Creator: Turner, J. M. W. (Joseph Mallord William), 1775–1851 / Subject Terms: landscape (representation)

1. Chateaux de St. Michael, Bonneville, Savoy

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1802 to 1803
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Crichton Castle (Mountainous Landscape with a Rainbow)

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured cream wove paper
Dimensions:: Sheet: 6 7/8 x 9 3/4 inches (17.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Bonneville, Savoy

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. William Tell's Chapel (vignette)

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 12 7/8 inches (43.8 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Eaton College, Berkshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, with scraping out, touched with graphite (Engraver's Proof a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof (touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Blenheim, Oxfordshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving, with scraping out and touched with graphite (First Published State)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Caernarvon Castle, Wales

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Dunwich, Suffolk

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Dunwich, Suffolk

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving, engraver's proof (late) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 20 5/8 inches (38.7 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 15 3/16 inches (29.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, Early proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828 to 1837
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828
Materials & Techniques:: Open etching on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Lago Maggiore

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1828-1837
Materials & Techniques:: Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1832
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Virginia Water No. 1

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Open etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. St. Germain-en-Laye

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828-1837
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Ehrenbreitstein

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 5/8 × 18 1/8 inches (32.1 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 1/2 inches (42.2 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 1/4 inches (41.9 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof (unfinished) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/4 × 15 3/8 inches (29.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; second published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 × 11 7/8 inches (25.4 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 14 3/4 inches (34 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 1/2 × 22 7/8 inches (41.9 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Inverary

Creator:: Print made by James Heath, 1757–1834
Date:: 1805
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Plate: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Land's End, Cornwall

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and line engraving on thick, rough, cream wove paper
Dimensions:: Sheet: 11 13/16 × 17 1/2 inches (30 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Land's End, Cornwall

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and line engraving, interstate (between 1st and 2nd) on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/16 × 13 13/16 inches (25.9 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1812
Materials & Techniques:: Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 15/16 inches (27.3 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Lyme Regis

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Lyme Regis

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and line engraving, first published state on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Lyme Regis

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 14 5/8 inches (28.9 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Boscastle, Cornwall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814-1826
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/8 × 19 1/8 inches (36.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Folkstone, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1825
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 3/8 × 12 inches (23.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Folkstone, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; late impression proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/2 × 18 3/4 inches (34.3 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Folkstone, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1825
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and line engraving; engraver's proof on vellum, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 13 1/4 inches (24.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Cascade of Terni

Creator:: Print made by John Landseer, 1769–1852
Date:: 1818-1820
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 × 11 3/4 inches (44.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Little Devil's Bridge

Creator:: Print made by unknown artist
Date:: between 1816 and 1820
Materials & Techniques:: Open etching and line engraving, (touched) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Junction of the Greta and Tees at Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1819
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream laid paper with cream chine collé
Dimensions:: Sheet: 11 15/16 × 17 15/16 inches (30.3 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1822
Materials & Techniques:: Line engraving, etching and graphite, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 9/16 × 11 13/16 inches (21.7 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Wycliffe, near Rokeby

Creator:: Print made by John Pye, 1782–1874
Date:: 1823
Materials & Techniques:: Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Merrick Abbey, Swaledale

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1818-1823
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 16 inches (26.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Aysgarth Force

Creator:: Print made by John Scott, 1774–1828
Date:: 1818-1823
Materials & Techniques:: Open etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 15/16 inches (29.8 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Ingleborough, from Hornby Castle Terrace

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1822
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Kirkby Lonsdale Churchyard

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Boy of Egremond

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Loch Lomond

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Crichton Castle

Creator:: Print made by George Cooke, 1781–1834
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/16 × 20 1/4 inches (36.4 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Rosslyn Castle

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: ca. 1822
Materials & Techniques:: Line-engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 × 13 3/8 inches (26.2 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Amboise

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A Farewell - Lake of Como, II

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. William Tell's Chapel

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1829
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Coteaux de Mauves

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Clairmont

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1833
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Graville

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Caudebec

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Lillebonne, Château and Tower

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Château Gaillard, from the South (Vignette)

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 17 × 12 inches (43.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Abbotsford, Vignette Title

