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Period 19th century

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A View near Norwich
Creator:
Thomas Lound, 1802–1861
Date:
ca. 1850
Materials & Techniques:
Oil on canvas
Dimensions:
16 5/8 x 12 3/8 inches (42.2 x 31.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
"The Lady of Shalott"
Creator:
John Atkinson Grimshaw, 1836–1893
Date:
ca. 1875
Materials & Techniques:
Oil on canvas
Dimensions:
24 × 36 inches (61 × 91.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Bequest of Pamela Askew
On View:
Not on view
The Old Parish Church and Village, Hampton-on-Thames, Middlesex, 18th century
Creator:
unknown artist
Date:
late 18th century
Materials & Techniques:
Oil on panel
Dimensions:
16 1/8 x 21 inches (41 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Lady of Shalott
Creator:
Walter Crane, 1845–1915
Date:
1862
Materials & Techniques:
Oil on canvas
Dimensions:
9 1/2 x 11 1/2 inches (24.1 x 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
A River Landscape, possibly a View from the West End of Rochester Bridge
Creator:
John Inigo Richards, 1730/31?–1810
Date:
ca. 1805
Materials & Techniques:
Oil on canvas
Dimensions:
16 1/16 x 19 7/8 inches (40.8 x 50.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Wooded River Landscape with Mother and Child
Creator:
James Arthur O'Connor, 1792–1841
Date:
1830
Materials & Techniques:
Oil on canvas
Dimensions:
17 × 21 inches (43.2 × 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Victualling Office, Plymouth
Creator:
Nicholas Condy, 1793–1857
Date:
ca. 1835
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/16 x 24 1/8 inches (45.9 x 61.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
York Water-Gate and the Adelphi
Creator:
Daniel Turner, active 1782–1805
Date:
ca. 1800
Materials & Techniques:
Oil on panel
Dimensions:
8 1/2 x 13 3/8 inches (21.6 x 34 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
On the Norfolk Broads
Creator:
Henry Bright, 1810–1873
Date:
ca. 1855
Materials & Techniques:
Oil on canvas
Dimensions:
10 3/8 × 17 7/8 inches (26.4 × 45.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Moorhen's Haunt
Creator:
Richard Redgrave, 1804–1888
Date:
1846
Materials & Techniques:
Oil on panel
Dimensions:
8 x 12 inches (20.3 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Landscape with Figures in the Foreground
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
between 1800 and 1810
Materials & Techniques:
Oil on board
Dimensions:
10 7/8 x 17 3/8 inches (27.6 x 44.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Entrance to the Menai Straits
Creator:
James Baker Pyne, 1800–1870
Date:
1847
Materials & Techniques:
Oil on board
Dimensions:
15 × 21 inches (38.1 × 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Early Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun before 1861
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rispah: 2nd Book of Samuel, Chap. 21
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Romantic Landscape
Creator:
Samuel Jackson, 1794–1869
Date:
ca. 1830
Materials & Techniques:
Watercolor, gouache, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Music Has Charms
Creator:
Print made by James Johnson, 1803–1834
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Christ Church from the Meadows
Creator:
Print made by Joseph Skelton, active 1820–1850
Date:
between 1820 and 1823
Materials & Techniques:
Line engraving; proof before letters on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 5/8 × 16 1/8 inches (32.1 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Monnow Bridge, Monmouthshire
Creator:
Samuel Prout, 1783–1852
Date:
before 1814
Materials & Techniques:
Watercolor and graphite with brown ink and gum arabic on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 20 3/8 inches (39.7 × 51.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eight Rural Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Death of Ophelia
Creator:
Robert Smirke, 1752–1845
Date:
ca. 1810
Materials & Techniques:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 x 5 7/8 inches (12.2 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Spring Flood
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1865
Materials & Techniques:
Etching on thin, slightly textured, beige India paper laid on thick, slightly textured, cream card
Dimensions:
Mount: 8 1/16 x 6 13/16 inches (20.4 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Iris

Iris
Creator:
Print made by Samuel Freeman, 1773–1857
Date:
1808
Materials & Techniques:
Colored aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/4 x 11 5/8 inches (40 x 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Landscape
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1817
Materials & Techniques:
Mezzotint and etching in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 16 9/16 inches (27.4 x 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
Hampton Court
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 9 7/16 inches (17.4 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Stanley J. Halle, Yale BA 1912, in memory of His Parents Jacques S. and Hattie S. Halle, transfer from the Yale University Art Gallery
The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 x 9 15/16 inches (18.5 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Miss Grace Tuttle in memory of her father Emerson Tuttle, Yale BA 1914, transfer from the Yale University Art Gallery
Turin from the Portico of the Superga Church
Creator:
Print made by James Mitan, 1776–1822
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 3/4 inches (26.8 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tooting Church
Creator:
Print made by George Cooke, 1781–1834
Date:
1827
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 × 5 1/8 inches (11.2 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Flood

The Flood
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Mount: 16 3/8 x 12 1/2 inches (41.6 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Flood

The Flood
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1829
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 2 7/8 x 3 3/4 inches (7.3 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape
Creator:
Sir George Hayter, 1792–1871
Date:
1828
Materials & Techniques:
Etching and stipple engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/4 x 13 15/16 inches (37.4 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Bride

The Bride
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1828
Materials & Techniques:
Engraving and drypoint on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 4 5/16 x 7 inches (10.9 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woman and Child Beneath a Tree
Creator:
Print made by Richard Corbould, 1757–1831
Date:
1811
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 7 5/16 inches (28.7 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 9 13/16 inches (17.8 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. J. Dwight Dana
Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Towing Path
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 15/16 x 10 5/16 inches (20.1 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valle Crucis Abbey, Denbighshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1828
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clare Hall
Creator:
Print made by John Bluck, active 1791–1831
Date:
1814
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 14 1/16 inches (29.2 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Footbridge over the Wiley
Creator:
Print made by Richard Samuel Chattock, 1825–1906
Date:
1884
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/8 x 16 11/16in. (31.4 x 42.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Clare Hall
Creator:
Print made by John Bluck, active 1791–1831
Date:
1814
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 13 1/16 inches (26.8 x 33.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Old English Mill
Creator:
Myles Birket Foster, 1825–1899
Date:
undated
Materials & Techniques:
Etching on moderately thick, smooth, beige card
Dimensions:
Sheet: 12 3/4 × 9 inches (32.4 × 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Woman Tending Cattle by a River
Creator:
R. P. Noble, active 1829–1861
Date:
ca. 1840
Materials & Techniques:
Watercolor, graphite, and gouache on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 9/16 × 8 7/8 inches (14.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
etching begun before 1861; impression printed in 1926
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1860-1861
Materials & Techniques:
Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun before 1861
Materials & Techniques:
Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun before 1861
Materials & Techniques:
Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:
Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1874
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 x 15 3/8 inches (28.1 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
No cover image available
Creator:
Print made by unknown artist
Date:
1855
Materials & Techniques:
Chromolithograph on medium, slightly textured, cream wove paper mounted on beige board
Dimensions:
Sheet: 18 3/4 × 18 1/2 inches (47.6 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection