Materials & Techniques: wove paper / Period: 18th century / Classification: Prints

William Dickinson, 1746–1823

Elizabeth Countess of Derby

1780

Print made by John Raphael Smith, 1752–1812

The Pretty Maid Buying a Love Song

1780

Philip Astley

between 1780 and 1800

Valentine Green, 1739–1813

Sir Joshua Reynolds

1780

Print made by Richard Earlom, 1743–1822

The Exposition of Cyrus

1781

Print made by Francesco Bartolozzi, 1728–1815

Sincerity

1781

John Raphael Smith, 1752–1812

The Gower Family: The Children of Granville, 2nd Earl of Gower

1781

Print made by James Heath, 1757–1834

Illustrations for 'Gil Blas', plate I

1781

Print made by Charles Grignion, 1717–1810

Illustrations for 'Gil Blas', plate III

1781

Print made by William Sharp, 1749–1824

Illustrations for 'Gil Blas', plate V

1781

Print made by James Heath, 1757–1834

Illustrations for 'Gil Blas', plate IV

1781

after Thomas Stothard, 1755–1834

Illustrations for 'Gil Blas', plate VI

1781

Print made by Charles Grignion, 1717–1810

Illustrations for 'Gil Blas', plate VII

1781

Print made by James Heath, 1757–1834

Illustrations for 'Gil Blas, plate iX

1781

after Thomas Stothard, 1755–1834

Illustrations for 'Gil Blas', plate X

1781

Print made by James Heath, 1757–1834

Illustrations for 'Gil Blas', plate VIII

1781

Print made by Valentine Green, 1739–1813

Countess of Salisbury

1781

unknown artist

Thomas Percy, Bishop of Dromore

undated

Print made by Francesco Bartolozzi, 1728–1815

Dr. John Fothergill

1782

Print made by Charles Bretherton, ca. 1760–1783

Sir James Thornhill

1782

James Fittler, 1758–1835

Mail Coach

ca. 1787

Print made by Francesco Bartolozzi, 1728–1815

Dr. John Fothergill

1782

Print made by William Walker, 1729–1793

Scene in the East Indies

1782

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

Print made by William Dickinson, 1746–1823

Lord Robert Manners, Captain R.N

1783

Print made by John Raphael Smith, 1752–1812

Mademoiselle Baccelli

1783

Print made by Francesco Bartolozzi, 1728–1815

Georgiana, Countess Spencer

1783

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Abington as Thalia

1783

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There's Rue for You, and Here's Some for Me

1784

Print made by Francesco Bartolozzi, 1728–1815

George James Riddell

1784

John Raphael Smith, 1752–1812

Lady Hamilton as a Bacchante

1784

Print made by John Keyse Sherwin, c.1751–1790

William Woollett, Engraver to His Majesty

1784

Print made by Thomas Morris, born 1771

The Gallery at Strawberry Hill

1784

Print made by John Godfrey

Library at Strawberry Hill

1784

Print made by Francesco Bartolozzi, 1728–1815

Cleone

1784

Caroline Watson, 1760–1814

Garrick Reading the Ode at the Shakespeare Jubilee

1784

William Dickinson, 1746–1823

The Deserter

1784

Print made by Thomas Rowlandson, 1756–1827

The Case is Altered

1784

Print made by Charles Howard Hodges, 1764–1837

Raphael's Mistress

1785

Gabriel Scorodomoff, 1748–1792

Reflections on Clarissa Harlow

1785

Robert Pollard, 1755–1838

Vaux-Hall

1785

Richard Bernard Godfrey, 1728–op.1794

Bermondsey Abbey, Surrey

1785

Print made by Samuel Ireland, active 1760–died 1800

Head of a Female Moor

1785

Print made by Samuel Ireland, active 1760–died 1800

Head of a Female Moor

1785

Print made by Samuel Ireland, active 1760–died 1800

Head of Diana

1785

Print made by Samuel Ireland, active 1760–died 1800

Head of Diana

1785

Print made by Samuel Ireland, active 1760–died 1800

Head of Diana

1785

Print made by Samuel Ireland, active 1760–died 1800

Head of Diana

1785

Print made by Francesco Bartolozzi, 1728–1815

Miss Anna Brunton

1785

Print made by Francesco Bartolozzi, 1728–1815

Maria Cosway

1785

Print made by Francesco Bartolozzi, 1728–1815

William Murray First Earl of Mansfield

1786

Print made by Francesco Bartolozzi, 1728–1815

The Earl of Mansfield

1786

Print made by John Jones, ca. 1745–1797

Muscipula

1786

Print made by E. J. Dumée, active 1790

Connubial Happiness

1786

Charles Howard Hodges, 1764–1837

Master Brown

1786

Thomas Trotter, ca. 1750–1803

Lord Morpeth

1787

George Keating, 1762–1842

Duchess of Devonshire and Lady Georgina Cavendish

1787

Print made by Francesco Bartolozzi, 1728–1815

Lavinia, Countess Spencer, Viscountess Althorp

1787

Print made by Richard Earlom, 1743–1822

Mordecai

1787

Print made by Francesco Bartolozzi, 1728–1815

Henryk Ludwik Lubomirski

1787

Thomas Morris, born 1771

A View of London and Westminster from the Prince's Head, Battersea

1787

Robert Pollard, 1755–1838

View of Bloomsbury Square

1787

Print made by Francesco Bartolozzi, 1728–1815

Francis Grose

1787

Print made by Francesco Bartolozzi, 1728–1815

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

before 1797

Print made by George Stubbs, 1724–1806

A Tiger and a Sleeping Leopard

1788

Print made by Francesco Bartolozzi, 1728–1815

Master Philip Yorke

1788

Print made by Richard Earlom, 1743–1822

George Augustus Elliot Lord Heathfield

1788

after Sir Joshua Reynolds, 1723–1792

Birth of Bacchus

1788

Print made by E. J. Dumée, active 1790

The Discovery

1788

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

ca. 1793

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

ca. 1793

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

1789

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

1789

Print made by William Blake, 1757–1827

The Book of Thel, Plate 1, "Thel's Motto . . . ."

1789

Print made by William Blake, 1757–1827

The Book of Thel, Plate 2, Title Page

1789

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques wove paper

Period 18th century

Classification Prints

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques wove paper

Period 18th century

Classification Prints

Search Results