Genre: architectural subject / Image Available: Unavailable / Image Use: Free to Use

1. The Caller at the Mill, with sketches outside margin

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1918-1919
Materials & Techniques:: Crayon
Dimensions:: Sheet: 13 3/4 x 17 1/16in. (34.9 x 43.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Two Bridges

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1912-1913
Materials & Techniques:: Charcoal and watercolor; squared for transfer on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 18 3/8 inches (36.2 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Fields Farm, Clayhidon

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1917
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 14 7/8 inches (35.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper (Japanese paper)
Dimensions:: Sheet: 8 3/4 x 6 7/16 inches (22.2 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching retouched with black ink, watercolor, gray gouache, and white gouache on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 3/16 inches (12.3 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Christmas

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 10 1/4 inches (30 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. Dendoor; 8:45 A.M., 16 Feb. 1867 (493)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 1 7/16 x 6 7/8in. (3.7 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Salo; 2:35 P.M., 14 May 1867 (89)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 1 13/16 × 5 3/8 inches (4.6 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

10. Near Gertassee; 10:25 A.M., 17 Feb. 1867 (513)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 2 3/8 × 6 7/8 inches (6 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Dishne; 4:45 P.M., 27 Feb. 1867 (555)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 2 7/8 × 7 1/8 inches (7.3 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

12. Views of France, Volume II

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Artist's Bedroom

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Pen and brown ink over graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 10 13/16 × 8 5/16 inches (27.5 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

14. Rendering for a Crystal Palace near St. Cloud

Creator:: Sir Joseph Paxton, 1803–1865
Date:: 1861
Materials & Techniques:: Watercolor
Dimensions:: Sheet: 18 3/4 x 48 1/2in. (47.6 x 123.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

15. Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, Pen and brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Edington Church, Wiltshire, England

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Interior of Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/2 inches (16.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Chancel of Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 × 6 1/2 inches (20.2 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Grittleton, East Front Elevation, No.7

Creator:: James Thomson, 1800–1883
Date:: 1851
Materials & Techniques:: Pen and black ink, gray wash, blue wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 22 7/8 inches (43.5 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. Grittleton, West Front Elevation, No.5

Creator:: James Thomson, 1800–1883
Date:: 1851
Materials & Techniques:: Pen and black ink, gray wash, blue wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 23 inches (42.9 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

21. The Gate of Honour, Caius College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1840
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/4 x 18 7/16in. (31.1 x 46.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Designs for a Gothic Lamp

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1839
Materials & Techniques:: Pen and black ink and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 33 7/8 x 23 3/8 inches (86 x 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Wooden Jetty

Creator:: Thomas Miles Richardson Sr., 1784–1848
Date:: undated
Materials & Techniques:: Graphite, watercolor, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Cobham Hall, Kent: Elevation of South Front of South Wing

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Grahpite, pen and black and brown ink and gray wash on moderately thick, moderately textured beige laid paper
Dimensions:: Sheet: 14 1/4 × 20 3/4 inches (36.2 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Castle at Dieppe, Normandy

Creator:: John William Upham, 1772–1828
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, slightly textured, cream laid paper, pasted on contemporary mount made of thick, moderately textured, beige laid paper
Dimensions:: Mount: 16 11/16 x 21 3/4 inches (42.4 x 55.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Panoramic View of Carlisle

Creator:: Francis Place, 1647–1728
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 29 1/2 inches (17.8 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Mahore, a Fortress Belonging to Nizam Alley (1 of 6)

Creator:: Thomas Anburey, 1759–1840
Date:: ca. 1792
Materials & Techniques:: Watercolor on thin, moderately textured, cream laid paper laid down on card
Dimensions:: Sheet: 17 1/4 x 26 inches (43.8 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Dry Dock at Woolwich

Creator:: George Henry Andrews, 1816–1891
Date:: 1841
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper mounted on linen, stretched on wood panel
Dimensions:: Sheet: 22 3/4 × 43 3/4 inches (57.8 × 111.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Ruins of Baugnee-Ghur near Hydrabad (1 of 6)

Creator:: Thomas Anburey, 1759–1840
Date:: ca. 1792
Materials & Techniques:: Watercolor on thin, moderately textured, cream laid paper laid down on card
Dimensions:: Sheet: 15 7/8 x 25 1/8in. (40.3 x 63.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings..

Creator:: James Bruce, 1730–1794
Date:: 1765
Materials & Techniques:: Gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 5/8 x 14 7/8 inches (47.3 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. A View of Hyde Park from Ennismore Gardens

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, white gouache, pen and black ink, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 37 1/2 inches (41.9 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Sepia on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 7/16 × 16 3/4 inches (39.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas

Creator:: Thomas Miles Richardson Sr., 1784–1848
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 10 5/8 inches (35.9 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Monk Bar, York

Creator:: Thomas Miles Richardson Sr., 1784–1848
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 10 1/8 inches (35.2 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Dunstanborough Castle

Creator:: Thomas Miles Richardson Sr., 1784–1848
Date:: undated
Materials & Techniques:: Watercolor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 14 1/8 inches (23.8 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. St. Nicholas Church, Newcastle Upon Tyne

Creator:: Thomas Miles Richardson Sr., 1784–1848
Date:: ca. 1825
Materials & Techniques:: Watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Moonlight Scene on the Rhine

Creator:: Henry Bright, 1810–1873
Date:: undated
Materials & Techniques:: Pastel, gouache, black chalk, and graphite on medium, slightly textured, blue wove paper mounted on wood panel
Dimensions:: Sheet: 31 3/4 × 42 inches (80.6 × 106.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. No. 1 plan of a temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink on moderately thick, rough textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 52 1/4 inches (54.6 × 132.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Wingfield Castle, Suffolk

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Image: 3 1/8 × 4 3/4 inches (7.9 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1828
Materials & Techniques:: Line engraving with graphite on thin, smooth, cream laid paper mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Cobham Hall, Kent: Side Elevation

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and brown ink on moderately thick, moderately textured cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Cobham Hall, Kent: Design for Dining Room Curtain

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 7/8 inches (27.6 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Designs for Clifton Castle, Yorkshire: Two Alternative Elevations

Creator:: Thomas Harrison, 1744–1829
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink over graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 10 × 15 inches (25.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Herstmonceux Castle

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 3 9/16 × 8 7/8 inches (9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Landscape with Buildings: Possibly at Richmond, Surrey

Creator:: William Taverner, 1703–1772
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 28 1/8 inches (24.1 × 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Italian Churches

Creator:: Henry Shaw, 1800–1873
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 5 7/8 × 5 1/16 inches (14.9 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Vue d'une Ancien Aquaduc a Alexandria Troas

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on slightly textured, medium, white wove paper
Dimensions:: Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Vue de la Porte aux Lions a Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 3 3/4 × 7 7/8 inches (9.5 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. La Fontaine de Ste. Sophie a Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: 1799
Materials & Techniques:: Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Plan of Private Entrance from the Uxbridge Road (Arklow House)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 10 1/8 × 8 7/8 inches (25.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Plan of Bedroom (Arklow House)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 7 13/16 × 7 3/4 inches (19.8 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Left Side of the China Cabinet in the Drawing Room (Arklow House)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite, pen and gray, brown and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 9 15/16 × 7 1/2 inches (25.2 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite on cream wove tracing paper; laid on smooth, moderately thick, cream laid paper
Dimensions:: Sheet: 20 7/8 × 16 1/16 inches (53 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Adrian Hope's House I: Dining Room - Plan and Wall Elevations

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on smooth, thin, beige wove tracing paper
Dimensions:: Sheet: 20 3/16 × 17 1/2 inches (51.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Rue Pigale, Quai D'Orsay - Elevation sur la Cour

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and brown ink, watercolor on slightly textured, thin, cream wove paper on smooth, thick, cream laid paper
Dimensions:: Sheet: 15 9/16 × 20 7/16 inches (39.5 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, thin, white wove paper laid on cream wove paper
Dimensions:: Sheet: 21 × 16 3/8 inches (53.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 14 7/8 × 22 1/2 inches (37.8 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 12 1/2 × 13 inches (31.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 16 7/8 × 19 3/4 inches (42.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 12 × 13 3/8 inches (30.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 17 7/16 × 24 3/4 inches (44.3 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Cobham Hall, Kent: Landscape drawing for Cobham Hall

Creator:: Humphry Repton, 1752–1818
Date:: ca. 1790
Materials & Techniques:: Watercolor, graphite and brown ink on slightly textured, moderately thick, beige laid paper
Dimensions:: Sheet: 12 1/8 × 25 1/4 inches (30.8 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Cobham Hall, Kent: Design for Dining Room Curtain

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and brown and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Cobham Hall, Kent: Sketch for a bed

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 14 7/8 × 11 3/16 inches (37.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Italian Churches

Creator:: Henry Shaw, 1800–1873
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 5 1/2 × 5 7/16 inches (14 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite and watercolor; (verso) pen and pink and black ink on smooth, thin, beige tracing paper laid on smooth, moderately thick, white laid paper
Dimensions:: Sheet: 24 1/2 × 17 11/16 inches (62.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Messrs Telford & Douglass's Design of a Cast Iron Bridge of a Single Arch, Proposed to be Erected Across the River Thames

Creator:: Print made by William Lowry
Date:: 1800
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 5/16 × 71 3/4 inches (66.8 × 182.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Italian Churches

Creator:: Henry Shaw, 1800–1873
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 1/16 × 5 inches (15.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Vue du Temple de Minerve au Cap Colonne

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite and watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 10 3/8 × 16 inches (26.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Fragmens des Differens Monumens de la Troade

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on slightly textured, medium, white wove paper
Dimensions:: Sheet: 8 3/8 × 12 inches (21.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Vue d'une Ancien Aquaduc a Alexandria Troas

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Paysage

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 8 3/4 × 13 7/8 inches (22.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. La Fontaine de Topana a Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: 1799
Materials & Techniques:: Graphite, pen and black ink, and watercolor on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Cariatides d'Athenes

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 6 1/2 × 4 3/8 inches (16.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Vue d'une Colonne dans L'Interieur du Serail a Constantinople

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 14 5/16 × 9 7/8 inches (36.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Soldats Asiatique

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Views of the Back Front of Henry Phillip Hope's house towards Hyde Park in Seymour Place

Creator:: Thomas Hope, 1769–1831
Date:: 1818
Materials & Techniques:: Watercolor with pen and brown ink over graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 3/4 × 9 1/2 inches (32.4 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Perspective View of Henry Phillip Hope's Arklow House in Connaught Place

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/2 × 21 3/8 inches (44.5 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Facade of Three Bay Late Georgian House

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash on slightly textured, moderately thick, white wove paper
Dimensions:: Image: 9 13/16 × 8 3/8 inches (25 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. South East Front of the Deepdene

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, graphite, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 1/16 × 16 7/8 inches (30.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. South East Front of the Deepdene - Elevation

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 9 3/8 × 16 15/16 inches (23.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Adrian Hope's House I: View of Entrance Hall Towards Staircase

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Image: 12 5/8 × 13 9/16 inches (32 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls..

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite on Slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 5/8 × 25 5/8 inches (47.3 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Adrian Hope's House I: View of Mr. Coesvelt's Bedroom

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Ink and wash on slightly textured, medium, cream wove paper
Dimensions:: Image: 7 11/16 × 9 inches (19.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Graphite on smooth, thin, beige wove tracing paper
Dimensions:: Sheet: 15 1/4 × 20 3/4 inches (38.7 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Adrian Hope's House I: Elevation of Library Cabinet

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite on smooth, thin, beige wove tracing paper
Dimensions:: Sheet: 12 3/4 × 11 1/4 inches (32.4 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Rue Pigale, Quai D'Orsay: Elevation View

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Ink on slightly textured, thin, cream wove paper laid on smooth, thick, cream laid paper
Dimensions:: Sheet: 12 3/4 × 19 1/8 inches (32.4 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Rue Pigale, Quai D'Orsay - Premiere Etage - Plan

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and pink ink, graphite, watercolor on smooth, thin, white wove paper laid on cream laid paper
Dimensions:: Sheet: 25 1/2 × 18 1/2 inches (64.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 7 1/4 × 8 3/8 inches (18.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 18 × 26 3/8 inches (45.7 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 17 3/4 × 26 1/16 inches (45.1 × 66.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, watercolor on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor, graphite on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 14 5/8 × 10 3/8 inches (37.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 7/8 inches (26 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 14 × 10 3/4 inches (35.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, watercolor, graphite on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 5/16 × 14 7/8 inches (26.2 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black and red ink, gray wash, graphite on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 1/2 inches (26 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Colmar, Chateau Wildenstein, Rue Plumer: Maison ou est ne le General Rapp a Colmar

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and chalk on slightly textured, medium, beige wove paper
Dimensions:: Sheet: 10 × 7 1/2 inches (25.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and chalk on smooth, medium, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 1/2 inches (26 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. The Caller at the Mill, with sketches outside margin

2. Two Bridges

3. Fields Farm, Clayhidon

4. Christmas

5. Christmas

6. Christmas

7. London from Greenwich

8. Dendoor; 8:45 A.M., 16 Feb. 1867 (493)

9. Salo; 2:35 P.M., 14 May 1867 (89)

10. Near Gertassee; 10:25 A.M., 17 Feb. 1867 (513)

11. Dishne; 4:45 P.M., 27 Feb. 1867 (555)

12. Views of France, Volume II

13. The Artist's Bedroom

14. Rendering for a Crystal Palace near St. Cloud

15. Edington Church

16. Edington Church, Wiltshire, England

17. Interior of Edington Church

18. Chancel of Edington Church

19. Grittleton, East Front Elevation, No.7

20. Grittleton, West Front Elevation, No.5

21. The Gate of Honour, Caius College, Cambridge

22. Designs for a Gothic Lamp

23. Wooden Jetty

24. Cobham Hall, Kent: Elevation of South Front of South Wing

25. The Castle at Dieppe, Normandy

26. Panoramic View of Carlisle

27. Mahore, a Fortress Belonging to Nizam Alley (1 of 6)

28. The Dry Dock at Woolwich

29. Ruins of Baugnee-Ghur near Hydrabad (1 of 6)

30. Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings..

31. A View of Hyde Park from Ennismore Gardens

32. Design for a Silver Chalice (Design for a Wine-Cooler (?) for Rundell, Bride and Rundell)

33. The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas

34. Monk Bar, York

35. Dunstanborough Castle

36. St. Nicholas Church, Newcastle Upon Tyne

37. Moonlight Scene on the Rhine

38. No. 1 plan of a temple at Baalbec

39. Wingfield Castle, Suffolk

40. The Temple of Aphaia at Aegina: Sections

41. Cobham Hall, Kent: Side Elevation

42. Cobham Hall, Kent: Design for Dining Room Curtain

43. Designs for Clifton Castle, Yorkshire: Two Alternative Elevations

44. Herstmonceux Castle

45. Landscape with Buildings: Possibly at Richmond, Surrey

46. Italian Churches

47. Vue d'une Ancien Aquaduc a Alexandria Troas

48. Vue de la Porte aux Lions a Constantinople

49. La Fontaine de Ste. Sophie a Constantinople

50. Plan of Private Entrance from the Uxbridge Road (Arklow House)

51. Plan of Bedroom (Arklow House)

52. Left Side of the China Cabinet in the Drawing Room (Arklow House)

53. Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration

54. Adrian Hope's House I: Dining Room - Plan and Wall Elevations

55. Rue Pigale, Quai D'Orsay - Elevation sur la Cour

56. Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan

57. Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1

58. Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein

59. Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)

60. Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)

61. Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours

62. Cobham Hall, Kent: Landscape drawing for Cobham Hall

63. Cobham Hall, Kent: Design for Dining Room Curtain

64. Cobham Hall, Kent: Sketch for a bed

65. Italian Churches

66. Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan

67. Messrs Telford & Douglass's Design of a Cast Iron Bridge of a Single Arch, Proposed to be Erected Across the River Thames

68. Italian Churches

69. Vue du Temple de Minerve au Cap Colonne

70. Fragmens des Differens Monumens de la Troade

71. Vue d'une Ancien Aquaduc a Alexandria Troas

72. Paysage

73. La Fontaine de Topana a Constantinople