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. New Abbey, Near Dumfries

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 × 8 1/2 inches (33 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Confluence of the Seine and Marne

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1835
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Berwick-on-Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 7/8 × 12 1/8 inches (22.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. St. Cloud

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Stirling

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. New Abbey, Near Dumfries

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Dunfermline

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Stirling

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Crichton Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Sandy Knowe, or Smailholm Tower

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Wolf's Hope

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Loch Leven Castle

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1836-1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Abbotsford from the Northern Bank of the Tweed

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Rievaulx Abbey

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: 1834-1856
Materials & Techniques:: Line engraving, engraver's proof touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Dead Sea, Jericho and the Mouth of the Jordan

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Red Sea and Suez

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Joppa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Line engraving and graphite, touched engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Babylon

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835-1836
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Nineveh, Moussul on the Tigris

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1835-1836
Materials & Techniques:: Etching and engraving, (Engraver's Proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Lake of Como, I

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 11 5/8 inches (44.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Lake of Geneva

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Line engraving and etching; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/2 × 8 1/2 inches (29.2 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 3/4 × 22 1/4 inches (42.5 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Alnwick Castle, Northumberland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 1/8 × 15 1/8 inches (30.8 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Bolton Abbey, Yorkshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 14 1/2 × 19 3/4 inches (36.8 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Fall of the Tees

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 16 5/8 × 22 7/8 inches (42.2 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite; touched engraver's proof (3) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Colchester, Essex

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 1/8 × 21 inches (38.4 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Bolton Abbey, Yorkshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Creator Turner, J. M. W. (Joseph Mallord William), 1775–1851

Subject Terms landscape (representation)

Search Results

1. Chateaux de St. Michael, Bonneville, Savoy

2. Bonneville, Savoy

3. Crichton Castle (Mountainous Landscape with a Rainbow)

4. Bonneville, Savoy

5. Bonneville, Savoy

6. William Tell's Chapel (vignette)

7. Eaton College, Berkshire

8. Brinkburn Priory, Northumberland

9. Blenheim, Oxfordshire

10. Blenheim, Oxfordshire

11. Arundel Castle and Town, Sussex

12. Caernarvon Castle, Wales

13. Dunwich, Suffolk

14. Dunwich, Suffolk

15. Ehrenbreitstein

16. Lake Albano

17. Lake Albano

18. Lake Albano

19. Lago Maggiore

20. Lago Maggiore

21. Lake Albano

22. Lago Maggiore

23. Virginia Water No. 1

24. Virginia Water No. 1

25. St. Germain-en-Laye

26. Ehrenbreitstein

27. Barnard Castle, Durham

28. Barnard Castle, Durham

29. Barnard Castle, Durham

30. Colchester, Essex

31. Colchester, Essex

32. Colchester, Essex

33. Dartmouth Cove

34. Dartmouth Cove

35. Inverary

36. Land's End, Cornwall

37. Land's End, Cornwall

38. Lulworth Cove, Dorset

39. Lulworth Cove, Dorset

40. Lyme Regis

41. Lyme Regis

42. Lyme Regis

43. Boscastle, Cornwall

44. Folkstone, Kent

45. Folkstone, Kent

46. Folkstone, Kent

47. Plymouth Sound

48. Cascade of Terni

49. The Little Devil's Bridge

50. Junction of the Greta and Tees at Rokeby

51. Merrick Abbey, Swaledale

52. Wycliffe, near Rokeby

53. Merrick Abbey, Swaledale

54. Aysgarth Force

55. Ingleborough, from Hornby Castle Terrace

56. Kirkby Lonsdale Churchyard

57. The Boy of Egremond

58. Loch Lomond

59. Crichton Castle

60. Rosslyn Castle

61. Amboise

62. A Farewell - Lake of Como, II

63. William Tell's Chapel

64. Coteaux de Mauves

65. Clairmont

66. Graville

67. Caudebec

68. Lillebonne, Château and Tower

69. Château Gaillard, from the South (Vignette)

70. Abbotsford, Vignette Title

71. New Abbey, Near Dumfries

72. Confluence of the Seine and Marne

73. Carlisle

74. Berwick-on-Tweed