Materials & Techniques: brown ink and gray wash / Period: 19th century / Image Use: Free to Use

1. Cornfields with Barn, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1829
Materials & Techniques:: Pen and brown ink with gray wash over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 7/8 x 13 inches (20 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Primitive Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and dark brown ink and gray wash on medium, moderately textured, cream heavy wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Shepherd and his Flock under the Moon and Stars

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1827
Materials & Techniques:: Brown wash, gray wash, and white gouache with pen and brown ink on very thick, slightly textured, card
Dimensions:: Sheet: 4 1/4 x 5 1/8 inches (10.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Trees and Deer

Creator:: John Constable, 1776–1837
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown and gray wash on medium, rough, cream laid paper
Dimensions:: Sheet: 11 3/8 x 7 7/8 inches (28.9 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Wady Feiran, Peninsula of Mt. Sinai

Creator:: Edward Lear, 1812–1888
Date:: ca. 1880
Materials & Techniques:: Gray wash, with pen and gray ink, brown ink, and graphite, with scratching out on medium, slightly textured, white wove paper
Dimensions:: Sheet: 12 3/4 × 20 5/8 inches (32.4 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 11/16 inches (32.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 3/4 inches (33 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Interior of a Coppersmith's, Shoe Lane

Creator:: Henry William Burgess, active 1809–1860
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Cleopatra on the Cydnus to Meet Antony

Creator:: Alfred Edward Chalon, 1780–1860
Date:: ca. 1821
Materials & Techniques:: Brown ink with gray wash and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 x 14 3/8 inches (49.6 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

24. Study for 'Finding of the Body of Bassanio'

Creator:: Henry Fuseli, 1741–1825
Date:: 1804
Materials & Techniques:: Pen and brown ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 8 inches (30.8 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Building of Waterloo Bridge

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1816
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 x 15 5/8 inches (25.4 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Tree Study

Creator:: John Baverstock Knight, 1785–1859
Date:: undated
Materials & Techniques:: Gray wash, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 10 13/16in. (19.4 x 27.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Kirkeoch, Nun Mill

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 9 1/2 inches (32.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Bombie Mill, Bombie, Tongue of Bombie

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 9 1/2 × 13 inches (24.1 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Farm

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/16 × 9 3/8 inches (33.5 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Wychwood Forest

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: 1806
Materials & Techniques:: Black and gray wash and gouache over pen and brown ink on moderately thick, moderately textured, beige laid paper mounted on thick, moderately textured, beige wove paper
Dimensions:: Mount: 20 × 25 inches (50.8 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Totnes from the Seymour Hotel

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1838
Materials & Techniques:: Pen and black ink, brown ink, gray wash, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/16 × 18 3/16 inches (29.1 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Street Scene

Creator:: Charles Samuel Keene, 1823–1891
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink, touched with white gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 inches (11.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

33. Beauvais

Creator:: attributed to William Henry Hunt, 1790–1864
Date:: ca. 1831
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 3/4 x 13 3/4 inches (42.5 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Illustration for The New Doll: The Doll brought Home

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

35. Illustration for- The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1826
Materials & Techniques:: Pen and black ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 x 4 1/2in. (9.8 x 11.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

36. Illustration for The New Doll: Sewing Clothes for the Doll

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink, gray wash, and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

37. Ilustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink, gray wash and red chalk on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 3 7/8 x 4 1/2in. (9.8 x 11.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

38. Illustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink and brown wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 3 7/8 inches (11.4 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

39. Illustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 4 1/2 × 4 inches (11.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

40. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Landscape at Ambleside

Creator:: Thomas Sunderland, 1744–1828
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and brown ink, blue wash, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 x 17 13/16in. (33 x 45.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Humorous Family Scene

Creator:: Walter Geikie, 1795–1837
Date:: undated
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

43. Wayfarers

Creator:: Sir John Gilbert, 1817–1897
Date:: undated
Materials & Techniques:: Brown wash, gray wash, and pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 5 5/8 inches (15.2 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Cheyne Walk, Old Chelsea

Creator:: Henry Greaves, 1850–1900
Date:: 1861
Materials & Techniques:: Brown wash, gray wash, pen and gray ink, pen and brown ink, and graphite on thick, smooth, cream card
Dimensions:: Sheet: 20 × 25 1/4 inches (50.8 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Queen Anne's Court, Cheyne Walk, Chelsea

Creator:: Henry Greaves, 1850–1900
Date:: 1874
Materials & Techniques:: Brown wash, gray wash, pen and brown ink, pen and black ink, and graphite on thick, smooth, cream card
Dimensions:: Sheet: 20 × 25 inches (50.8 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Whinny Liggate; Balgredan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Palmangan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/16 × 9 7/16 inches (33.5 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Walls of Jericho

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray and brown wash with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:: Mount: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1838
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 7 1/2 inches (31.3 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1838
Materials & Techniques:: Watercolor, pen and brown ink, gray wash, and graphite on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 9 5/8in. (34.3 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Mansion House, London: Elevation

Creator:: Joseph Wolf, 1820–1899
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, gray wash on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 1/4 inches (29.8 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Snowdon, an Approaching Storm

Creator:: James Ward, 1769–1859
Date:: 1853
Materials & Techniques:: Gray wash with pen and brown ink and pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 x 12 3/4 inches (17.1 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. 38 Sketches in Cumberland, Westmoreland, etc.

