. Berwick on Tweed

232. The Abbey Pool

233. Althorp Castle, Northamptonshire

234. Balmoral Castle

235. Eastnor Castle

236. Kensington Park Estate, Notting Hill

237. Balmoral Castle

238. Vue Generale de l'Eglise de l'Abbaye de Tournus

239. Old Cottages

240. Funeral of the Late Duke of Wellington

241. Gems of the Great Exhibition No. 4: The Foreign Department

242. The Great Exhibition: Exterior View from the Southwest

243. Sir William Chambers

244. Sir William Chambers

245. Belvoir Castle, Rutland

246. The Temple of Aphaia at Aegina: Elevations

247. Ruins of St. Paul Covent Garden

248. Edinburgh Castle and Horse Fair

249. Designs for Gothic Candle Sticks and Branches

250. Designs for Gothic Standing Candlesticks and Incense Burners

251. Bishop's Chapel Bishop Eton (built c. 1845-1850)

252. Mill Near Colchester

253. St. Giles' Catholic Church: Elevation of the Steeple

254. Designs for Altar and Processional Crosses

255. Dismantling of the Temple of Jupiter, Aegina

256. Caligula's Palace and Bridge

257. Caligula's Palace and Bridge

258. St. Mark's Place, Venice - Juliet and her Nurse

259. Dismantling of the Temple of Jupiter, Aegina

260. James Stuart

261. The Grand Canal, Venice

262. The Grand Canal, Venice

263. St. Mark's Place, Venice - Juliet and her Nurse

264. Ancient Italy - Ovid Banished from Rome

265. Ancient Italy - Ovid Banished from Rome

266. Ehrenbreitstein

267. Venice - the Piazzetta

268. Venice - the Piazzetta

269. Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower

270. Herstmonceux Castle, Sussex

271. West Hill in Surrey, the Seat of D. H. Rucker Esqr.