A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
208
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
209
George Romney, 1734–1802
Iphigenia Kneeling over an Altar
undated
210
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
211
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
212
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
213
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
214
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
215
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
216
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
217
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
218
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
219
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
220
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
221
George Romney, 1734–1802
Achilles Wounded
undated
222
George Romney, 1734–1802
Mythological Group of Women and Children
undated
223
George Romney, 1734–1802
Samson Overpowered
undated
224
George Romney, 1734–1802
Two Figures: Probably for the Bath of Diana
undated
225
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
226
George Romney, 1734–1802
The Accusation of Susanna
ca. 1773
227
George Romney, 1734–1802
Apollo and Diana for "The Destruction of Niobe's Children"
undated
228
George Romney, 1734–1802
The Destruction of Niobe's Children
undated
229
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
230
George Romney, 1734–1802
Two studies for a male portrait
undated
231
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
undated
232
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
233
George Romney, 1734–1802
The Temptation of Christ
ca. 1796
234
George Romney, 1734–1802
Laocoon
undated
235
George Romney, 1734–1802
River God
undated
236
George Romney, 1734–1802
David Playing the Harp
undated
237
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
238
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
239
George Romney, 1734–1802
Borghese Gladiator
undated
240
George Romney, 1734–1802
Charity
undated
241
George Romney, 1734–1802
Samson Overpowered
undated
242
George Romney, 1734–1802
Three Sketches of a Figure Asleep, Probably Adam and Eve for "Satan Discovered at the Ear of Eve"
undated
243
George Romney, 1734–1802
David before Saul
undated
244
George Romney, 1734–1802
Seated Nude Woman (Hygeia at Doctor Graham's)
undated
245
George Romney, 1734–1802
Amon and Iphigenia
undated
246
George Romney, 1734–1802
Seated Female Nude, Probably for "Susannah and the Elders"
undated
247
Sir James Thornhill, 1675–1734
Design of Apollo and the Python for a Painted over-door Decoration
undated
248
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
249
John Hamilton Mortimer, 1740–1779
Saint Paul Preaching to the Britons
between 1775 and 1778
250
unknown artist
Ariadne
undated
251
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
252
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
253
unknown artist
Illustration to Tonson's Ovid Metamorphosis (two of four)
ca. 1710
254
unknown artist
Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
255
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)
ca. 1710
256
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
257
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
258
unknown artist
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
259
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
260
Hamlet Winstanley, 1698–1756
The Adoration
1723
261
Imitator of John Michael Rysbrack, 1694–1770
The Stoning of St. Stephen
undated
262
Richard Westall, 1765–1836
Rosebud, or the Judgement of Paris
1791
263
Giles Hussey, 1710–1788
Study of classical scultpure of Laocoon
between 1730 and 1768
264
Giles Hussey, 1710–1788
Study of classical sculpture of Faun with Pipes
between 1730 and 1768
265
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
266
Henry Tresham, 1751–1814
A Peasant of Mount Erix
between 1783 and 1789
267
Anthony Walker, 1726–1765
Britannia in Distress
1756
268
Thomas Carwitham, active 1723
Anna lamenting the absence of Tobias (Tobit 10:7)
1723
269
Thomas Carwitham, active 1723
The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2
1723
270
Sir James Thornhill, 1675–1734
Apollo and the Muses
undated
271
Thomas Carwitham, active 1723
Neptune and Coronis: Ovid, Metamorphoses, Book 2
1723
272
Mauritius Lowe, 1746–1793
The Artist Assaulted by Time, Ignorance and Envy
between 1772 and 1790
273
Mauritius Lowe, 1746–1793
An Allegory on the Plight of the Artist
between 1772 and 1790
274
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
275
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
276
William Taverner, 1703–1772
Nymphs Bathing in a Wooded Glade
ca. 1765-1770
277
Sir James Thornhill, 1675–1734
Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral
between 1709 and 1717
278
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
279
Sir James Thornhill, 1675–1734
The Blinding of Elymas
between 1709 and 1717
280
Gavin Hamilton, 1723–1798
Andromache Mourning the Death of Hector
between 1760 and 1763
281
Richard Westall, 1765–1836
The Seven Bishops Going To Trial
1790
282
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
283
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
284
Mauritius Lowe, 1746–1793
Allegorical Subject
undated
285
Print made by Johan Joseph Zoffany, 1733–1810
Samson Overcome by the Philistines
ca. 1758
286
Print made by Lydia Bates, active 1784
Deucalion and Pyrrha after the Flood
1784
287
Domenico Cunego, 1726–1803
Andromache Bewailing the Death of Hector
1764
288
Print made by James Watson, 1740–1790
Duchess of Manchester with Her Son George, Viscount Mandeville, as 'Diana and Cupid'
1769
289
Print made by Johann Jacobé, 1733–1797
Hebe
1780
290
Print made by Edward Fisher, 1722–1785
Miss Morris as 'Hope Nursing Love'
1771
291
Print made by Charles Howard Hodges, 1764–1837
Hebe
1785
292
Print made by John Dean, 1754–1798
Cupid in the Character of a Link Boy
1777
293
Print made by John Dean, 1754–1798
Moses in the Bulrushes
1786
294
Print made by Charles Howard Hodges, 1764–1837
Guardian Angels
1786
295
Print made by Joseph Grozer, ca. 1755–1798
St. John
c.1799
296
Print made by Richard Earlom, 1743–1822
Alope
1787
297
Print made by James Watson, 1740–1790
Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'