Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
2
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
3
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
4
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
5
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
6
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
7
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
8
Print made by Edward Francis Finden, 1791–1857
Temple of Minerva, Cape Colonna
ca. 1832
9
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey, Devonshire
1827
10
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
11
Print made by unknown artist
Designs for Architectural Ornamentation: Doorways, Windows and a Lion's Head
undated
12
Print made by Augustus Welby Northmore Pugin, 1812–1852
Design for a Town Hall
undated
13
Print made by Augustus Welby Northmore Pugin, 1812–1852
Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects
undated
14
Carl Trautmann, active 1835
Ansicht vom Schact und Tunnel unter Themse zu London
1827
15
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
16
Print made by Richard Parkes Bonington, 1802–1828
Ruines de Château d'Arlay
1827
17
Print made by Richard Parkes Bonington, 1802–1828
Vue Generale des Ruines du Château d'Arlay
1827
18
Engraved by Welby Sherman, active 1827
The Shepherd
between 1827 and 1836
19
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
20
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
21
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
22
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
23
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
24
Print made by Richard Parkes Bonington, 1802–1828
Croix de Moulin les Planches
1827
25
Print made by Richard Parkes Bonington, 1802–1828
Pierre de Vaivre
1827
26
Print made by George Richmond, 1809–1896
The Shepherd
1827
27
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
28
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
29
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
1827
30
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
31
Print made by Robert Wallis, 1794–1878
Lancaster, from the Aqueduct Bridge
1827
32
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
33
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
34
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
35
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
36
Print made by Robert Wallis, 1794–1878
St. Maurice
1827
37
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
38
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
39
Print made by Edward Goodall, 1795–1870
Florence
1827
40
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
41
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827
42
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827
43
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827
44
Print made by Edward Goodall, 1795–1870
Fall of the Trees, Yorkshire
1827
45
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
46
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
47
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
48
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
49
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
50
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
51
J. C. Varrall, active 1815–1827
Walton Bridge on Thames, Surrey
1827-1838
52
Print made by Edward Goodall, 1795–1870
Old London Bridge and Vicinity
1827
53
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Giles' Catholic Church: Elevation of the Steeple
undated
54
Print made by Edward Goodall, 1795–1870
Florence
1827
55
Print made by Robert Wallis, 1794–1878
St. Maurice (vignette)
1827
56
Print made by Edward Goodall, 1795–1870
Florence
1827
57
Print made by James C. Allen, active 1821–1831
The Custom House
1827
58
Print made by James C. Allen, active 1821–1831
The Custom House
1827
59
Print made by Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Candle Sticks and Branches
undated
60
Print made by Augustus Welby Northmore Pugin, 1812–1852
Bishop's Chapel Bishop Eton (built c. 1845-1850)
undated
61
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827
62
Print made by Thomas Goff Lupton, 1791–1873
Calais Pier - the English Packet Arriving
1827
63
Print made by Frederick Rosenberg, active 1816–1832
The Mail Coach in a Flood
1827
64
George Gladwin, active 1820s–1830s
York House: Longitudinal Section from North to South
1827
65
Charles Fox, 1749–1809
John Burnet, Author of "Practical Hints on Painting"
1827
66
Print made by George Cooke, 1781–1834
Tooting Church
1827
67
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
68
Print made by Samuel Freeman, 1773–1857
Statue of Achilles in Hyde Park
1827
69
Print made by Augustus Welby Northmore Pugin, 1812–1852
Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4
undated
70
Print made by Augustus Welby Northmore Pugin, 1812–1852
Three Sketches of: a House, A Gothic Spires and Ornamentation
undated
71
Print made by Augustus Welby Northmore Pugin, 1812–1852
Eight Groups of Designs for Gothic holy Objects
undated
72
Print made by Augustus Welby Northmore Pugin, 1812–1852
The Annunciation
undated
73
Print made by Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Portion of a Gothic Wall
undated
74
Print made by Augustus Welby Northmore Pugin, 1812–1852
Designs for Architectural Ornamentation: Columns, Capitals and Pilasters
undated
75
George Gladwin, active 1820s–1830s
York House: Plan of the Ground Floor
1827
76
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet