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Materials & Techniques black ink
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Remove constraint Materials & Techniques: gray washOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomClassification Drawings & Watercolors
Remove constraint Classification: Drawings & WatercolorsSearch Results
1
- A Harrow in the Orchard
- ca. 1896
2
- Opening the Fold: Early Morning
- ca. 1880
3
- An Ancient Barn at Shoreham
- undated
4
- A Cottage among Trees, Shoreham
- undated
5
- Grotesque Female Head
- undated
6
- Grotesque Female Head
- undated
7
- Villa d'Este
- ca. 1796
8
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
9
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
10
- The Capo Sant' Angelo, Amalfi
- ca. 1885
11
- Moses Receiving the Law
- ca. 1780
12
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
13
- Borghese Gladiator
- undated
14
- The Wave
- undated
15
- John Henderson as Falstaff
- 1780
16
- Howard Visiting a Prison
- between 1790 and 1794
17
- Howard Visiting a Prison
- undated
18
- The Three Graces and Fiends Deriding Christ for "The Temptation of Christ"
- undated
19
- The Temptation of Christ
- undated
20
- Howard Visiting a Prison
- undated
21
- Men Going out to Fight, with a Crowd of Cowering Women Behind
- undated
22
- King's Wharf, and South Quay-Port of Spain
- 1851
23
- Village of Arima and Mount Tamana
- 1851
24
- Riverside, St. Joseph
- 1857
25
- Cedros Bay
- 1857
26
- St. James' Barracks from the Playground of the Model School
- 1857
27
- The Cottage, Residence of the Governor
- 1857
28
- The Reservoir at Maraval
- 1857
29
- The Pitch Lake
- 1857
30
- Avenue and Entrance to St. James Barracks
- 1857
31
- Residence at Orange Grove Estate, Tacarigua
- 1857
32
- The Road to the Pitch Lake
- 1857
33
- Los Gallos, Icacos Bay
- 1857
34
- Forest Scenery near Tamana
- 1857
35
- Corbeaux Town, Port of Spain
- 1857
36
- Ruins of the Savoy Palace, London
- undated
37
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
38
- Part of Brind Gill in Ligburthwaite
- undated
39
- Abbey Church at St. Albans
- 1781
40
- A Man Asleep with Hands Crossed in a Chair
- undated
41
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
42
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
43
- Hogarth Declaring His Love to Miss Thornhill
- 1817
44
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
45
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
46
- The Smock Exposed
- 1817
47
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
48
- The Reconcilation
- 1817
49
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
50
- Hogarth Drawing Sarah Malcolm
- 1817
51
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
52
- Fireflies
- 1760
53
- Rough Diamonds
- ca. 1760
54
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
55
- Crowned Eagle and Two Birds
- 1760
56
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
57
- Hogarth Sitting to Roubiliac for His Bust
- 1817
58
- Sheep, and Three Animals
- ca. 1760
59
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
60
- The Humble Bee and Insects
- 1760
61
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
62
- The Eleventh Hour
- 1817
63
- Allegory of Napoleonic Battles
- undated
64
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
65
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
66
- Illustration to Tonson's Ovid Metamorphis (four of four)
- ca. 1710
67
- A View of Carlisle Bay, Barbados, with Cottages
- ca. 1820
68
- View of Carlisle Bay, Barbados, with Ships and Boat
- ca. 1820
69
- Ships on a Calm Sea
- undated
70
- Wooded Landscape with Cattle, Figures and a House
- undated
71
- The Flagship of a Commander in Chief
- undated
72
- Architectural Drawing of a Building with Astrological Symbols
- undated
73
- Fort on a Rocky Outcrop
- undated
74
- Shepherd and Dog Driving Sheep up a Wooded Slope, Two Cows Looking On
- undated
75
- No. 6 Temple of Neptune the King, View and Elevation of the 2nd temple - seen from the east
- undated
76
- No. 9 architecture of the temple of Neptune the King
- undated
77
- Plan of the Temple of Ceres Legifera
- undated
78
- No. 10 Architecture of the Temple of Minerva Polias and Neptune the King
- undated
79
- Plan of temple of Minerva Polias and Neptune the King
- undated
80
- Plan of the Temple of Neptune the King
- undated
81
- Elevation of Pedestal Entableature of the Arch at Tripoli
- undated
82
- Capitol Thamugas
- undated
83
- Plans of Ancient Roman Church: 4. Terme di Tito
- undated
84
- Figures in a Landscape
- undated
85
- Study of a Coin
- undated
86
- The Spoiled Child, Scene I
- ca. 1802
87
- The Spoiled Child, Scene IV
- ca. 1802
88
- The Spoiled Child, Scene V
- ca. 1802
89
- The Spoiled Child, Scene VI
- ca. 1802
90
- Man Asleep in a Bunk on Board a Ship
- undated
91
- Malvolio: Possibly a Self-Portrait in the Role
- undated
92
- Shepherd, Shepherdess and Dog
- undated
93
- Feeding Ducks
- undated
94
- Two Boats with Crews, Study for The Royal William at Sea
- undated
95
- Girl, Full Length, Facing Right
- undated
96
- Tree Study
- undated
97
- Girl, Full Length, Facing Front
- undated
98
- Back of Naked Figure
- undated
99
- Seated Girl by an Urn
- undated
100
- A Stable Yard with Tall Tree
- undated