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George Stubbs Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
1795 to 1806
George Stubbs Fowl Body, Lateral View (Study for the Key Figure to Table XV)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
George Stubbs Owl Standing, Anterior View
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
George Stubbs Fowl Body, Lateral View (Study for key figure to Table X)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for key figure to Table X)
1795 to 1806
George Stubbs Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
George Stubbs, 1724–1806
Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
undated
George Stubbs Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
George Stubbs, 1724–1806
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
George Stubbs Tiger Skeleton, Lateral View
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger Skeleton, Lateral View
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Probably made as the basis for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Shows the third stage in dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
George Stubbs Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
George Stubbs Human Figure, Posterior View (Further Study for Table XII)
George Stubbs, 1724–1806
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
George Stubbs Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Leopard Body, Lateral View
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
George Stubbs Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
George Stubbs, 1724–1806
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
George Stubbs Study of the Human Figure, Anterior View (Probably related to Table XI)
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
George Stubbs Human Figure, Anterior View (Largely in outline)
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
George Stubbs Human Figure, Anterior View (Intended for a Plate That was Never Published)
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
George Stubbs Human Body, Posterior View (Outline Drawing for Table VII)
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
George Stubbs Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
George Stubbs, 1724–1806
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
George Stubbs Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
George Stubbs Human Figure, Posterior View (Finished Study for an Unpublished Plate)
George Stubbs, 1724–1806
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
George Stubbs Human Figure, Posterior View
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
George Stubbs Tiger, Recumbent, Viewed Ventrally
George Stubbs, 1724–1806
Tiger, Recumbent, Viewed Ventrally
1795 to 1806
George Stubbs Leopard Body, Lateral View
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
1795 to 1806
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
William Hogarth Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
William Hogarth George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
George Morland Fisherman and Dog Sitting by the Coast
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
George Morland A Sportsman Loading His Gun
George Morland, 1763–1804
A Sportsman Loading His Gun
undated
unknown artist Woman with Square Hat
unknown artist
Woman with Square Hat
undated
Philippe-Jacques de Loutherbourg Corps de Garde (Barbarians Defeated by a Book)
Philippe-Jacques de Loutherbourg, 1740–1812
Corps de Garde (Barbarians Defeated by a Book)
undated
unknown artist Two Sleeping Dogs
unknown artist
Two Sleeping Dogs
undated
John Talman Studies, with Gardens, Possibly for a Talman Family House
Verso by John Talman, 1677–1726
Studies, with Gardens, Possibly for a Talman Family House
undated
William Henry Hunt Portrait of a Gentleman
William Henry Hunt, 1790–1864
Portrait of a Gentleman
undated
Daniel Maclise Henry Sass
Daniel Maclise, 1806–1870
Henry Sass
between 1830 and 1835
George Morland A Man Lifting a Trunk, Two studies on one sheet
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
George Shepheard Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
William Taverner Diana
William Taverner, 1703–1772
Diana
undated
James Ward Sleeping Pig
James Ward, 1769–1859
Sleeping Pig
undated
Edward Francis Burney Wm. Lock, Esq.
Edward Francis Burney, 1760–1848
Wm. Lock, Esq
undated
Edward Francis Burney Designs for Illustrations to Mozart's Operas
Edward Francis Burney, 1760–1848
Designs for Illustrations to Mozart's Operas
undated
Edward Francis Burney Profile Study of Female Head
Edward Francis Burney, 1760–1848
Profile Study of Female Head
undated
Edward Francis Burney St. Jerome Writing
Edward Francis Burney, 1760–1848
St. Jerome Writing
undated
Edward Francis Burney St. Jerome Meditating
Edward Francis Burney, 1760–1848
St. Jerome Meditating
undated
Edward Francis Burney Deposition
Edward Francis Burney, 1760–1848
Deposition
undated
John Flaxman Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
John Flaxman, 1755–1826
Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
undated
John Raphael Smith So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
John Raphael Smith, 1752–1812
So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
ca. 1780
John Raphael Smith He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
John Raphael Smith, 1752–1812
He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
ca. 1780
Edward Francis Burney Preparatory drawing for The Waltz
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
Robert Price A Bridge in a Landscape
Robert Price, 1717–1761
A Bridge in a Landscape
undated
Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
Marcellus Laroon the Younger A Youth Carrying a Basket
Marcellus Laroon the Younger, 1679–1772
A Youth Carrying a Basket
undated
George Lambert A Young Man Asleep
George Lambert, 1700–1765
A Young Man Asleep
undated
Sir Edwin Henry Landseer Lions at Play
Sir Edwin Henry Landseer, 1802–1873
Lions at Play
undated
Sir George Clausen Sketch of Three Laborers
Sir George Clausen, 1852–1944
Sketch of Three Laborers
undated
Henry Edridge Portrait of Thomas Estcourt Esq. of Estcourt
Henry Edridge, 1769–1821
Portrait of Thomas Estcourt Esq. of Estcourt
1806
Hercules Brabazon Brabazon Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons
Hercules Brabazon Brabazon, 1821–1906
Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons
undated
William Mulready Drawing for The First Voyage
William Mulready, 1786–1863
Drawing for The First Voyage
ca. 1833
Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
Thomas Ross Figures, Horses and Cows
Thomas Ross, active from 1753
Figures, Horses and Cows
undated
Thomas Ross Riders, Figures and a Dog
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
Thomas Ross Figures with a Wagon and Horses
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
John Michael Rysbrack Two Horses' Heads
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
unknown artist Study of a Lion, Resting
unknown artist
Study of a Lion, Resting
undated
Henry Thomas Alken "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
unknown artist Head of an Eagle, Facing Left
unknown artist
Head of an Eagle, Facing Left
undated
Henry Thomas Alken Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
Henry Thomas Alken Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
Henry Thomas Alken Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
James Seymour Coursing - After the Kill
James Seymour, 1702–1752
Coursing - After the Kill
undated
Augustin Heckel Album of Fifty-five Ornamental Designs
Attributed to Augustin Heckel, 1690–1770
Album of Fifty-five Ornamental Designs
undated
Henry Thomas Alken "Scraps", no. 32: Two Mamelukes Talking, One Mounted
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
Henry Thomas Alken "Scraps", no. 35: Mounted Mameluke with Bamboo Spear
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
Henry Thomas Alken Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
Henry Thomas Alken Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
Henry Thomas Alken Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
Henry Thomas Alken Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
Henry Thomas Alken Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
Henry Thomas Alken Knight Falling From His Horse at a Squire's Tilt
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832