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1834 to 1846
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper bound in brown leather and marbled boards
Dimensions:: Spine: 10 7/8in. (27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Scene from Quentin Durward

Creator:: Sir David Wilkie, 1785–1841
Date:: 1833
Materials & Techniques:: Brown ink with brown and gray wash over graphite on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 8 1/2 × 11 1/4 inches (21.6 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Bowder Stone, Jaws of Borrowdale, Saturday 27 June 1835

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1835
Materials & Techniques:: Graphite and gray wash; verso: graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 24 3/4 inches (22.9 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Revolutionaire July 20, 1821

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1821
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 9 7/16 × 16 11/16 inches (24 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

57. Costume at Procida-Naples

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Watercolor, with pen and brown ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 13 3/16 inches (22.1 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. An Execution, Rome

Creator:: Isaac Weld, 1774–1856
Date:: 1819
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, brown wash, and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 18 3/16 inches (25.4 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Yarmouth Bridge, Aug. 1829

Creator:: E. M. Henderson, active 1815–1830
Date:: 1829
Materials & Techniques:: Pen and brown ink, gray wash, gouache, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:: Sheet: 9 1/2 × 15 inches (24.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Hints for Composition by Varley - 1805

Creator:: Thomas Sully, 1783–1872
Date:: 1805
Materials & Techniques:: Gray wash, with pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 × 8 1/4 inches (26.4 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Architectural Drawing of a Stone Relief, Depicting a Bird of Prey

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 9/16 × 13 3/4 inches (26.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Study of a Stone Mausoleum

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 6 3/8 inches (11.7 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Country Artist

Creator:: James Smetham, 1821–1889
Date:: undated
Materials & Techniques:: Pen and brown ink and gray wash on medium, smooth, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 3 3/16 inches (12.2 × 8.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Temple Near the Site of Ancient Phigalia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Gray wash, graphite, pen and brown ink, and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 15 × 9 13/16 inches (38.1 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. North Porch of the Erectheion, Athens

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: ca. 1804
Materials & Techniques:: Gray wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Arch of Hadrian

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: ca. 1804
Materials & Techniques:: Gray wash, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/16 × 8 5/8 inches (29.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Remains of the Temple of Aphaea, Island of Aigina

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, graphite, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 × 9 9/16 inches (38.1 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Arch of Trajan, Ancona, Italy

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Graphite, blue wash, gray wash, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 15/16 × 8 15/16 inches (27.8 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A Shooting Party: Mr. C. Leslie and Mr. John Leslie

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: 1833
Materials & Techniques:: Pen and brown ink, brown wash, and gray wash on thin, slightly textured, blue laid paper
Dimensions:: Sheet: 9 5/8 x 10 1/2 inches (24.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Cutting Reviews

Creator:: James Smetham, 1821–1889
Date:: undated
Materials & Techniques:: Gray wash and pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 × 3 13/16 inches (12.7 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. East Island, Crozet Group, Indian Ocean

Creator:: John Moran, 1831–1902
Date:: 1874
Materials & Techniques:: Pen and brown ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 9 5/8 inches (20.3 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

72. Kitty Overcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor, gray wash, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 7 13/16 inches (13.8 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. An Old Coquette Outstood her Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown and red-brown ink, over graphite, with pen and gray ink wash line on border; verso: graphite and watercolor blots on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 5 1/8 inches (16.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Group of Five Bulls about to Fight

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1810
Materials & Techniques:: Gray wash and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 13/16 inches (14.6 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Part of the Old Dormitory

Creator:: Attributed to John Carter, 1748–1817
Date:: 1815
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Princes in the Tower

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Hamlet and the Ghost

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Thatched Building in a Wood

Creator:: George Chinnery, 1774–1852
Date:: 1814
Materials & Techniques:: Black ink, brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 9 inches (16.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Macbeth and the Apparition of the Armed Head

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/16 × 8 15/16 inches (28.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Figures on a Rocky River Bank at Canonteign, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1801
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Courtyard of Mr. Bank's House, Northernhay, Exeter

Creator:: John White Abbott, 1763–1851
Date:: 1816
Materials & Techniques:: Pen and brown ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/2 inches (26.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Design for a Gothic Tower: East Elevation

Creator:: studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash, graphite on textured, medium, cream laid paper
Dimensions:: Sheet: 18 1/2 × 11 1/4 inches (47 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Self Portrait (?)

