Evening Landscape with Castle and Bridge in Yorkshire
between 1798 and 1799
10
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
11
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
12
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
13
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
14
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
15
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
17
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
18
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
19
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
20
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
21
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
22
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
23
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
24
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
25
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
26
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
27
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
28
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
29
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
30
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
31
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
32
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
1794
33
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
34
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
35
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
36
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
37
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
38
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
39
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
40
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
1794
41
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
42
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
43
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
44
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
45
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
46
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
47
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
48
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
49
Print made by William Blake, 1757–1827
Air; Plate 6
1793
50
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
51
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
52
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
53
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
54
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
55
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
56
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
57
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
58
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
59
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
60
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
61
Mary Harcourt, 1750–1833
On the Rhone
ca. 1780
62
Willey Reveley, 1760–1799
Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
ca. 1785
63
Print made by Peter P. Benazech, 1767–1794
The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..
ca. 1759
64
Print made by Peter P. Benazech, 1767–1794
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...
ca. 1760
65
Print made by Peter P. Benazech, 1767–1794
The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
ca. 1760
66
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
67
Print made by George Bickham the Elder, 1683/4–1758
Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
68
Print made by George Bickham the Elder, 1683/4–1758
A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9)
1731
69
Print made by George Bickham the Elder, 1683/4–1758
Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
70
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
71
James Gillray, 1756–1815
Presages of the Millenium
1795
72
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
73
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
74
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
75
Thomas Hearne, 1744–1817
A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
ca. 1775
76
Richard Bernard Godfrey, 1728–op.1794
Ships in Distress
1796
77
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
78
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
79
Print made by Francesco Bartolozzi, 1728–1815
Hebe
1782
80
Print made by James Caldwall, 1739–1819
Ham Court, the Seat of John Martin, Esq
undated
81
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
82
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Games at Vauxhall: Playing at Cricket
ca. 1743
83
Print made by George Bickham the Elder, 1683/4–1758
Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
84
Print made by George Bickham the Elder, 1683/4–1758
Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
85
Print made by George Bickham the Elder, 1683/4–1758
A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)
undated
86
Print made by George Bickham the Elder, 1683/4–1758
A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
87
Print made by George Bickham the Elder, 1683/4–1758
Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
88
Print made by George Bickham the Elder, 1683/4–1758
A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)
1731
89
Gainsborough Dupont, 1754–1797
Landscape: Man Carrying Faggots
undated
90
John Hamilton Mortimer, 1740–1779
Death on a Pale Horse
ca. 1775
91
Print made by Francesco Bartolozzi, 1728–1815
St. Cecilia
1784
92
Print made by Gerard van der Gucht, 1696–1776
Fort St. George
1736
93
Print made by Gerard van der Gucht, 1696–1776
Tellicherry
1736
94
Print made by John Raphael Smith, 1752–1812
The Slave Trade
1791
95
Pierre Charles Canot, ca. 1710–1777
A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves
96
Print made by John Harris, active 1686–1740
The Barfleur a Second Rate, carrying 90 Guns, and 680 Men, with a View of the Squadron Commanded by Lord Torrington in the Mediterranean
97
Thomas Bowles III, ca. 1712–1767
A View of the Stadt House, New Church, Weighing House, and the adjacent Buildings at Amsterdam
undated
98
Print made by Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front