Lamprey, with His Owner Sir William Morgan, at Newmarket
1723
Not on view
4
John Frederick Herring, 1795–1865
Memnon, with William Scott Up
1825
Not on view
5
John Wootton, 1682–1764
A Grey Spotted Hound
1738
Not on view
6
John Wootton, 1682–1764
The Duke of Hamilton's Grey Racehorse 'Victorious' at Newmarket
ca. 1725
Not on view
7
Benjamin Marshall, 1768–1835
George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny
between 1806 and 1807
Not on view
8
John Frederick Herring, 1795–1865
Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire
1838
Not on view
9
George Garrard, 1760–1826
Turk, a greyhound, the property of George Lane Fox
1822
Not on view
10
George Garrard, 1760–1826
One of George Lane Fox's Winning Greyhounds: the Black and White Greyhound Bitch, Juno, also called Elizabeth
1822
Not on view
11
Charles Hancock, 1802–1877
Two Greyhounds in a Landscape
between 1830 and 1850
Not on view
12
David Dalby of York, 1780–1849
Signal, a Grey Arab, with a Groom in the Desert
1820 or 1829
Not on view
13
John Ferneley, 1782–1860
Study of a Saddled Bay Hunter
1828
Not on view
14
Robert Wilkinson Padley, ca. 1775–1835
A Dun Diver (Goosander)
1817
Not on view
15
James Seymour, 1702–1752
Sir Roger Burgoyne Riding "Badger"
1740
Not on view
16
Charles Towne, 1763–1840
Three Horses in a Stormy Landscape
1836
Not on view
17
James Ward, 1769–1859
Gloucestershire Old Spot
between 1800 and 1805
Not on view
18
William Barraud, 1810–1850
A Couple of Foxhounds with a Terrier, the property of Lord Henry Bentinck
ca. 1845
Not on view
19
John E. Ferneley Jr., 1815–1862
A Dandie Dinmont Terrier
1848
Not on view
20
Dean Wolstenholme, 1798–1882
Studies of carrier pigeon
1837
Not on view
21
Dean Wolstenholme, 1798–1882
Red pied carrier
1837
Not on view
22
Thomas Woodward, 1801–1852
Grey Shooting Pony, Probably the Property of Johnston King, with a Groom
1835
Not on view
23
Dean Wolstenholme, 1798–1882
An Angler's Catch of Coarse Fish
ca. 1850
Not on view
24
James Seymour, 1702–1752
The Duke of Devonshire's Flying Childers
1742
Not on view
25
William Shaw, active 1758–1772
The Duke of Ancaster's Bay Stallion, Blank, Walking Towards a Mare
ca. 1770
Not on view
26
James Ward, 1769–1859
Grey Arabian stallion, the property of Sir Watkin Williams-Wynn
ca. 1817
Not on view
27
James Ward, 1769–1859
Theophilus Levett and a Favorite Hunter
1817
Not on view
28
Jacques-Laurent Agasse, 1767–1849
A Lady's Grey Hunter
ca. 1806
Not on view
29
Jacob Bogdani, 1658–1724
Peacock, peahen, parrots, canary, and other birds in a park
between 1708 and 1710
Not on view
30
Henry Bernard Chalon, 1771–1849
The Earl of Shrewsbury's Groom Holding a Hunter
ca. 1800
Not on view
31
John Frederick Herring, 1795–1865
Fighting Cocks: a Dark-Breasted Fighting Cock, Facing Left
1829
Not on view
32
John Frederick Herring, 1795–1865
Fighting Cocks: a Pale-Breasted Fighting Cock, Facing Right
1829
Not on view
33
Print made by Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
1898-1899
34
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
35
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
36
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
37
Print made by Robert Polhill Bevan, 1865–1925
Who-o-p!
1898-1899
38
Sir Edwin Henry Landseer, 1802–1873
Three Sheep at Rest
undated
39
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
40
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
41
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
42
Thomas Rowlandson, 1756–1827
Ages of the Horse: The Foal, The Colt, The Racer, The Hunter, The Post-Horse, Food for the Hounds
undated
43
James Ward, 1769–1859
A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
44
James Ward, 1769–1859
Horse's Foreleg: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
undated
45
unknown artist
Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P
1822
46
James Ward, 1769–1859
Head of a Tiger
undated
47
Samuel Alken, 1756–1815
Groom with a Rearing Horse
undated
48
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
49
James Seymour, 1702–1752
Le Piaffe (I): Training at the Pillar, Horse Wearing Bridle and Surcingle..
undated
50
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
51
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
52
Sawrey Gilpin, 1733–1807
Hunting: The Meet
undated
53
Sawrey Gilpin, 1733–1807
Le Piaffer, Dressage Position
undated
54
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
55
John Varley, 1778–1842
Two Pack Horses
undated
56
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot
1823
57
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot (first State)
1823
58
Print made by Alfred W. Cooper, active 1850–1901
A-Hunting We Will Go
undated
59
Print made by Alfred W. Cooper, active 1850–1901
A-Hunting We Will Go (tail piece)
undated
60
Print made by George Bickham the Elder, 1683/4–1758
Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
61
Arthur James Stark, 1831–1902
Stable Boy on a Pony
undated
62
Jan Wyck, ca. 1645–1700
Staghunt
undated
63
unknown artist
Retriever with Hare in Its Mouth
early 19th century
64
James Seymour, 1702–1752
Saddled Horse Facing Left
undated
65
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
66
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
undated
67
James Seymour, 1702–1752
A Hound Facing Left
undated
68
James Seymour, 1702–1752
Studies of Stags' Heads
undated
69
Sawrey Gilpin, 1733–1807
Horse and Rider being Attacked by a Lion
undated
70
Print made by John Charlton, 1849–1917
Tiger Hunting
undated
71
Sawrey Gilpin, 1733–1807
Hound Trial with hounds named
undated
72
James Valentine, 1815–1879
Study of the Royal Stag
ca. 1865
73
James Valentine, 1815–1879
Study of the Royal Stag
ca. 1865
74
James Valentine, 1815–1879
Study of the Royal Stag
ca. 1865
75
James Valentine, 1815–1879
Study of the Royal Stag
ca. 1865
76
Sawrey Gilpin, 1733–1807
Three Figures beside a Horse
undated
77
Sawrey Gilpin, 1733–1807
Studies of Figures on Horseback
undated
78
Thomas Gainsborough, 1727–1788
Study of a Cow
between 1755 and 1760
79
James Seymour, 1702–1752
Horse Walking to Left
undated
80
James Seymour, 1702–1752
A Horse Lying Down
undated
81
Attributed to John Leech, 1817–1864
The Hunting Doctor
undated
82
unknown artist
Too Late for the Meet, c. 1860: a Lady on horseback greeting a Man who is alighting from a gig
ca. 1860
83
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
1809
84
James Ward, 1769–1859
Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters
undated
85
Henry Thomas Alken, 1785–1851
Horse and Rider seen from the Rear
undated
86
Hablot Knight Browne, 1815–1882
A Man in an enclosed Carriage being pulled by a Horse with a Rider
undated
87
John Leech, 1817–1864
The Close of the Season
undated
88
Philip William May, 1864–1903
A Man and a Boy Riding on a Beach
undated
89
Hablot Knight Browne, 1815–1882
Mr. Hawks thinks he had Better Turn Back
undated
90
Sawrey Gilpin, 1733–1807
Hunters approaching a lion being held at bay by hounds
undated
91
James Seymour, 1702–1752
Thirteen Drawings of Horses, Horsemen, Hounds, etc
undated
92
Sawrey Gilpin, 1733–1807
Jockey on a horse with three figures
undated
93
Robert Polhill Bevan, 1865–1925
The Meet
1898
94
Charles Hamilton Smith, 1776–1859
'Hunting Scenes' in Africa, North & South America, Ceylon, Australia, The Antarctic, Arctic, etc