Creator:: John Scarlett Davis, 1804–1845
Date:: ca. 1824
Materials & Techniques:: Graphite and gray wash and brown ink on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Farm House

Creator:: Joseph Farington, 1747–1821
Date:: after 1813
Materials & Techniques:: Watercolor, pen and brown ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 5/8 inches (24.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Rocky Bank of a River

Creator:: John Ruskin, 1819–1900
Date:: ca. 1853
Materials & Techniques:: Pen and black ink, gray wash, graphite, and white gouache; verso: pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 18 5/8 inches (32.7 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. View in the Barracano de Martianez, Port Orotava, Tenerife, looking Northward

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Pen and brown ink, brown wash and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 × 8 inches (15.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Peake of Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1829
Materials & Techniques:: Watercolor, pen, gray ink, brown ink, black ink, gray wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 16 7/8 inches (34.9 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Study for a Block on the Road

Creator:: Gustave Doré, 1832–1883
Date:: between 1869 and 1872
Materials & Techniques:: Pen and brown ink, black ink, black chalk, gray wash, brown wash, graphite, and white gouache on thick, rough, beige wove paper
Dimensions:: Sheet: 17 1/16 × 13 3/16 inches (43.3 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Packington

Creator:: Attributed to Hon. Daniel Finch, 1789–1868
Date:: 1834
Materials & Techniques:: Pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 10 1/4 inches (17.8 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Ashtead

Creator:: Attributed to Hon. Daniel Finch, 1789–1868
Date:: 1833
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 inches (20.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Trial by Combat

Creator:: Thomas Sibson, 1817–1844
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, red ink, gray wash and graphite on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 10 3/4 × 13 inches (27.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

92. Edington Church

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, Pen and brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. American Bay, Crozet Island

Creator:: John Moran, 1831–1902
Date:: 1874
Materials & Techniques:: Pen and brown ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 9 5/8 inches (19.4 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

94. Coast of New Zealand, Near Auckland

Creator:: John Moran, 1831–1902
Date:: 1874
Materials & Techniques:: Pen and brown ink and gray wash; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 7 1/2 inches (8.5 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

95. The Boca Chica: Entrance to the Port of Cartagena

Creator:: John Moran, 1831–1902
Date:: 1874
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 × 8 1/4 inches (8.3 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

96. Antiquary's Drawing of an Urn Found in Castle Ruins at Eye

Creator:: William Henry Brooke, 1772–1860
Date:: 1828
Materials & Techniques:: Pen and brown ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 5 inches (18.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

YCBA Collections Search

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Materials & Techniques brown ink

Materials & Techniques gray wash

Period 19th century

Image Use Free to Use

Search Results

1. Cornfields with Barn, Shoreham

2. The Primitive Cottage, Shoreham

3. A Shepherd and his Flock under the Moon and Stars

4. Trees and Deer

5. Wady Feiran, Peninsula of Mt. Sinai

6. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

7. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

8. Hogarth Declaring His Love to Miss Thornhill

9. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

10. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

11. The Smock Exposed

12. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

13. The Reconcilation

14. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

15. Hogarth Drawing Sarah Malcolm

16. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

17. Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

18. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

19. Hogarth Sitting to Roubiliac for His Bust

20. Hogarth at Old Slaughter's Hobbing with Highmore the Painter

21. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

22. Interior of a Coppersmith's, Shoe Lane

23. Cleopatra on the Cydnus to Meet Antony

24. Study for 'Finding of the Body of Bassanio'

25. The Building of Waterloo Bridge

26. Tree Study

27. Kirkeoch, Nun Mill

28. Bombie Mill, Bombie, Tongue of Bombie

29. The Farm

30. Wychwood Forest

31. Totnes from the Seymour Hotel

32. Street Scene

33. Beauvais

34. Illustration for The New Doll: The Doll brought Home

35. Illustration for- The New Doll: Untitled

36. Illustration for The New Doll: Sewing Clothes for the Doll

37. Ilustration for The New Doll: Untitled

38. Illustration for The New Doll: Untitled

39. Illustration for The New Doll: Untitled

40. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

41. Landscape at Ambleside

42. Humorous Family Scene

43. Wayfarers

44. Cheyne Walk, Old Chelsea

45. Queen Anne's Court, Cheyne Walk, Chelsea

46. Whinny Liggate; Balgredan

47. Palmangan

48. The Walls of Jericho

49. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

50. Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

51. The Mansion House, London: Elevation

52. Snowdon, an Approaching Storm

53. 38 Sketches in Cumberland, Westmoreland, etc.

54. Scene from Quentin Durward

55. The Bowder Stone, Jaws of Borrowdale, Saturday 27 June 1835

56. Revolutionaire July 20, 1821

57. Costume at Procida-Naples

58. An Execution, Rome

59. Yarmouth Bridge, Aug. 1829

60. Hints for Composition by Varley - 1805

61. Architectural Drawing of a Stone Relief, Depicting a Bird of Prey

62. Study of a Stone Mausoleum

63. The Country Artist

64. Temple Near the Site of Ancient Phigalia

65. North Porch of the Erectheion, Athens

66. Arch of Hadrian

67. Remains of the Temple of Aphaea, Island of Aigina

68. Arch of Trajan, Ancona, Italy

69. A Shooting Party: Mr. C. Leslie and Mr. John Leslie

70. Cutting Reviews

71. East Island, Crozet Group, Indian Ocean

72. Kitty Overcome